1
21
5
-
https://portsmouthexhibits.org/files/original/e9f863efbbc86ad56d5044a29d463e9b.jpg
39dd9971a8a243b5b70130ae09aef9a3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
4 and 1/4"H x 3 and 3/4"W.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Rice Public Library
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A heraldic-style institutional bookplate in black ink on white paper with a border made to look like carved stone. In each corner of the border is a Rose, and it reads "Kittery Maine, Rice Public Library, 1888." In the center is a shield with three ravens, topped with a helmet with a raven crest and mantling.
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections Dept.
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.134
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
armorial
bookplate
ex libris
heraldic
Kittery
Rice
-
https://portsmouthexhibits.org/files/original/93200e43fa0c0d5bf5738fbc81ed2e80.jpg
0eb2660f3ab42be3d7ecb3650ce60d5f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
4 and ½”H x 3 and 1/4”W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Phillips Exeter Academy
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A heraldic-style institutional bookplate in black ink on ivory paper with a line border, featuring the coat-of-arms of Phillips Exeter Academy, which bears a lion rampant and is topped with a seated lion, and surrounded by elaborate mantling. Latin script above and below reads “Pia mente studeatur. In usum Academia Phillipsa Exoniensis,” which loosely translates to “Let him study with a pious mind in the use of the Academy of Phillips Exeter.” At the bottom is the text "Edwin Fay Rice Collection."
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.192
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
lat
armorial
bookplate
ex libris
heraldic
Pearson
phillips exeter academy
Rice
-
https://portsmouthexhibits.org/files/original/105be97b0341f380d61a64896d0c1060.jpg
48b5ac6cc2d05571895e534e10c9e860
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
2 and ¼”H x4”W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for the Portsmouth Athenaeum
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A typographic-style institutional bookplate in black ink on ivory paper with a patterned border. There is space at the top to record "No." and "Shelf," and text beneath reads "Portsmouth Athenaeum, From the Rice Fund."
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections Dept.
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.215
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
ex libris
Pearson
portsmouth athenaeum
Rice
typographic
-
https://portsmouthexhibits.org/files/original/a74a0ec51bc5b70b83c2af913c936b1b.jpg
7d6b38f3c5700bf9fb7abfedf0ead816
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Bookplate Collection
Creator
An entity primarily responsible for making the resource
Helen Pearson was the original collector of these bookplates.
Contributor
An entity responsible for making contributions to the resource
Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925.
Digitization and database creation, Jessica Ross, Spring/Summer 2017.
Omeka additions and metadata, R. Nielsen, 2023.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Identifier
An unambiguous reference to the resource within a given context
PPL-MS 1925.1
Subject
The topic of the resource
Historic bookplates
Description
An account of the resource
A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts.
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility.
Date
A point or period of time associated with an event in the lifecycle of the resource
The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.
Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011.
Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Rights
Information about rights held in and over the resource
This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will.
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Paper
Physical Dimensions
The actual physical size of the original image.
4 and ¼”H x 3 and ¾”W
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bookplate for Rice Public Library
Subject
The topic of the resource
Bookplates
Description
An account of the resource
A heraldic-style institutional bookplate with a border made to look like a stone carving. Within the border is the text "Kittery, Maine, Rice Public Library, 1888." The central shield bears three ravens on a field divided by a chevron. The shield is topped by a helmet adorned with a wreath, a raven, and elaborate mantling.
Source
A related resource from which the described resource is derived
The Helen Pearson Bookplate Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections Dept.
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-MS: 1925.1.231
Contributor
An entity responsible for making contributions to the resource
Pearson, Helen (1870-1949)
Rights
Information about rights held in and over the resource
View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
armorial
bookplate
ex libris
heraldic
Pearson
Rice
-
https://portsmouthexhibits.org/files/original/53c2cc92c81fb09f5da40db606d5b76b.jpg
9bd7ae9dbe47b3052dd22756fdf3b196
https://portsmouthexhibits.org/files/original/87462805865101c64c7e856da8d3dbd0.jpg
65bdd2565ca5e4c9c4c154ac02ad4b73
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Louis J. Mackles Postcard
Subject
The topic of the resource
Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations
Creator
An entity primarily responsible for making the resource
Louis J. Mackles was the collector of these postcards.
Source
A related resource from which the described resource is derived
Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.
Date
A point or period of time associated with an event in the lifecycle of the resource
Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.
Digitized, Spring 2016.
Collection rehoused, Spring 2016
Digital Collection created in OMEKA, June 2016.
Contributor
An entity responsible for making contributions to the resource
Collected by Louis J. Mackles.
Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.
Omeka addition and metadata by Jessica Ross.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
This is a small part of a larger collection. Other parts of the collection may be found in....
Format
The file format, physical medium, or dimensions of the resource
The images appearing in this database are JPG format, they are derived from archival TIF files.
Type
The nature or genre of the resource
This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Portsmouth and the Seacoast, NH.
Description
An account of the resource
This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)
_______________________________________________________________________________________________
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:
‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.
Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.
He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’
_______________________________________________________________________________________________
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.
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This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.
Please see below for copyright information.
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720.
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Mackles Postcard Collection
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015
--images::975,1367
Postcard
PPL Acc. #
2015.1-419
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Rice Doorway
Subject
The topic of the resource
Larkin-Rice House, 180 Middle St., Portsmouth, NH
Creator
An entity primarily responsible for making the resource
Benjamin Green, Portsmouth, NH
Source
A related resource from which the described resource is derived
Louis J. Mackles Collection
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Relation
A related resource
Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single private collector.
Format
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JPG derived from TFF
Type
The nature or genre of the resource
Paper postcard
Identifier
An unambiguous reference to the resource within a given context
Volume 2, Portsmouth Doors #37-38
Door
history
Larkin
local history
Mackles Collection
Middle St.
Portsmouth
postcard
Rice