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&#13;
The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. &#13;
Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. &#13;
&#13;
As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. &#13;
&#13;
The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization.&#13;
&#13;
Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. &#13;
&#13;
The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross.&#13;
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&#13;
The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. &#13;
Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. &#13;
&#13;
As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. &#13;
&#13;
The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization.&#13;
&#13;
Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. &#13;
&#13;
The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross.&#13;
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                  <text>Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016&#13;
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                  <text>These images are intended for research and reference use only.  The library holds copyright to the digital images of this collection.  Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history.</text>
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                  <text>This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust.&#13;
&#13;
The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. &#13;
Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. &#13;
&#13;
As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. &#13;
&#13;
The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization.&#13;
&#13;
Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. &#13;
&#13;
The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross.&#13;
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                  <text>Portsmouth, New Hampshire celebrated its 400th anniversary of settlement in 2023. The PNH400 Committee headed the efforts, forming subcommittees focused on Signature Events, Legacy Projects, Events, Community and Neighborhoods, Maritime and Military, Oral Histories, Commerce and Trade, Arts and Culture, Merchandise, Public Relations, Sister Cities, and House Plaques. The Executive Team included Karen Conard, Portsmouth City Manager, Susan Labrie, Community Engagement Officer, Valerie Rochon, Managing Director, Denise Wheeler, Minister of Fun, and Trevor Bartlett, Technology and Social Media.&lt;br /&gt;&lt;br /&gt;Throughout the year, the city hosted dozens of events, exhibits, and projects designed to honor its diverse history. Signature events included the PNH400 Grand Parade, the Little Italy Carnival honoring the history of the North End, a special STREET.life! dinner with tables running down the middle of Congress Street, and the Great PNH400 Community Picnic held at Leary Field. Legacy projects included two books – &lt;em&gt;Portsmouth, NH 400th History Lights Our Way 1623-2023&lt;/em&gt;, edited by Jody Record and Chuck McMahon, and &lt;em&gt;400x400: Portsmouth NH 400th In 400 Photos&lt;/em&gt;, edited by Karina N. Quintans; the installation of Sijia Chen’s sculpture, &lt;em&gt;Endeavor&lt;/em&gt;, at Bohenko Gateway Park; a student-led oral history project; the revitalization of Portsmouth’s Historic House Plaque Program; and the world premiere of the Portsmouth Symphony Orchestra’s commemorative commissioned piece &lt;em&gt;At This Point&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;This collection of images was produced by PNH400’s team of volunteer photographers. The group included Christiana Ribeiro Arsenault, PNH400 Social Media Manager, Rick Dumont, Ken Goldman, Suzanne Laurent, Photojournalist, David Marcotte, PE, Structural Engineer, Appledore Marine Engineering, David J. Murray, Alex Nikulin, Karina Quintans, PNH400 Newsletter Editor and Photography Team Coordinator, Michael Sterling, John Willoughby, Will Zimmerman, and Barbara Zulkiewicz.&lt;br /&gt;&lt;br /&gt;This collection was created by Karina Quintans and gifted to the Portsmouth Public Library by the PNH400 Committee in 2024. Susan Kindstedt, Project Archivist, processed the collection in 2025.&lt;br /&gt;&lt;br /&gt;Please help us identify all of the subjects of these photographs by leaving a comment or by contacting us at libinfo@portsmouthnh.gov. Thank you!</text>
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                <text>Photograph of the PNH400 exhibit opening of 'Reinventing Portsmouth' held at Portsmouth Historical Society on April 6, 2023. Image is of three people view the exhibit. On the right is a panel titled "A Sense of Place" with fifteen images of Portsmouth doorways beneath. Photograph by Karina Quintans.</text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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                  <text>This collection of 19 original Christmas cards was created by artist and long-time Portsmouth resident Dorothy Sturgis Harding (1891-1978). These cards are part of a larger amalgamation of Harding memorabilia and were gifted to the Library by Portsmouth resident Joan Christy in January 2018. &#13;
&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                <text>An original, local Christmas card designed and inked by Dorothy Sturgis Harding. Features the Virgin Mary holding baby Jesus and surrounded by intricate floral work and two intertwining rams horns at bottom. Christmas greeting is banner style at top. </text>
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              <elementText elementTextId="35850">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                  <text>Portsmouth, New Hampshire celebrated its 400th anniversary of settlement in 2023. The PNH400 Committee headed the efforts, forming subcommittees focused on Signature Events, Legacy Projects, Events, Community and Neighborhoods, Maritime and Military, Oral Histories, Commerce and Trade, Arts and Culture, Merchandise, Public Relations, Sister Cities, and House Plaques. The Executive Team included Karen Conard, Portsmouth City Manager, Susan Labrie, Community Engagement Officer, Valerie Rochon, Managing Director, Denise Wheeler, Minister of Fun, and Trevor Bartlett, Technology and Social Media.&lt;br /&gt;&lt;br /&gt;Throughout the year, the city hosted dozens of events, exhibits, and projects designed to honor its diverse history. Signature events included the PNH400 Grand Parade, the Little Italy Carnival honoring the history of the North End, a special STREET.life! dinner with tables running down the middle of Congress Street, and the Great PNH400 Community Picnic held at Leary Field. Legacy projects included two books – &lt;em&gt;Portsmouth, NH 400th History Lights Our Way 1623-2023&lt;/em&gt;, edited by Jody Record and Chuck McMahon, and &lt;em&gt;400x400: Portsmouth NH 400th In 400 Photos&lt;/em&gt;, edited by Karina N. Quintans; the installation of Sijia Chen’s sculpture, &lt;em&gt;Endeavor&lt;/em&gt;, at Bohenko Gateway Park; a student-led oral history project; the revitalization of Portsmouth’s Historic House Plaque Program; and the world premiere of the Portsmouth Symphony Orchestra’s commemorative commissioned piece &lt;em&gt;At This Point&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;This collection of images was produced by PNH400’s team of volunteer photographers. The group included Christiana Ribeiro Arsenault, PNH400 Social Media Manager, Rick Dumont, Ken Goldman, Suzanne Laurent, Photojournalist, David Marcotte, PE, Structural Engineer, Appledore Marine Engineering, David J. Murray, Alex Nikulin, Karina Quintans, PNH400 Newsletter Editor and Photography Team Coordinator, Michael Sterling, John Willoughby, Will Zimmerman, and Barbara Zulkiewicz.&lt;br /&gt;&lt;br /&gt;This collection was created by Karina Quintans and gifted to the Portsmouth Public Library by the PNH400 Committee in 2024. Susan Kindstedt, Project Archivist, processed the collection in 2025.&lt;br /&gt;&lt;br /&gt;Please help us identify all of the subjects of these photographs by leaving a comment or by contacting us at libinfo@portsmouthnh.gov. Thank you!</text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                <text>An original, local Christmas card designed and inked by Dorothy Sturgis Harding. Features a postcard style with stamped back and addresses. Image depicts the front of the Martine Cottage and its "new door".  Personal, handwritten greeting at right. </text>
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                <text>View our Terms of Use and Copyright Information</text>
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                  <text>Portsmouth, New Hampshire celebrated its 400th anniversary of settlement in 2023. The PNH400 Committee headed the efforts, forming subcommittees focused on Signature Events, Legacy Projects, Events, Community and Neighborhoods, Maritime and Military, Oral Histories, Commerce and Trade, Arts and Culture, Merchandise, Public Relations, Sister Cities, and House Plaques. The Executive Team included Karen Conard, Portsmouth City Manager, Susan Labrie, Community Engagement Officer, Valerie Rochon, Managing Director, Denise Wheeler, Minister of Fun, and Trevor Bartlett, Technology and Social Media.&lt;br /&gt;&lt;br /&gt;Throughout the year, the city hosted dozens of events, exhibits, and projects designed to honor its diverse history. Signature events included the PNH400 Grand Parade, the Little Italy Carnival honoring the history of the North End, a special STREET.life! dinner with tables running down the middle of Congress Street, and the Great PNH400 Community Picnic held at Leary Field. Legacy projects included two books – &lt;em&gt;Portsmouth, NH 400th History Lights Our Way 1623-2023&lt;/em&gt;, edited by Jody Record and Chuck McMahon, and &lt;em&gt;400x400: Portsmouth NH 400th In 400 Photos&lt;/em&gt;, edited by Karina N. Quintans; the installation of Sijia Chen’s sculpture, &lt;em&gt;Endeavor&lt;/em&gt;, at Bohenko Gateway Park; a student-led oral history project; the revitalization of Portsmouth’s Historic House Plaque Program; and the world premiere of the Portsmouth Symphony Orchestra’s commemorative commissioned piece &lt;em&gt;At This Point&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;This collection of images was produced by PNH400’s team of volunteer photographers. The group included Christiana Ribeiro Arsenault, PNH400 Social Media Manager, Rick Dumont, Ken Goldman, Suzanne Laurent, Photojournalist, David Marcotte, PE, Structural Engineer, Appledore Marine Engineering, David J. Murray, Alex Nikulin, Karina Quintans, PNH400 Newsletter Editor and Photography Team Coordinator, Michael Sterling, John Willoughby, Will Zimmerman, and Barbara Zulkiewicz.&lt;br /&gt;&lt;br /&gt;This collection was created by Karina Quintans and gifted to the Portsmouth Public Library by the PNH400 Committee in 2024. Susan Kindstedt, Project Archivist, processed the collection in 2025.&lt;br /&gt;&lt;br /&gt;Please help us identify all of the subjects of these photographs by leaving a comment or by contacting us at libinfo@portsmouthnh.gov. Thank you!</text>
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                <text>"Acrobat at Little Italy Carnival"</text>
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                <text>Photograph taken during the Little Italy Carnival on August 6, 2023 at the Granite State Minerals Pier. View of an acrobat performing an aerial dance. Photograph by Alex Nikulin.</text>
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                <text>Nikulin, Alex</text>
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                <text>PNH400</text>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>View our Terms of Use and Copyright Information</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
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            <name>Identifier</name>
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                <text>PPL-MS: 2025.1.1329</text>
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