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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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                  <text>Primarily North American Wildflowers.</text>
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                <text>A watercolor painting of a yellow dogtooth violet, also known as a trout lily. Inscription reads, "Erythronium Americanum / Dog's tooth Violet."</text>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
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                  <text>Primarily North American Wildflowers.</text>
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            <description>A name given to the resource</description>
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                <text>Northern dracaena</text>
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            <description>The topic of the resource</description>
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                <text>Wildflowers</text>
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                <text>A watercolor of a blue-bead lily or clintonia. The scientific name is Clintonia borealis, a synonym of Dracaena borealis. Inscription reads, "Dracaena Borealis. / Northern Dracaena."</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
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&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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            <description>A name given to the resource</description>
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                <text>A watercolor painting of bushy geradia, more commonly known as fernleaf false foxglove. Scientific name is Aureolaria pedicularia, a synonym of Gerardia pedicularia. Inscription reads, "Gerardia Pedicularia / Bushy Gerardia / (York)."</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
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&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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                <text>A watercolor painting of henbane, from the nightshade family. Inscription reads, "Henbane. / Hyoscyamus Niger."</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
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                  <text>Primarily North American Wildflowers.</text>
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            <name>Title</name>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <description>A language of the resource</description>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              <description>The topic of the resource</description>
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          <name>Provenance</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Indian pipe</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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              <elementText elementTextId="37426">
                <text>A watercolor painting of Indian pipe, also known as ghost plant. Inscription reads, "Indian Pipe / Monotropa Uniflora."</text>
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              <elementText elementTextId="37428">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              <description>Information about rights held in and over the resource</description>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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                <text>A watercolor painting of yellow lady's slipper. Inscription reads, "Cypripedium Parviflorum / Yellow Ladies Slipper."</text>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
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            <name>Title</name>
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&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Loose strife</text>
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                <text>A watercolor painting of lowland yellow loosestrife. Inscription reads, "Lysimachia Hybrida / Loose strife."</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sarah Haven Foster Wildflowers</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="18514">
                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="18515">
                  <text>Portsmouth Public Library</text>
                </elementText>
                <elementText elementTextId="19510">
                  <text>Scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin</text>
                </elementText>
                <elementText elementTextId="19511">
                  <text>Omeka team, Nicole Luongo Cloutier and Robyn Nielsen, created the collection, 2014.</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19500">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="19501">
                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
                </elementText>
                <elementText elementTextId="19502">
                  <text>Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19503">
                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
                </elementText>
                <elementText elementTextId="19504">
                  <text>Collection was scanned, 2012/2013. </text>
                </elementText>
                <elementText elementTextId="19505">
                  <text>Quality control, research, and metadata created, 2013.</text>
                </elementText>
                <elementText elementTextId="19506">
                  <text>Digital Archive Created, 2014.</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19507">
                  <text>Images used in the database are jpg files derived from archival .tif files. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19508">
                  <text>This collection contains botanical style watercolors.  Plant types are included. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19509">
                  <text>Primarily North American Wildflowers.</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="19512">
                  <text>Portsmouth Public Library</text>
                </elementText>
              </elementTextContainer>
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      <name>Watercolor</name>
      <description/>
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          <name>Provenance</name>
          <description/>
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              <text>Gift of Mary A. Foster, 1901</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Upright loose strife</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18911">
                <text>Foster, Sarah Haven (1827-1900)</text>
              </elementText>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="18912">
                <text>Sarah Haven Foster Wildflowers</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18913">
                <text>Mid to late 19th century</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Jpg derived from Tif</text>
              </elementText>
            </elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="18917">
                <text>PPL-AA1989.75.42</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Wildflowers</text>
              </elementText>
              <elementText elementTextId="37455">
                <text>Watercolors (paintings)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37456">
                <text>A watercolor painting of upright loosestrife. Inscription reads, "Upright / Loosestrife / Lysimachia Stricta."</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="37457">
                <text>Portsmouth Public Library, Special Collections</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37458">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="37459">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
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        <name>20th century</name>
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        <name>Foster</name>
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      <tag tagId="891">
        <name>watercolor</name>
      </tag>
      <tag tagId="920">
        <name>wildflower</name>
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