1
21
2844
-
https://portsmouthexhibits.org/files/original/8914373d5a1d31ec4e6c37fba6cc4a78.jpg
3caa5dc389a6f02034afeeed6417681a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Henry Clay Barnabee Collection
Subject
The topic of the resource
Henry Clay Barnabee
Description
An account of the resource
Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid.
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series.
Source
A related resource from which the described resource is derived
The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library between 1907 and 1909.
Collection arranged, 1995.
Finding aid created, 2010.
Collection partially indexed and scanned, 2014.
Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.
Grant funds procured for the cleaning and re-housing of the collection, 2018.
Digital collection created in OMEKA, 2019.
Contributor
An entity responsible for making contributions to the resource
Collected by Henry Clay Barnabee and Clara George Barnabee.
Arranged by Woodard D. Openo, 1995.
Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.
Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.
Additional parts of the collection will be scanned and added to the digital archive at a later time.
Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Henry Clay Barnabee Collection
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself.
--images::2125,2120
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Portrait of W.H. MacDonald as Leucippe, 1889
Subject
The topic of the resource
MacDonald, William H.
Studio portraits
Single-sitter portraits
Description
An account of the resource
Black and white portrait of W.H. MacDonald in costume as Leucippe from Pygmalion and Galatea, sitting in chair in front of backdrop with columns and carved wall. On back of image: "May 1889."
Creator
An entity primarily responsible for making the resource
Source
A related resource from which the described resource is derived
Henry Clay Barnabee Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1889-05
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Language
A language of the resource
eng
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL2017IIPhotoB_4_6
1889
19th Century
Black and White
Bostonians
Costume
Leucippe
Portrait
Pygmalion and Galatea
W.H. MacDonald
-
https://portsmouthexhibits.org/files/original/5ee837fae67e6ea50dc379a8f713f59b.jpg
727ca91cfa6eb6ddfa9822f2c29df921
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
5”H x 3 and ½”W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Howe Library
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A pictorial-style institutional bookplate in black ink on ivory paper with a series of ornate borders. In the center are two images. The top image is an aerial view of a landscape with a river, and the bottom image is of the library building behind trees. The two images are separated by a text box containing the library's name, and beneath them is the text "Hanover, New Hampshire."
Creator
An entity primarily responsible for making the resource
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.115
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
bookplate
ex libris
howe
Pearson
pictorial
-
https://portsmouthexhibits.org/files/original/ab39d7b8b0394c98e8ccbdeb2a68ef07.jpg
30208be0afa445438a4d61a7aea27ee9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
3 and 1/4"H x 2 and 3/4"W.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for J.F. Kayser
Subject
The topic of the resource
Bookplates
Animals in art
Description
An account of the resource
A pictorial-style bookplate in black ink on ivory paper with a border of large block letters reading "Ex libris J.F. Kayser" and "Aut Caesar aut nihil," which translates from Latin to "either Caesar or nothing." The central image is of a lion fighting a bull, with the lion on the head of the bull and biting its neck. In the background is a palm tree with three coconuts. Handwritten on the back in pencil is a note which reads "fm J.B. Bulder, Holland, woodcut."
Creator
An entity primarily responsible for making the resource
J.B. Bulder, Holland
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Language
A language of the resource
eng
lat
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.287
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
bookplate
ex libris
Pearson
pictorial
-
https://portsmouthexhibits.org/files/original/922680a8ee70322552e72ccb213bb168.jpg
ab0334ad55cccb8efd41dd6956b9f751
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
3 and ½”H x 2 and ½”W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Nies
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A pictorial-style bookplate in blue ink on white paper with a floral patterned border. The central image is of a three-masted ship at sea, with another ship in the distance. Inset is the text "Uit de boeken" which translates from Dutch to "From the books." At the bottom is the name Nies, with a seagull to the left.
Creator
An entity primarily responsible for making the resource
J.W. Jameson, Wheaton, Illinois
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections Dept.
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.167
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
dut
bookplate
ex libris
nies
Pearson
pictorial
-
https://portsmouthexhibits.org/files/original/5ee975fc70785823eef5e35f4207bd4c.jpg
0a1bf904cfe2f83b8e503224dfc9520b
https://portsmouthexhibits.org/files/original/10c6b2601db65270aa59a9376e84863d.jpg
237fc6072ff039a2f9ec2b59881ea4f5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louis J. Mackles Postcard
Subject
The topic of the resource
Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations
Creator
An entity primarily responsible for making the resource
Louis J. Mackles was the collector of these postcards.
Source
A related resource from which the described resource is derived
Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.
Digitized, Spring 2016.
Collection rehoused, Spring 2016
Digital Collection created in OMEKA, June 2016.
Contributor
An entity responsible for making contributions to the resource
Collected by Louis J. Mackles.
Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.
Omeka addition and metadata by Jessica Ross.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other parts of the collection may be found in....
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth and the Seacoast, NH.
Description
An account of the resource
This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)
_______________________________________________________________________________________________
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:
‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.
Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.
He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’
_______________________________________________________________________________________________
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.
__________________________________________________________________________________________
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.
Please see below for copyright information.
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Mackles Postcard Collection
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015
--images::975,1367
Postcard
PPL Acc. #
2015.1-419
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Abram Wendell House Doorway
Subject
The topic of the resource
Abram Wendell House, Pleasant St., Portsmouth, NH
Creator
An entity primarily responsible for making the resource
A.A. Peterson, Greenland, NH
Source
A related resource from which the described resource is derived
Louis J. Mackles Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Relation
A related resource
Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard, and with a single private collector.
Format
The file format, physical medium, or dimensions of the resource
JPG derived from TFF
Type
The nature or genre of the resource
Paper postcard
Identifier
An unambiguous reference to the resource within a given context
Volume 2, Portsmouth Doors #51-52
Abram Wendell
Door
history
local history
Mackles Collection
Pleasant St.
Portsmouth
postcard
Wendell House
-
https://portsmouthexhibits.org/files/original/c2d4013fd04442b9cc54b23eaa3ce60a.jpg
cc9edcbcc2764756f8a9b3555c7b2180
https://portsmouthexhibits.org/files/original/9c2325c797971a67f4d5ae97543333c2.jpg
eb436efd653488af2f352af39fb57d66
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louis J. Mackles Postcard
Subject
The topic of the resource
Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations
Creator
An entity primarily responsible for making the resource
Louis J. Mackles was the collector of these postcards.
Source
A related resource from which the described resource is derived
Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.
Digitized, Spring 2016.
Collection rehoused, Spring 2016
Digital Collection created in OMEKA, June 2016.
Contributor
An entity responsible for making contributions to the resource
Collected by Louis J. Mackles.
Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.
Omeka addition and metadata by Jessica Ross.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other parts of the collection may be found in....
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth and the Seacoast, NH.
Description
An account of the resource
This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)
_______________________________________________________________________________________________
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:
‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.
Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.
He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’
_______________________________________________________________________________________________
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.
__________________________________________________________________________________________
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.
Please see below for copyright information.
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Mackles Postcard Collection
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015
--images::975,1367
Postcard
PPL Acc. #
2015.1-419
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jackson House
Subject
The topic of the resource
Jackson House, 76 Northwest St., Portsmouth, NH
Creator
An entity primarily responsible for making the resource
A.A. Peterson, Greenland, NH
Source
A related resource from which the described resource is derived
Louis J. Mackles Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Relation
A related resource
Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector.
Format
The file format, physical medium, or dimensions of the resource
JPG derived from TFF
Type
The nature or genre of the resource
Paper postcard
Identifier
An unambiguous reference to the resource within a given context
Volume 2, Portsmouth Historic Houses #57-58
history
Jackson House
local history
Mackles Collection
Northwest St.
Portsmouth
postcard
Richard Jackson
-
https://portsmouthexhibits.org/files/original/3d245cfe713b521e42056aad1ea686b2.jpg
517ea7d60dc0f2c12327a2ec342e8963
https://portsmouthexhibits.org/files/original/b23f44be2f36f2c6e03acfbed89ccafe.jpg
987edfafb8fc41d1e2aec1a63959968f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louis J. Mackles Postcard
Subject
The topic of the resource
Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations
Creator
An entity primarily responsible for making the resource
Louis J. Mackles was the collector of these postcards.
Source
A related resource from which the described resource is derived
Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.
Digitized, Spring 2016.
Collection rehoused, Spring 2016
Digital Collection created in OMEKA, June 2016.
Contributor
An entity responsible for making contributions to the resource
Collected by Louis J. Mackles.
Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.
Omeka addition and metadata by Jessica Ross.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other parts of the collection may be found in....
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth and the Seacoast, NH.
Description
An account of the resource
This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)
_______________________________________________________________________________________________
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:
‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.
Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.
He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’
_______________________________________________________________________________________________
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.
__________________________________________________________________________________________
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.
Please see below for copyright information.
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Mackles Postcard Collection
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015
--images::975,1367
Postcard
PPL Acc. #
2015.1-419
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Provincial Gov. Benning Wentworth's Mansion
Subject
The topic of the resource
Wentworth-Coolidge Mansion, 375 Little Harbor Rd., Portsmouth, NH
Creator
An entity primarily responsible for making the resource
A.A. Peterson, Greenland, NH
Source
A related resource from which the described resource is derived
Louis J. Mackles Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Relation
A related resource
Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector.
Format
The file format, physical medium, or dimensions of the resource
JPG derived from TFF
Type
The nature or genre of the resource
Paper postcard
Identifier
An unambiguous reference to the resource within a given context
Volume 2, Portsmouth Historic Houses #221-222
Gov. Benning Wentworth
history
Little Harbor Rd.
local history
Mackles Collection
Portsmouth
postcard
Wentworth-Coolidge Mansion
-
https://portsmouthexhibits.org/files/original/1b48c2652bc794561db995f3b759af7e.jpg
8dc5ab2ba5a100a00bf559ea7699da5a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
6”H x 3 and ¾”W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Vassar College Library
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A typographic-style institutional bookplate in black ink on ivory paper with a line border. "Vassar College Library" is written at the top in a calligraphic font with ornate capitals. In the center is A knot work square, and in its center is the text "Doe well and let them saye," with a star and upwards-pointing crescent above it. Additional text beneath reads "Foundation of Mary Augusta Scott, Class of 1976." The bookplate is signed and dated with A.H.R. 1921.
Creator
An entity primarily responsible for making the resource
A.H.R.
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections Dept.
Date
A point or period of time associated with an event in the lifecycle of the resource
1921
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.254
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
bookplate
ex libris
Pearson
pictorial
typographic
-
https://portsmouthexhibits.org/files/original/e6c5a73aa68b9bbdb16fc3d96e75290b.jpg
6840b7bc11208327d1101b2f5d6a3ae2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
4”H x 2 and 5/8”W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Glenn Wyatt Wolcott
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A heraldic-style bookplate in black ink on ivory paper featuring an ornate scrollwork border with leaf and green man motifs. In the center is a shield divided into two fields by an ermine chevron. There are two chess rooks in the upper field, and one in the lower field. The shield is topped with a helmet and wreath bearing a bull's head. Beneath is a scroll with the motto “Nullius addictus jurare in verba magistri” which loosely translates from Latin to “Bound to swear on the master.” A scroll above reads "Ex libris," and a scroll beneath bears the name Glenn Wyatt Wolcott.
Creator
An entity primarily responsible for making the resource
A.M Newton
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections Dept.
Date
A point or period of time associated with an event in the lifecycle of the resource
1918
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.277
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
lat
bookplate
ex libris
heraldic
Pearson
-
https://portsmouthexhibits.org/files/original/927f12d850a378be42016718903cf1e1.jpg
c6f710c91ea479e45193fe485d304a28
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
3 and ¾”H x 2 and ¾”W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for University of California
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A pictorial-style institutional bookplate in black ink on light ivory paper. The design features two angels wearing draped clothing and hoods holding torches. Between the torches is a six pointed star. In front of them is an open book with "No." in the lower left corner, and the angels appear to be holding it open with a wreath. Above are two banners with the text "University of California" and "James K Moffitt Fund" and at the bottom of the image is a small banner reading "Let there be light!" Above this banner is a maker's mark.
Creator
An entity primarily responsible for making the resource
A.R. Wheelan
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1935
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.028
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
bookplate
ex libris
Moffitt
Pearson
pictorial
-
https://portsmouthexhibits.org/files/original/f0d6238ed5b3ac8ff6527f8ae684e6c4.jpg
3e2005af7661275985db5e531929a288
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
3 and 3/4"H x 2 and 3/4"W.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Coen van Kayser
Subject
The topic of the resource
Bookplates
Animals in art
Description
An account of the resource
A pictorial-style bookplate in black ink on white paper, with text and drawing in white on black. The image features an open book in the foreground, with a horse and dog leaping from the pages. A parrot, lizard, monkey, and small bird are in front of the book, which is surrounded by flowers. In the background is a setting or rising sun and a volcano. Inset text reads "Dit boek is van Coen Kayser," which translates from Dutch to "this book belongs to Coen Kayser."
Creator
An entity primarily responsible for making the resource
Agta Meijer
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1933
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Language
A language of the resource
Dut
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.286
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
bookplate
ex libris
Pearson
pictorial
-
https://portsmouthexhibits.org/files/original/c5395b05c4651093b4cef99e5294638b.jpg
72d2c2dfffc1e5d97354678e9774327c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
4 and 1/2"H x 3 and 1/2"W.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Kertesz K. Robert
Subject
The topic of the resource
Bookplates
Women in art
Description
An account of the resource
A pictorial-style bookplate in black ink on ivory paper featuring an Art Deco style image. The image is of a female figure swathed in fabric, with three faces gazing at her from the lower right corner. Beneath is the text "Ex libris Kertesz K. Robert" with a small shield and floral motifs. A handwritten note indicates the sender as "Hovey Collection."
Creator
An entity primarily responsible for making the resource
Aiglon (Sassy Attila), Budapest
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1910
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.131
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
aiglon
bookplate
ex libris
kertesz
Pearson
pictorial
-
https://portsmouthexhibits.org/files/original/7773335e5fa1af14338a2168e1063cd6.jpg
3bcab97368e6d5148727edcecdac9694
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
4 and 1/4"H x 3 and 1/2"W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Ambrozy Agostonne
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A pictorial-style bookplate in black ink on ivory paper with a line border. The central image is of a row of books, some upright, and some resting with their spines facing up, and a quill and inkpot. On top of the books is a bust of a figure facing right. Beneath his is the text "Ex libris" with scrollwork on either side, and the name Ambrozy Agostonne.
Creator
An entity primarily responsible for making the resource
Aiglon, Budapest
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Language
A language of the resource
eng
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.334
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Agostonne
bookplate
ex libris
Pearson
pictorial
-
https://portsmouthexhibits.org/files/original/763a1b1ba5f6d779c0de5a90cbe0aae2.jpg
d7cc9827c2b08b8e27a80a3cf583b2ae
https://portsmouthexhibits.org/files/original/406940d971e28c7a1d9d59a3a38019b7.jpg
9ed72c67a01571ed8d51e9aa7df10966
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louis J. Mackles Postcard
Subject
The topic of the resource
Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations
Creator
An entity primarily responsible for making the resource
Louis J. Mackles was the collector of these postcards.
Source
A related resource from which the described resource is derived
Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.
Digitized, Spring 2016.
Collection rehoused, Spring 2016
Digital Collection created in OMEKA, June 2016.
Contributor
An entity responsible for making contributions to the resource
Collected by Louis J. Mackles.
Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.
Omeka addition and metadata by Jessica Ross.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other parts of the collection may be found in....
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth and the Seacoast, NH.
Description
An account of the resource
This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)
_______________________________________________________________________________________________
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:
‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.
Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.
He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’
_______________________________________________________________________________________________
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.
__________________________________________________________________________________________
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.
Please see below for copyright information.
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Mackles Postcard Collection
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015
--images::975,1367
Postcard
PPL Acc. #
2015.1-419
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bow Street
Subject
The topic of the resource
Bow Street, Portsmouth, NH
Creator
An entity primarily responsible for making the resource
Alana Originals, New Castle, NH, 1985
Source
A related resource from which the described resource is derived
Louis J. Mackles Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Relation
A related resource
Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector.
Format
The file format, physical medium, or dimensions of the resource
JPG derived from TFF
Type
The nature or genre of the resource
Paper postcard
Identifier
An unambiguous reference to the resource within a given context
Volume 3, Misc. Portsmouth Postcards, Books and Booklets #54-55
Bow St.
history
local history
Mackles Collection
Portsmouth
postcard
-
https://portsmouthexhibits.org/files/original/22a333278fbf4603e68ea067643f9042.jpg
9cfad6f2b1a348cc0dd7d13b0393f6b2
https://portsmouthexhibits.org/files/original/022ac39a695963390b37a9edf1ada772.jpg
5fbf6f80dbe995d213811c4a5e3d1f8e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louis J. Mackles Postcard
Subject
The topic of the resource
Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations
Creator
An entity primarily responsible for making the resource
Louis J. Mackles was the collector of these postcards.
Source
A related resource from which the described resource is derived
Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.
Digitized, Spring 2016.
Collection rehoused, Spring 2016
Digital Collection created in OMEKA, June 2016.
Contributor
An entity responsible for making contributions to the resource
Collected by Louis J. Mackles.
Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.
Omeka addition and metadata by Jessica Ross.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other parts of the collection may be found in....
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth and the Seacoast, NH.
Description
An account of the resource
This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)
_______________________________________________________________________________________________
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:
‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.
Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.
He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’
_______________________________________________________________________________________________
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.
__________________________________________________________________________________________
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.
Please see below for copyright information.
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Mackles Postcard Collection
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015
--images::975,1367
Postcard
PPL Acc. #
2015.1-419
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Portsmouth Tugs
Subject
The topic of the resource
Tugboats, Portsmouth, NH
Creator
An entity primarily responsible for making the resource
Alana Originals, New Castle, NH, 1985
Source
A related resource from which the described resource is derived
Louis J. Mackles Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Relation
A related resource
Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector.
Format
The file format, physical medium, or dimensions of the resource
JPG derived from TFF
Type
The nature or genre of the resource
Paper postcard
Identifier
An unambiguous reference to the resource within a given context
Volume 3, Misc. Portsmouth Postcards, Books and Booklets #55-56
history
local history
Mackles Collection
Portsmouth
postcard
tugboats
-
https://portsmouthexhibits.org/files/original/a5a924a18b9051036621301d0eb7f02f.jpg
eaaad81e60020207c4fbe5a7d35c1756
https://portsmouthexhibits.org/files/original/1f64e958e06f7b1f52b912910dd3d39e.jpg
9d274515f955aa358cb4d16d0786c592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louis J. Mackles Postcard
Subject
The topic of the resource
Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations
Creator
An entity primarily responsible for making the resource
Louis J. Mackles was the collector of these postcards.
Source
A related resource from which the described resource is derived
Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.
Digitized, Spring 2016.
Collection rehoused, Spring 2016
Digital Collection created in OMEKA, June 2016.
Contributor
An entity responsible for making contributions to the resource
Collected by Louis J. Mackles.
Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.
Omeka addition and metadata by Jessica Ross.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other parts of the collection may be found in....
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth and the Seacoast, NH.
Description
An account of the resource
This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)
_______________________________________________________________________________________________
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:
‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.
Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.
He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’
_______________________________________________________________________________________________
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.
__________________________________________________________________________________________
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.
Please see below for copyright information.
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Mackles Postcard Collection
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015
--images::975,1367
Postcard
PPL Acc. #
2015.1-419
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Market Square
Subject
The topic of the resource
Market Square, Portsmouth, NH
Creator
An entity primarily responsible for making the resource
Alana Originals, New Castle, NH, 1985
Source
A related resource from which the described resource is derived
Louis J. Mackles Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Relation
A related resource
Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector.
Format
The file format, physical medium, or dimensions of the resource
JPG derived from TFF
Type
The nature or genre of the resource
Paper postcard
Identifier
An unambiguous reference to the resource within a given context
Volume 3, Misc. Portsmouth Postcards, Books and Booklets
history
local history
Mackles Collection
Market Square
Portsmouth
postcard
-
https://portsmouthexhibits.org/files/original/e827f9e5c7461820b4e1ac9686a51559.jpg
9be4e895586d84bd2587e9d094e7b74c
https://portsmouthexhibits.org/files/original/b857ea718df9b3d4e031c0c99b5166c7.jpg
be34fb043ca606f9d775283128f9b3d3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louis J. Mackles Postcard
Subject
The topic of the resource
Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations
Creator
An entity primarily responsible for making the resource
Louis J. Mackles was the collector of these postcards.
Source
A related resource from which the described resource is derived
Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.
Digitized, Spring 2016.
Collection rehoused, Spring 2016
Digital Collection created in OMEKA, June 2016.
Contributor
An entity responsible for making contributions to the resource
Collected by Louis J. Mackles.
Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.
Omeka addition and metadata by Jessica Ross.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other parts of the collection may be found in....
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth and the Seacoast, NH.
Description
An account of the resource
This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)
_______________________________________________________________________________________________
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:
‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.
Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.
He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’
_______________________________________________________________________________________________
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.
__________________________________________________________________________________________
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.
Please see below for copyright information.
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Mackles Postcard Collection
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015
--images::975,1367
Postcard
PPL Acc. #
2015.1-419
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Market Square
Subject
The topic of the resource
Market Square, Portsmouth, NH
Creator
An entity primarily responsible for making the resource
Alana Originals, New Castle, NH, 1985
Source
A related resource from which the described resource is derived
Louis J. Mackles Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Relation
A related resource
Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector.
Format
The file format, physical medium, or dimensions of the resource
JPG derived from TFF
Type
The nature or genre of the resource
Paper postcard
Identifier
An unambiguous reference to the resource within a given context
Volume 3, Misc. Portsmouth Postcards, Books and Booklets #59-60
history
local history
Mackles Collection
Market Square
Portsmouth
postcard
-
https://portsmouthexhibits.org/files/original/fecaa2c3afd57567d89a87cf013916d8.jpg
616672f3a315dbcb8ce61977b37f8689
https://portsmouthexhibits.org/files/original/c00fa729e8bfbf393418af5e2db509d9.jpg
6abede80e8c2b3cbf3f57016b49afa12
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louis J. Mackles Postcard
Subject
The topic of the resource
Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations
Creator
An entity primarily responsible for making the resource
Louis J. Mackles was the collector of these postcards.
Source
A related resource from which the described resource is derived
Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.
Digitized, Spring 2016.
Collection rehoused, Spring 2016
Digital Collection created in OMEKA, June 2016.
Contributor
An entity responsible for making contributions to the resource
Collected by Louis J. Mackles.
Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.
Omeka addition and metadata by Jessica Ross.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other parts of the collection may be found in....
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth and the Seacoast, NH.
Description
An account of the resource
This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)
_______________________________________________________________________________________________
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:
‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.
Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.
He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’
_______________________________________________________________________________________________
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.
__________________________________________________________________________________________
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.
Please see below for copyright information.
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Mackles Postcard Collection
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015
--images::975,1367
Postcard
PPL Acc. #
2015.1-419
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Market Square
Subject
The topic of the resource
Market Square, Portsmouth, NH
Creator
An entity primarily responsible for making the resource
Alana Originals, New Castle, NH, 1985
Source
A related resource from which the described resource is derived
Louis J. Mackles Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Relation
A related resource
Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single, private collector.
Format
The file format, physical medium, or dimensions of the resource
JPG derived from TFF
Type
The nature or genre of the resource
Paper postcard
Identifier
An unambiguous reference to the resource within a given context
Volume 3, Misc. Portsmouth Postcards, Books and Booklets #61-62
history
local history
Mackles Collection
Market Square
Portsmouth
postcard
-
https://portsmouthexhibits.org/files/original/1906d602940205fc8b07814ff01e58b0.jpg
c5887bfa20ea16a36ab2f9fb84cff400
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
4 and 5/8"H x 5"W.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for J. Cardoso Goncalves
Subject
The topic of the resource
Bookplates
Men in art
Description
An account of the resource
A pictorial-style bookplate in black ink on ivory paper featuring a drawing a bald man in a suit and tie, looking at a book with a magnifying glass. Behind him are paintings and books, and a vase with roses is on his right. The scene is inset in a circle with the edge of the open book and the vase of roses extending past the border. Beneath is a scroll which reads "Ex libris J. Cardaso Goncalves."
Creator
An entity primarily responsible for making the resource
Alberto Zanverdiani
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.288
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
bookplate
ex libris
Pearson
pictorial
-
https://portsmouthexhibits.org/files/original/3416a0860be3bf0fce9b0c78a8c54b52.jpg
0d2ba8b74bf536340cb6c1b6fd260128
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
6”H x 3 and ¾”W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Manuel A. Ortiz
Subject
The topic of the resource
Bookplates
Ships in art
Description
An account of the resource
A pictorial-style bookplate in black ink on ivory paper featuring a sailing ship with crossed on the sails. Behind the ship is a setting or rising sun, and the ocean is framed by two fencing sabers. Below the ocean is the text “Aprendo il mare fummo in cotal guise che nazion nessuna inanzi aperse," which translates loosely from Italian to "Opening the sea we were in such a way that no one before opened," and "Ex libris M.A. Ortiz." The back is marked Trieste-Italia.
Creator
An entity primarily responsible for making the resource
Alberto Zanverdiani, Trieste, Italy
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections Dept.
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.175
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
ita
bookplate
ex libris
ortiz
Pearson
pictorial
-
https://portsmouthexhibits.org/files/original/442ee2377df001ec10865e53a9ba0c22.pdf
a9ffaba73aeea169df89aacdb8bfe5d3
PDF Text
Text
��
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Portsmouth 350, Inc.: 350th Anniversary Materials
Subject
The topic of the resource
Portsmouth, New Hampshire
Description
An account of the resource
Historic materials from the 350th anniversary of the City of Portsmouth, celebrated in 1973.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1973
Contributor
An entity responsible for making contributions to the resource
Digitization and database creation, Jessica Ross, January 2018
Omeka additions and metadata, Jessica Ross, January 2018
Format
The file format, physical medium, or dimensions of the resource
PDF, JPG derived from TIF
Miscellaneous
Miscellaneous
Put whatever you want in here.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Committee Chair Letter, Portsmouth 350, Inc.
Subject
The topic of the resource
City of Portsmouth, New Hampshire Anniversary
Creator
An entity primarily responsible for making the resource
Alice Sullivan, Portsmouth 350, Inc. Chair
Source
A related resource from which the described resource is derived
Vertical Files, Portsmouth Public Library Special Collections
Publisher
An entity responsible for making the resource available
Portsmouth Public Library Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1973
Format
The file format, physical medium, or dimensions of the resource
pdf
Type
The nature or genre of the resource
document