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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Appledore House, Isles of Shoals
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.171
Description
An account of the resource
Located on Appledore Island at the Isles of Shoals, the Appledore House was built in 1847 by Thomas Laighton and Levi Thaxter. It opened June 15, 1848. The Appledore became a busy resort, and in 1905 delegates in Portsmouth for the Russo-Japanese Peace Treaty discussions visited for a reception. The hotel was lost to a fire in 1914.
According to Celia Thaxter, in Celia Thaxter, Among the Isles of Shoals [Boston: J.R. Osgood and Company, 1873], as late as 1873, "Philip Babb, or some evil-minded descendant of his, haunted Appledore."
Inscription reads, "Appledore House, Shoals. 1849."
Subject
The topic of the resource
Isles of Shoals (N.H.)
Historic buildings
Watercolors (paintings)
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
historic building
Isles of Shoals
New Hampshire
watercolor
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cornell Cottage, Portsmouth, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.169
Subject
The topic of the resource
Portsmouth (N.H.)
Historic buildings
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of Cornell Cottage. Inscription reads, "Cornell Cottage, Elwyn Road, Portsmouth."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
historic building
New Hampshire
Portsmouth
watercolor
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2572
Width
3597
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Old Church, Sunapee Village, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.166
Subject
The topic of the resource
Sunapee (N.H.)
Historic buildings
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of a church situated on the banks of a body of water. Inscription reads, "Church at Sunapee Village."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
church
Foster
historic building
New Hampshire
watercolor
-
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f0e4a3b7cf5e33618161ad63b9f8a450
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
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Height
3921
Width
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carter's Notch, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.163
Subject
The topic of the resource
Jackson (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of Carter's Notch as seen from Jackson Falls. Carter's Notch is located in Bean's Purchase, Coos County, New Hampshire. Inscription reads, "Carter's Notch, from Jackson Falls."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/5092b0cd67280abe7d2c6a3f02418837.jpg
e43ae8e31a2bc870a66db01c6cd6da8b
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1620
Width
3597
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jackson Falls, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.162
Subject
The topic of the resource
Jackson (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting depicting a field in Jackson, New Hampshire, in autumn. A horse and cart are visible in the middle of the scene and mountains are painted in the distance. Inscription reads, "At Jackson Falls."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/02859d967ce3926805dcc2f104a25e67.jpg
4ee5d9b19c842a4cdc6e14aced18a3f7
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1677
Width
3596
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
At Jackson Falls, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.161
Subject
The topic of the resource
Jackson (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting near Jackson Falls. Inscription reads, "At Jackson Falls."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/9dd03cc01c7918ae653efa0f97e9ca35.jpg
df298bd16918fdc15e788c5dbe0b273b
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1094
Width
3602
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jackson Falls Village, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.153
Subject
The topic of the resource
Jackson (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of Jackson Falls Village from a distance. Carter's Gap is visible to the right. Inscription reads, "Jackson Falls village - Carter's Gap to right."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/ba7017323980a230dfd42831588a014b.jpg
291275c1404b3903e4817cdb9fad2807
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3575
Width
2330
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Iron Mountain, Jackson, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.152
Subject
The topic of the resource
Jackson (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting depicting Iron Mountain in autumn. Two buildings stand at the base of the mountain. Inscription reads, "Iron Mountain, Jackson Falls."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/255a9592dfdbfe4f6c07eb58f9364e3f.jpg
60aa40985801f898f1cd489203607846
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1448
Width
3600
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
On Thorn Hill Road, Jackson Falls, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.151
Subject
The topic of the resource
Jackson (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of a house on Thorn Hill Road in Jackson, NH. Scene features a dog in front of the house and mountains in the distance. Inscription reads, "On Thorn Hill Road, Jackson Falls."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
historic building
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/c4bad1e9e46f587cfcf8a7080f29bafc.jpg
ac224a99be338be0dbff5a73bbb2e6b8
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1481
Width
3598
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Autumn view
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.150
Subject
The topic of the resource
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting depicting an autumn scene and featuring a body of water surrounded by trees with fall foliage. A building is visible on the opposite bank and mountains are seen in the distance.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
-
https://portsmouthexhibits.org/files/original/b9771e041204aa12c717862c11babb05.jpg
16c6f2fa21cce461fbb0f755eadac030
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1820
Width
3602
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jackson Falls, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.149
Subject
The topic of the resource
Jackson (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of Jackson Falls from the top. Inscription reads, "Jackson Falls."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/647bef4a295afa668d9be74add992f57.jpg
de2e3fb27bbdcc93192505dc2f29557a
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3536
Width
2125
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jackson Falls, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.148
Subject
The topic of the resource
Jackson (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of Jackson Falls in autumn. Inscription reads, "Jackson Falls, N.H."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/4dfc5e9adab317741a196c33052e87f2.jpg
47c2c9e95e0120ce73f9c0dd5d7f3f6a
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1028
Width
3597
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
View from The Intervale House, Intervale, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.147
Subject
The topic of the resource
Intervale (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting depicting the view as seen from The Intervale House, a hotel in Intervale, NH. Inscription reads, "View from Intervale House."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/f968c981fe91cd9c5e5801e4057f7541.jpg
22e04ab631b53c1435d8e17856bd7e2e
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1610
Width
3599
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Ledges, Intervale, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.146
Subject
The topic of the resource
Intervale (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of The Ledges. Inscription reads, "Ledges, at Intervale, N.H."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/8cca0417409817f126e67e0aab3e4740.jpg
e053ff7f3cec35914d5f48004c1e7a43
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1551
Width
3599
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Church, Plymouth, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.145
Subject
The topic of the resource
Plymouth (N.H.)
Historic buildings
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of a church and cemetery in Plymouth. Inscription reads, "Church at Plymouth, N.H. (oldest in state)."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
cemetery
church
Foster
historic building
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/57b1665feef4b222782ed01e40717774.jpg
17936c38f870e1fdd89aeb6a40ea6446
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1660
Width
3601
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
View from Greeley's Hotel, Waterville, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.144
Subject
The topic of the resource
Waterville Valley (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting depicting the landscape as seen from Greeley's Hotel in Waterville Valley, NH. Inscription reads, "View from Greeley's Hotel, Waterville."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/b38ecc55ecbcec56b115f8d722edd0be.jpg
362dff176ac4cd75a3eabc61161ded3f
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1816
Width
3601
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fountain near Woodstock, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.143
Subject
The topic of the resource
Woodstock (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting depicting two figures drinking water from a barrel, catching water from a makeshift "fountain." Inscription reads, "Fountain near Woodstock."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/4508a01a6dca12adaba6dcdba39b83d4.jpg
6e9fb953940fdaff606df32294518d36
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1564
Width
3600
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
On road to Basin, Woodstock, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.142
Subject
The topic of the resource
Woodstock (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting captured from the road on the way to Agassiz Basin in North Woodstock, NH. Inscription reads, "On the road to Basin, Woodstock."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/600b3c53ce7af22eedbfbe3915852163.jpg
1a751b335bbb758a6555457e60f68504
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3596
Width
2057
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Agassiz Basin, Woodstock, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.141
Subject
The topic of the resource
Woodstock (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of the Agassiz Basin in North Woodstock, NH. Inscription reads, "Agassoy Basin, Woodstock."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/f2a279e246661042468b1b7ded966841.jpg
854d5cc15199abc487fdb8913aa3188e
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1799
Width
3601
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Parker House, Woodstock, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.140
Subject
The topic of the resource
Woodstock (N.H.)
Historic buildings
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of Curtis L. Parker's house in Woodstock, NH. Parker built many of the summer homes in Woodstock, as well as the dam. Inscription reads, "Curtis Parker's House, Woodstock."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
historic building
New Hampshire
watercolor
White Mountains
-
https://portsmouthexhibits.org/files/original/958d3709931923fac7e58e291c433609.jpg
3fad0287d26d742fce23fbf696018a66
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
994
Width
3600
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
View from Randolph Hill, Randolph, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.139
Subject
The topic of the resource
Randolph (N.H.)
Landscapes
Watercolors (paintings)
Description
An account of the resource
A watercolor painting depicting the view from atop Randolph Hill in NH. Inscription reads, "View from Randolph Hill."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
Foster
landscape
New Hampshire
watercolor
White Mountains