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                  <text>&lt;p&gt;This collection of images comes from Portsmouth’s North End, circa 1967. It is the area bordered by Market, High, Congress, Bridge, Maplewood, and Russell Street. This area was re-developed during the 1960’s as part of a Federally funded Urban Renewal movement that followed World War II. Primarily an Italian neighborhood, approximately 176 inhabited homes and active businesses were documented prior to removal.&lt;br /&gt;&lt;br /&gt;&lt;a title="Parcel Map" href="/block/parcel-map"&gt;View Parcel Map&lt;/a&gt;&lt;br /&gt;[more]&lt;br /&gt;&lt;br /&gt;Approximately one dozen buildings - some dating back to the 1700s - were saved and converted to office, restaurant and retail space on what is currently known as the “The Hill”. In addition, several buildings were moved to the Strawbery Banke Museum grounds (www.strawberybanke.org).&lt;/p&gt;
&lt;p&gt;As part of the Urban Renewal Process, and to make way for demolition and compensation to deed holders, each property was documented; photographed, surveyed, assessed, researched, and reported upon in a booklet format.&lt;/p&gt;
&lt;p&gt;The Portsmouth Public Library’s Special Collections currently houses these “Appraisal Report and Valuation Analysis” booklets. Each booklet represents a property that no longer exists. Included were homes and businesses on Bridge, Congress, Deer, Hanover, High, Hill, Jackson, Maplewood, Market, Russell, School, Vaughan and Wall Streets, Raitts Court, and Raynes Avenue.&lt;/p&gt;
&lt;p&gt;This collection of documentation is a valuable historic resource to the Portsmouth community. Many current Portsmouth residents, whose families and businesses were displaced during the Urban Renewal project, still visit the Special Collections of the Library to look at this collection, reminisce, and gather images of their childhood neighborhood.&lt;/p&gt;
&lt;p&gt;By creating this digital archive, the staff of the Portsmouth Public Library hopes to offer easier and more comprehensive access to this important collection; fostering a community history project that may add context to this collection.&lt;/p&gt;
&lt;p&gt;In addition, for images of residents and families from this area of the city, visit the &lt;a href="http://athenaeum.pastperfectonline.com/search?utf8=%E2%9C%93&amp;amp;search_criteria=%22North+End+Neighborhood+Collection%22&amp;amp;searchButton=Search" target="_blank"&gt;North End Neighborhood Collection&lt;/a&gt; at the Portsmouth Athenaeum website, created in collaboration with members from the Seacoast Chapter of the Sons of Italy. Please see the &lt;a href="https://portsmouthathenaeum.org/about-us/" target="_blank"&gt;Portsmouth Athenaeum&lt;/a&gt; for questions about their collection.&lt;/p&gt;
&lt;p&gt;If you have comments or memories you would like to share please feel free to do so in the comments section towards the bottom of each image page.&lt;/p&gt;
&lt;p&gt;[Commenting Policy: It is hoped that public comments will help to document this neighborhood, including who resided and worked there. Comments should be limited to family anecdotes, factual details about the residences, businesses, neighborhood, and the folks who lived there. The Library reserves the right to remove insensitive or inappropriate commentary.]&lt;/p&gt;
&lt;p&gt;If you have photos to share please contact the Special Collections, at nlcloutier@cityofportsmouth.com, or call 603-766-1725.&lt;/p&gt;</text>
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                  <text>The City of Portsmouth, the Portsmouth Housing Authority, and the Urban Renewal Committee, assessed each property in compliance with guidelines and Urban Renewal project process set by the Federal Government.</text>
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                  <text>The appraisal documentation booklets for each property within the bounds of the project were deposited at the Library for storage and access.</text>
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                  <text>Special Collections Staff and volunteers scanned images and text,  2008/2009.</text>
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                  <text>Omeka Team, Nicole Cloutier, Robyn Nielsen, Steve Butzel, designed this site, and created records and metadata, 2009. </text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library also holds legal files containing correspondence and documents relating to each parcel included in this project.  It is hoped this collection will be digitized and added to the collection at some future point.</text>
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                  <text>This collection documents the North End neighborhood of Portsmouth, NH, contained within the Urban Renewal project, during ca. 1967-1970.</text>
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              <text>Subject property consists of a level lot containing 1,566 square feet, having a frontage of 25 feet on Hill Street. The land is improved with a one-family dwelling.&#13;
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&#13;
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                  <text>&lt;p&gt;This collection of images comes from Portsmouth’s North End, circa 1967. It is the area bordered by Market, High, Congress, Bridge, Maplewood, and Russell Street. This area was re-developed during the 1960’s as part of a Federally funded Urban Renewal movement that followed World War II. Primarily an Italian neighborhood, approximately 176 inhabited homes and active businesses were documented prior to removal.&lt;br /&gt;&lt;br /&gt;&lt;a title="Parcel Map" href="/block/parcel-map"&gt;View Parcel Map&lt;/a&gt;&lt;br /&gt;[more]&lt;br /&gt;&lt;br /&gt;Approximately one dozen buildings - some dating back to the 1700s - were saved and converted to office, restaurant and retail space on what is currently known as the “The Hill”. In addition, several buildings were moved to the Strawbery Banke Museum grounds (www.strawberybanke.org).&lt;/p&gt;
&lt;p&gt;As part of the Urban Renewal Process, and to make way for demolition and compensation to deed holders, each property was documented; photographed, surveyed, assessed, researched, and reported upon in a booklet format.&lt;/p&gt;
&lt;p&gt;The Portsmouth Public Library’s Special Collections currently houses these “Appraisal Report and Valuation Analysis” booklets. Each booklet represents a property that no longer exists. Included were homes and businesses on Bridge, Congress, Deer, Hanover, High, Hill, Jackson, Maplewood, Market, Russell, School, Vaughan and Wall Streets, Raitts Court, and Raynes Avenue.&lt;/p&gt;
&lt;p&gt;This collection of documentation is a valuable historic resource to the Portsmouth community. Many current Portsmouth residents, whose families and businesses were displaced during the Urban Renewal project, still visit the Special Collections of the Library to look at this collection, reminisce, and gather images of their childhood neighborhood.&lt;/p&gt;
&lt;p&gt;By creating this digital archive, the staff of the Portsmouth Public Library hopes to offer easier and more comprehensive access to this important collection; fostering a community history project that may add context to this collection.&lt;/p&gt;
&lt;p&gt;In addition, for images of residents and families from this area of the city, visit the &lt;a href="http://athenaeum.pastperfectonline.com/search?utf8=%E2%9C%93&amp;amp;search_criteria=%22North+End+Neighborhood+Collection%22&amp;amp;searchButton=Search" target="_blank"&gt;North End Neighborhood Collection&lt;/a&gt; at the Portsmouth Athenaeum website, created in collaboration with members from the Seacoast Chapter of the Sons of Italy. Please see the &lt;a href="https://portsmouthathenaeum.org/about-us/" target="_blank"&gt;Portsmouth Athenaeum&lt;/a&gt; for questions about their collection.&lt;/p&gt;
&lt;p&gt;If you have comments or memories you would like to share please feel free to do so in the comments section towards the bottom of each image page.&lt;/p&gt;
&lt;p&gt;[Commenting Policy: It is hoped that public comments will help to document this neighborhood, including who resided and worked there. Comments should be limited to family anecdotes, factual details about the residences, businesses, neighborhood, and the folks who lived there. The Library reserves the right to remove insensitive or inappropriate commentary.]&lt;/p&gt;
&lt;p&gt;If you have photos to share please contact the Special Collections, at nlcloutier@cityofportsmouth.com, or call 603-766-1725.&lt;/p&gt;</text>
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                  <text>The City of Portsmouth, the Portsmouth Housing Authority, and the Urban Renewal Committee, assessed each property in compliance with guidelines and Urban Renewal project process set by the Federal Government.</text>
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                  <text>The appraisal documentation booklets for each property within the bounds of the project were deposited at the Library for storage and access.</text>
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                  <text>Portsmouth Public Library&#13;
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                  <text>Special Collections Staff and volunteers scanned images and text,  2008/2009.</text>
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                  <text>Omeka Team, Nicole Cloutier, Robyn Nielsen, Steve Butzel, designed this site, and created records and metadata, 2009. </text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library also holds legal files containing correspondence and documents relating to each parcel included in this project.  It is hoped this collection will be digitized and added to the collection at some future point.</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The files for these items are .jpg derived from .tif archival files. Digital files have not been edited in any way.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="19496">
                  <text>This resource is a static look at a Portsmouth Neighborhood at the time of its change.  </text>
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                  <text>It is architectural and cultural documentation.</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="19498">
                  <text>This collection documents the North End neighborhood of Portsmouth, NH, contained within the Urban Renewal project, during ca. 1967-1970.</text>
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      <name>North End House</name>
      <description>Fields created to capture key metadata from Item Appraisal Reports found in the Portsmouth North End Urban Renewal Collection.</description>
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        <element elementId="86">
          <name>Parcel #</name>
          <description/>
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            <elementText elementTextId="2832">
              <text>9-6</text>
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        <element elementId="87">
          <name>Street Address</name>
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            <elementText elementTextId="2833">
              <text>70 Hill Street</text>
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        <element elementId="88">
          <name>Owner in 1967</name>
          <description>The names of the property owners in 1967.</description>
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            <elementText elementTextId="2834">
              <text>Annie and Stayros Savramis</text>
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              <text>Effie Stavramis</text>
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          <name>Property Type</name>
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              <text>Residential</text>
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        <element elementId="97">
          <name>Prior Owner / Purchase Date</name>
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              <text>Effie Savramis / September 13, 1951</text>
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              <text>Stavros Savramis / November 2, 1941</text>
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          <name>1967 Assessed Value</name>
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              <text>$1,650</text>
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          <name>1967 Taxes</name>
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              <text>$91.58</text>
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          <name>1967 Estimated Market Value</name>
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              <text>$5,300</text>
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        <element elementId="96">
          <name>Summary Description</name>
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              <text>Subject property consists of a 1,220 square foot lot having a frontage of 19 feet on Hill Street. The land is improved with a duplex dwelling, 1/2 of which is owned by others. The exterior is clapboard with a gable roof with asphalt shingles in fair condition.&#13;
&#13;
The basement has a full concrete floor. The heat is gas. The wiring is of 30 ampere, 110 volt and BX. The plumbing is of copper and brass.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Parcel 9-6</text>
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        <name>Parcel 9</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="18506">
                  <text>North End House History</text>
                </elementText>
              </elementTextContainer>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;This collection of images comes from Portsmouth’s North End, circa 1967. It is the area bordered by Market, High, Congress, Bridge, Maplewood, and Russell Street. This area was re-developed during the 1960’s as part of a Federally funded Urban Renewal movement that followed World War II. Primarily an Italian neighborhood, approximately 176 inhabited homes and active businesses were documented prior to removal.&lt;br /&gt;&lt;br /&gt;&lt;a title="Parcel Map" href="/block/parcel-map"&gt;View Parcel Map&lt;/a&gt;&lt;br /&gt;[more]&lt;br /&gt;&lt;br /&gt;Approximately one dozen buildings - some dating back to the 1700s - were saved and converted to office, restaurant and retail space on what is currently known as the “The Hill”. In addition, several buildings were moved to the Strawbery Banke Museum grounds (www.strawberybanke.org).&lt;/p&gt;
&lt;p&gt;As part of the Urban Renewal Process, and to make way for demolition and compensation to deed holders, each property was documented; photographed, surveyed, assessed, researched, and reported upon in a booklet format.&lt;/p&gt;
&lt;p&gt;The Portsmouth Public Library’s Special Collections currently houses these “Appraisal Report and Valuation Analysis” booklets. Each booklet represents a property that no longer exists. Included were homes and businesses on Bridge, Congress, Deer, Hanover, High, Hill, Jackson, Maplewood, Market, Russell, School, Vaughan and Wall Streets, Raitts Court, and Raynes Avenue.&lt;/p&gt;
&lt;p&gt;This collection of documentation is a valuable historic resource to the Portsmouth community. Many current Portsmouth residents, whose families and businesses were displaced during the Urban Renewal project, still visit the Special Collections of the Library to look at this collection, reminisce, and gather images of their childhood neighborhood.&lt;/p&gt;
&lt;p&gt;By creating this digital archive, the staff of the Portsmouth Public Library hopes to offer easier and more comprehensive access to this important collection; fostering a community history project that may add context to this collection.&lt;/p&gt;
&lt;p&gt;In addition, for images of residents and families from this area of the city, visit the &lt;a href="http://athenaeum.pastperfectonline.com/search?utf8=%E2%9C%93&amp;amp;search_criteria=%22North+End+Neighborhood+Collection%22&amp;amp;searchButton=Search" target="_blank"&gt;North End Neighborhood Collection&lt;/a&gt; at the Portsmouth Athenaeum website, created in collaboration with members from the Seacoast Chapter of the Sons of Italy. Please see the &lt;a href="https://portsmouthathenaeum.org/about-us/" target="_blank"&gt;Portsmouth Athenaeum&lt;/a&gt; for questions about their collection.&lt;/p&gt;
&lt;p&gt;If you have comments or memories you would like to share please feel free to do so in the comments section towards the bottom of each image page.&lt;/p&gt;
&lt;p&gt;[Commenting Policy: It is hoped that public comments will help to document this neighborhood, including who resided and worked there. Comments should be limited to family anecdotes, factual details about the residences, businesses, neighborhood, and the folks who lived there. The Library reserves the right to remove insensitive or inappropriate commentary.]&lt;/p&gt;
&lt;p&gt;If you have photos to share please contact the Special Collections, at nlcloutier@cityofportsmouth.com, or call 603-766-1725.&lt;/p&gt;</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="19483">
                  <text>Portsmouth neighborhoods</text>
                </elementText>
                <elementText elementTextId="19484">
                  <text>Portsmouth North End</text>
                </elementText>
                <elementText elementTextId="19485">
                  <text>Portsmouth architectural history</text>
                </elementText>
                <elementText elementTextId="19486">
                  <text>North End genealogy and family history</text>
                </elementText>
                <elementText elementTextId="19499">
                  <text>Portsmouth Urban Renewal</text>
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              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="19487">
                  <text>The City of Portsmouth, the Portsmouth Housing Authority, and the Urban Renewal Committee, assessed each property in compliance with guidelines and Urban Renewal project process set by the Federal Government.</text>
                </elementText>
                <elementText elementTextId="19488">
                  <text>The appraisal documentation booklets for each property within the bounds of the project were deposited at the Library for storage and access.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19489">
                  <text>Portsmouth Public Library&#13;
</text>
                </elementText>
                <elementText elementTextId="19490">
                  <text>Special Collections Staff and volunteers scanned images and text,  2008/2009.</text>
                </elementText>
                <elementText elementTextId="19491">
                  <text>Omeka Team, Nicole Cloutier, Robyn Nielsen, Steve Butzel, designed this site, and created records and metadata, 2009. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19492">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="19493">
                  <text>The Library also holds legal files containing correspondence and documents relating to each parcel included in this project.  It is hoped this collection will be digitized and added to the collection at some future point.</text>
                </elementText>
                <elementText elementTextId="19494">
                  <text>Vertical files in the Special Collections Room contain historical information about the neighborhood and the Urban Renewal process.</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19495">
                  <text>The files for these items are .jpg derived from .tif archival files. Digital files have not been edited in any way.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19496">
                  <text>This resource is a static look at a Portsmouth Neighborhood at the time of its change.  </text>
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                  <text>It is architectural and cultural documentation.</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="19498">
                  <text>This collection documents the North End neighborhood of Portsmouth, NH, contained within the Urban Renewal project, during ca. 1967-1970.</text>
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      <name>North End House</name>
      <description>Fields created to capture key metadata from Item Appraisal Reports found in the Portsmouth North End Urban Renewal Collection.</description>
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          <name>Parcel #</name>
          <description/>
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              <text>9-7</text>
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          <name>Street Address</name>
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              <text>72 Hill Street</text>
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          <name>Owner in 1967</name>
          <description>The names of the property owners in 1967.</description>
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              <text>Elizabeth Savramis</text>
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          <name>Property Type</name>
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              <text>Residential</text>
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          <name>Prior Owner / Purchase Date</name>
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              <text>Stavros Savramis / 1950</text>
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          <name>1967 Assessed Value</name>
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          <name>1967 Taxes</name>
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              <text>Subject property consists of a level lot containing 1,220 square feet, having a frontage of 20 feet on Hill Street. The land is improved with a one family 1/2 of duplex.&#13;
&#13;
The exterior of the building is wood clapboard with wood/double hung windows. The roof is gable with asphalt shingles.&#13;
&#13;
The interior of the building is in good condition with a full concrete floor in the basement. The heat is oil warm air and the plumbing is copper and brass. The wiring is BX, Romex, 220 volt with 60 ampere service. The floors are hardwood, the walls are plaster and the composition and the ceilings are composition.</text>
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                <text>Parcel 9-7</text>
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                  <text>&lt;p&gt;This collection of images comes from Portsmouth’s North End, circa 1967. It is the area bordered by Market, High, Congress, Bridge, Maplewood, and Russell Street. This area was re-developed during the 1960’s as part of a Federally funded Urban Renewal movement that followed World War II. Primarily an Italian neighborhood, approximately 176 inhabited homes and active businesses were documented prior to removal.&lt;br /&gt;&lt;br /&gt;&lt;a title="Parcel Map" href="/block/parcel-map"&gt;View Parcel Map&lt;/a&gt;&lt;br /&gt;[more]&lt;br /&gt;&lt;br /&gt;Approximately one dozen buildings - some dating back to the 1700s - were saved and converted to office, restaurant and retail space on what is currently known as the “The Hill”. In addition, several buildings were moved to the Strawbery Banke Museum grounds (www.strawberybanke.org).&lt;/p&gt;
&lt;p&gt;As part of the Urban Renewal Process, and to make way for demolition and compensation to deed holders, each property was documented; photographed, surveyed, assessed, researched, and reported upon in a booklet format.&lt;/p&gt;
&lt;p&gt;The Portsmouth Public Library’s Special Collections currently houses these “Appraisal Report and Valuation Analysis” booklets. Each booklet represents a property that no longer exists. Included were homes and businesses on Bridge, Congress, Deer, Hanover, High, Hill, Jackson, Maplewood, Market, Russell, School, Vaughan and Wall Streets, Raitts Court, and Raynes Avenue.&lt;/p&gt;
&lt;p&gt;This collection of documentation is a valuable historic resource to the Portsmouth community. Many current Portsmouth residents, whose families and businesses were displaced during the Urban Renewal project, still visit the Special Collections of the Library to look at this collection, reminisce, and gather images of their childhood neighborhood.&lt;/p&gt;
&lt;p&gt;By creating this digital archive, the staff of the Portsmouth Public Library hopes to offer easier and more comprehensive access to this important collection; fostering a community history project that may add context to this collection.&lt;/p&gt;
&lt;p&gt;In addition, for images of residents and families from this area of the city, visit the &lt;a href="http://athenaeum.pastperfectonline.com/search?utf8=%E2%9C%93&amp;amp;search_criteria=%22North+End+Neighborhood+Collection%22&amp;amp;searchButton=Search" target="_blank"&gt;North End Neighborhood Collection&lt;/a&gt; at the Portsmouth Athenaeum website, created in collaboration with members from the Seacoast Chapter of the Sons of Italy. Please see the &lt;a href="https://portsmouthathenaeum.org/about-us/" target="_blank"&gt;Portsmouth Athenaeum&lt;/a&gt; for questions about their collection.&lt;/p&gt;
&lt;p&gt;If you have comments or memories you would like to share please feel free to do so in the comments section towards the bottom of each image page.&lt;/p&gt;
&lt;p&gt;[Commenting Policy: It is hoped that public comments will help to document this neighborhood, including who resided and worked there. Comments should be limited to family anecdotes, factual details about the residences, businesses, neighborhood, and the folks who lived there. The Library reserves the right to remove insensitive or inappropriate commentary.]&lt;/p&gt;
&lt;p&gt;If you have photos to share please contact the Special Collections, at nlcloutier@cityofportsmouth.com, or call 603-766-1725.&lt;/p&gt;</text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>This collection documents the North End neighborhood of Portsmouth, NH, contained within the Urban Renewal project, during ca. 1967-1970.</text>
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&#13;
The exterior of the building is composition with wood/double hung windows. The roof is gable with full shed dormers.&#13;
&#13;
The interior of the building is in good condition with a full dirt floor in the basement. The plumbing is copper tubing and the wiring is BX, Romex, 220 volt with 60 ampere service. The floors are hardwood, hard pine and softwood. The walls and ceilings are plaster and composition.</text>
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                  <text>&lt;p&gt;This collection of images comes from Portsmouth’s North End, circa 1967. It is the area bordered by Market, High, Congress, Bridge, Maplewood, and Russell Street. This area was re-developed during the 1960’s as part of a Federally funded Urban Renewal movement that followed World War II. Primarily an Italian neighborhood, approximately 176 inhabited homes and active businesses were documented prior to removal.&lt;br /&gt;&lt;br /&gt;&lt;a title="Parcel Map" href="/block/parcel-map"&gt;View Parcel Map&lt;/a&gt;&lt;br /&gt;[more]&lt;br /&gt;&lt;br /&gt;Approximately one dozen buildings - some dating back to the 1700s - were saved and converted to office, restaurant and retail space on what is currently known as the “The Hill”. In addition, several buildings were moved to the Strawbery Banke Museum grounds (www.strawberybanke.org).&lt;/p&gt;
&lt;p&gt;As part of the Urban Renewal Process, and to make way for demolition and compensation to deed holders, each property was documented; photographed, surveyed, assessed, researched, and reported upon in a booklet format.&lt;/p&gt;
&lt;p&gt;The Portsmouth Public Library’s Special Collections currently houses these “Appraisal Report and Valuation Analysis” booklets. Each booklet represents a property that no longer exists. Included were homes and businesses on Bridge, Congress, Deer, Hanover, High, Hill, Jackson, Maplewood, Market, Russell, School, Vaughan and Wall Streets, Raitts Court, and Raynes Avenue.&lt;/p&gt;
&lt;p&gt;This collection of documentation is a valuable historic resource to the Portsmouth community. Many current Portsmouth residents, whose families and businesses were displaced during the Urban Renewal project, still visit the Special Collections of the Library to look at this collection, reminisce, and gather images of their childhood neighborhood.&lt;/p&gt;
&lt;p&gt;By creating this digital archive, the staff of the Portsmouth Public Library hopes to offer easier and more comprehensive access to this important collection; fostering a community history project that may add context to this collection.&lt;/p&gt;
&lt;p&gt;In addition, for images of residents and families from this area of the city, visit the &lt;a href="http://athenaeum.pastperfectonline.com/search?utf8=%E2%9C%93&amp;amp;search_criteria=%22North+End+Neighborhood+Collection%22&amp;amp;searchButton=Search" target="_blank"&gt;North End Neighborhood Collection&lt;/a&gt; at the Portsmouth Athenaeum website, created in collaboration with members from the Seacoast Chapter of the Sons of Italy. Please see the &lt;a href="https://portsmouthathenaeum.org/about-us/" target="_blank"&gt;Portsmouth Athenaeum&lt;/a&gt; for questions about their collection.&lt;/p&gt;
&lt;p&gt;If you have comments or memories you would like to share please feel free to do so in the comments section towards the bottom of each image page.&lt;/p&gt;
&lt;p&gt;[Commenting Policy: It is hoped that public comments will help to document this neighborhood, including who resided and worked there. Comments should be limited to family anecdotes, factual details about the residences, businesses, neighborhood, and the folks who lived there. The Library reserves the right to remove insensitive or inappropriate commentary.]&lt;/p&gt;
&lt;p&gt;If you have photos to share please contact the Special Collections, at nlcloutier@cityofportsmouth.com, or call 603-766-1725.&lt;/p&gt;</text>
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                <elementText elementTextId="19488">
                  <text>The appraisal documentation booklets for each property within the bounds of the project were deposited at the Library for storage and access.</text>
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                <elementText elementTextId="19491">
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19492">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="19493">
                  <text>The Library also holds legal files containing correspondence and documents relating to each parcel included in this project.  It is hoped this collection will be digitized and added to the collection at some future point.</text>
                </elementText>
                <elementText elementTextId="19494">
                  <text>Vertical files in the Special Collections Room contain historical information about the neighborhood and the Urban Renewal process.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19495">
                  <text>The files for these items are .jpg derived from .tif archival files. Digital files have not been edited in any way.</text>
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              <name>Type</name>
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              <elementTextContainer>
                <elementText elementTextId="19498">
                  <text>This collection documents the North End neighborhood of Portsmouth, NH, contained within the Urban Renewal project, during ca. 1967-1970.</text>
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          <name>Parcel #</name>
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              <text>9-9</text>
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              <text>Archie Emery</text>
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              <text>George E. Hobbs / February 11, 1956</text>
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              <text>$144.30</text>
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          <name>1967 Estimated Market Value</name>
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              <text>Subject property consists of a level lot containing 1,241 square feet, having a frontage of 33 feet on Bridge Street. The land is improved with a two family dwelling.&#13;
&#13;
The exterior of the building is composition with wood/double hung windows. The roof is gable with asphalt shingles.&#13;
&#13;
The interior of the building is in good condition. There is a dirt floor with crawl space in the basement. The heat is gas and stove. The plumbing is mostly copper. The wiring is BX, Romex, 220 volt with 60 ampere service. The floors are softwood with tile covering. The walls are plaster and composition, and the ceilings are composition.</text>
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            <description>A name given to the resource</description>
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                <text>Parcel 9-9</text>
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        <name>Parcel 9</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Henry Clay Barnabee Collection</text>
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              <description>The topic of the resource</description>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="31709">
                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
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                <elementText elementTextId="31713">
                  <text>Collection partially indexed and scanned, 2014. </text>
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                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                <elementText elementTextId="31715">
                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                <elementText elementTextId="31716">
                  <text>Digital collection created in OMEKA, 2019.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="31717">
                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                <elementText elementTextId="31724">
                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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            </element>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="31726">
                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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          <name>Miscellaneous</name>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Park Row, New York City, New York</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="62191">
                <text>New York City (N.Y.)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="62192">
                <text>A colorized photographic postcard of a busy city street, with pedestrians, horses, and streetcars on rails. Text on the front reads "Park Row, N.Y. City."</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="62193">
                <text>National Art Views Company</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="62194">
                <text>Henry Clay Barnabee Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="62196">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG derived from TIF</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL-MS: 1995.1.IX.126</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="39302">
                  <text>The Higgins Family Photograph Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="39303">
                  <text>Portsmouth (N.H.)</text>
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                  <text>Neighborhoods</text>
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                  <text>Streets</text>
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                  <text>Photographs</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Higgins Family Photograph Collection consists of over 300 digital images primarily taken in the late 1800s through the first half of the 20th century. The images capture the everyday moments as well as the celebratory occasions of a family living in Portsmouth’s South End neighborhood.&lt;br /&gt;&lt;br /&gt;The original photographs come from the collection of Kathryn (Casey) Higgins (b. 1882). She is credited with the photography of much of the collection. The photos were provided to the library by the late J. Robert (Bob) Shouse, son of Elizabeth Higgins and V. Allen Shouse, and grandson of Kathryn.&lt;br /&gt;&lt;br /&gt;The Higgins family has lived in Portsmouth since the early 1900s when Dr. Martin Andrew Higgins (1883-1953) moved to Pleasant Street and began work as a physician and surgeon. Dr. Higgins was born in 1883 in Somersworth, New Hampshire to Andrew Higgins and Bridget Hanagan. He received his education at the University of Maryland Medical School. On July 12, 1913, Dr. Higgins married Kathryn Casey in Amesbury, Massachusetts, where Kathryn’s family lived. Her parents were Patrick Casey and Mary Burke, both immigrants from Northern Ireland. Kathryn and Dr. Higgins moved into 249 Pleasant Street in Portsmouth, a house that was built in 1900. It was here that they would raise their two daughters, Margaret “Peggy” (Higgins) Haid (1918-2012) and Elizabeth Martina “Betty” (Higgins) Shouse (1920-1997), and where Elizabeth and her husband Veazey Allen Shouse (1920-2002) would stay and raise their ten children. Both Peggy and Betty are the subjects of many of the photos. &lt;br /&gt;&lt;br /&gt;Also prominently featured in the photos is Delia “Dede” (Casey) Hassett (1868-1960), Kathryn’s sister. Delia was married to Joseph Martin Hassett (1869-1925), proprietor of Hassett’s Music and Art Shoppe located at 115 Congress Street. Joseph and Delia had three children – Ruth Hassett DeCourcy, Loretta Hassett Slawson, and John “Jack” Hassett, who can all be seen in several of the images. &lt;br /&gt;&lt;br /&gt;The digital images in this collection are for public viewing only. No use or reproduction is allowed. &lt;br /&gt;&lt;br /&gt;More images of the South End and the Puddledock neighborhoods can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/2" target="_blank" rel="noreferrer noopener"&gt;The Haven School Neighborhood Collection&lt;/a&gt;.</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Higgins, Kathryn (Casey) (b. 1882)</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>The Higgins Family Photograph Collection</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Portsmouth Public Library, Special Collections</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Late 19th century-mid 20th century</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Metadata creation and Omeka entry by P. Vassiliev, 2020-2021, and R. Nielsen, 2023.</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39313">
                  <text>No use or reproduction allowed</text>
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              </elementTextContainer>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>JPG</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>eng</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>StillImage</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="39317">
                  <text>PPL-P: 2012.1</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Parked car, 1921</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="75117">
                <text>Automobiles</text>
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                <text>Crawford Notch (N.H.)</text>
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                <text>Black-and-white photographs</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="75120">
                <text>A black-and-white photograph of a parked car in front of a mountain range in Crawford Notch, New Hampshire.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Higgins, Kathryn</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="75122">
                <text>The Higgins Family Photograph Collection</text>
              </elementText>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1921-10</text>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad.  They depict a wide array of buildings, landscapes, and wild flowers.  Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster.   She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
John Welsh Foster was a prominent member of the Portsmouth community.  He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank.  His businesses dealt with printing, book selling and bookbinding.  His success allowed his daughters the opportunity to make summer trips to Europe.  Sarah and her sister Mary lived in Europe from 1886-1890.  On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life.  Record of her public life is nearly non-existent.  She was a member of the Unitarian Church.  By all accounts she was shy and did not like public attention.  No known likenesses of Sarah have been found.  A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection.  As explained in this chapter, the Foster family was involved in many benevolent and community building activities.  It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad.  The day was warm and extra cars were running to and from the beach.  Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one".  She stepped out after waiting for a car to pass, but an extra car following hit her.  She had been heading home from the Lyman residence.  She died later that day of her sustained injuries.  She was 74 years old.  Foster is buried in Proprietors' cemetery.&#13;
&#13;
Views of Portsmouth&#13;
&#13;
In this album, Foster captures her fondness for the Portsmouth of old.  Her realistic and gentle paintings capture a slightly ideal view of Portsmouth.  These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”.  Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of.  It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing).  Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. &#13;
&#13;
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features.  After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. &#13;
	&#13;
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.&#13;
&#13;
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth.  In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public.  She and others created the library in the Custom house which opened January 1, 1881.  After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. &#13;
&#13;
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant.  Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.&#13;
&#13;
These images were digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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&#13;
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                  <text>This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth</text>
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                  <text>--title::Sarah Haven Views of Portsmouth&#13;
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.&#13;
--images::874,865</text>
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                  <text>This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history.</text>
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                  <text>This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust.&#13;
&#13;
The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. &#13;
Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. &#13;
&#13;
As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. &#13;
&#13;
The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization.&#13;
&#13;
Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. &#13;
&#13;
The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross.&#13;
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                  <text>--title::The Adams Collection&#13;
--text::This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The... &#13;
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      <name>Adams Collection</name>
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          <name>City Inventory #</name>
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              <text>411</text>
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        <name>Edward Adams</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sarah Haven Foster Wildflowers</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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                  <text>Portsmouth Public Library</text>
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                  <text>Scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin</text>
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                  <text>Omeka team, Nicole Luongo Cloutier and Robyn Nielsen, created the collection, 2014.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.</text>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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                  <text>Collection was scanned, 2012/2013. </text>
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                  <text>Images used in the database are jpg files derived from archival .tif files. </text>
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                  <text>This collection contains botanical style watercolors.  Plant types are included. </text>
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              <description>The topic of the resource</description>
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                  <text>Primarily North American Wildflowers.</text>
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              <text>Gift of Mary A. Foster, 1901</text>
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            <description>An account of the resource</description>
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                <text>A watercolor painting of round-leaved wintergreen and either partridge berry (scientific name Mitchella repens) or eastern teaberry (scientific name Gaultheria procumbens). Inscription reads, "Partridge Berry / Pyrola (wintergreen) round leaved / Gaultheria Procumben / Pyrola Rotundifolia."</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37500">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                  <text>The Higgins Family Photograph Collection</text>
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                  <text>Portsmouth (N.H.)</text>
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                  <text>The Higgins Family Photograph Collection consists of over 300 digital images primarily taken in the late 1800s through the first half of the 20th century. The images capture the everyday moments as well as the celebratory occasions of a family living in Portsmouth’s South End neighborhood.&lt;br /&gt;&lt;br /&gt;The original photographs come from the collection of Kathryn (Casey) Higgins (b. 1882). She is credited with the photography of much of the collection. The photos were provided to the library by the late J. Robert (Bob) Shouse, son of Elizabeth Higgins and V. Allen Shouse, and grandson of Kathryn.&lt;br /&gt;&lt;br /&gt;The Higgins family has lived in Portsmouth since the early 1900s when Dr. Martin Andrew Higgins (1883-1953) moved to Pleasant Street and began work as a physician and surgeon. Dr. Higgins was born in 1883 in Somersworth, New Hampshire to Andrew Higgins and Bridget Hanagan. He received his education at the University of Maryland Medical School. On July 12, 1913, Dr. Higgins married Kathryn Casey in Amesbury, Massachusetts, where Kathryn’s family lived. Her parents were Patrick Casey and Mary Burke, both immigrants from Northern Ireland. Kathryn and Dr. Higgins moved into 249 Pleasant Street in Portsmouth, a house that was built in 1900. It was here that they would raise their two daughters, Margaret “Peggy” (Higgins) Haid (1918-2012) and Elizabeth Martina “Betty” (Higgins) Shouse (1920-1997), and where Elizabeth and her husband Veazey Allen Shouse (1920-2002) would stay and raise their ten children. Both Peggy and Betty are the subjects of many of the photos. &lt;br /&gt;&lt;br /&gt;Also prominently featured in the photos is Delia “Dede” (Casey) Hassett (1868-1960), Kathryn’s sister. Delia was married to Joseph Martin Hassett (1869-1925), proprietor of Hassett’s Music and Art Shoppe located at 115 Congress Street. Joseph and Delia had three children – Ruth Hassett DeCourcy, Loretta Hassett Slawson, and John “Jack” Hassett, who can all be seen in several of the images. &lt;br /&gt;&lt;br /&gt;The digital images in this collection are for public viewing only. No use or reproduction is allowed. &lt;br /&gt;&lt;br /&gt;More images of the South End and the Puddledock neighborhoods can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/2" target="_blank" rel="noreferrer noopener"&gt;The Haven School Neighborhood Collection&lt;/a&gt;.</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>The Higgins Family Photograph Collection</text>
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                  <text>Portsmouth Public Library, Special Collections</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Metadata creation and Omeka entry by P. Vassiliev, 2020-2021, and R. Nielsen, 2023.</text>
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&#13;
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&#13;
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&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
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&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
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&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                <text>eng</text>
              </elementText>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="66432">
                <text>Sound</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="66433">
                <text>Natural Woman Track 9</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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