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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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                <text>Henry Clay Barnabee Collection</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              </elementTextContainer>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
                </elementText>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                <elementText elementTextId="31710">
                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                <elementText elementTextId="31711">
                  <text>Collection arranged, 1995.</text>
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                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
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                <elementText elementTextId="31713">
                  <text>Collection partially indexed and scanned, 2014. </text>
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                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of Marshall Pinckney Wilder and Louis de Valois Wilder by Benjamin Falk, New York, 1892</text>
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            <name>Subject</name>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="35620">
                <text>Black and white portrait of Marshall Pinckney Wilder (1859-1915) and his father Louis de Valois Wilder (1817-1911) wearing suits. Mat reads, "Comrades / Falk / 13 and 15 West 24th St. N.Y." Handwritten on the image: "Father and I / Marshall [illegible] / 1892."</text>
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                <text>Falk, Benjamin J. (1853-1925)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="35622">
                <text>Henry Clay Barnabee Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1892</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Type</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="35628">
                <text>PPL2017IIPhotoB_6_8</text>
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        <name>Benjamin J. Falk</name>
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        <name>Black and White</name>
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      <tag tagId="686">
        <name>New York</name>
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      <tag tagId="632">
        <name>Portrait</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Henry Clay Barnabee Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Henry Clay Barnabee</text>
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              <name>Description</name>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="31709">
                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              </elementTextContainer>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31717">
                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
                </elementText>
                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="31722">
                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                <elementText elementTextId="31724">
                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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                <elementText elementTextId="31937">
                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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      <name>Still Image</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="35629">
                <text>Portrait of Jessie Bartlett Davis by William McKenzie Morrison, Chicago</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="35630">
                <text>Single-sitter portraits</text>
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                <text>Davis, Jessie Bartlett (1860-1905)</text>
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                <text>Studio portraits</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="35633">
                <text>Black and white portrait of Jessie Bartlett Davis wearing a hat with feathers. Mat reads, "Jessie Bartlett-Davis / Morrison / Haymarket Theatre / 161 West Madison St. / Chicago." Handwritten on the image: "Off for the [illegible] / Your Jessie."</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="35634">
                <text>Morrison, William McKenzie (1857-1927)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Henry Clay Barnabee Collection</text>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="35637">
                <text>1891-1895</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Jpg derived from Tif</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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        <name>Jessie Bartlett Davis</name>
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        <name>Portrait</name>
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        <name>William McKenzie Morrison</name>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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                <text>Portrait of Marie Stone by William McKenzie Morrison, Chicago, 1891</text>
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            <description>An account of the resource</description>
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                <text>Black and white portrait of Marie Stone wearing a long coat and decorative hat. Mat reads, "Morrison / Haymarket Theatre / 161 West Madison St. / Chicago." Handwritten on the back: "June 1891."</text>
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              <elementText elementTextId="35648">
                <text>Henry Clay Barnabee Collection</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              <name>Date</name>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
                </elementText>
                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              </elementTextContainer>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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                <elementText elementTextId="31725">
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              <description>The nature or genre of the resource</description>
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              <description>Put whatever you want in here.</description>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of Jessie Bartlett Davis and an unidentified woman named Clara by Hugo Broich, Milwaukee, 1891</text>
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            <description>The topic of the resource</description>
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                <text>Black and white portrait of Jessie Bartlett Davis and an unidentified woman named Clara. Mat reads, "Hugo Broich / Milwaukee." Handwritten on the front: "Jessie [and] Clara. / "Aint we sweet?" Handwritten on the back: "July/91."</text>
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                <text>Broich, Hugo (1831-1905)</text>
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&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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            <description>A name given to the resource</description>
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                <text>Portrait of an unidentified woman by George Gardner Rockwood, New York, 1898</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Black and white portrait of an unidentified woman. Photographer's logo is debossed on the mat and reads, "Rockwood / 1440 Broadway / New York." Handwritten on the image: "To my dear friends / Mr. and Mrs. Barnabee / with ever so much love / from Jennie [illegible] / '98."</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Rockwood, George Gardner (1832-1911)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Henry Clay Barnabee Collection</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1898</text>
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            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL2017IIPhotoB_6_13</text>
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        <name>Black and White</name>
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        <name>George Gardner Rockwell</name>
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        <name>New York</name>
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        <name>Portrait</name>
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                  <text>Henry Clay Barnabee Collection</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="31709">
                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31710">
                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
                </elementText>
                <elementText elementTextId="31711">
                  <text>Collection arranged, 1995.</text>
                </elementText>
                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
                </elementText>
                <elementText elementTextId="31713">
                  <text>Collection partially indexed and scanned, 2014. </text>
                </elementText>
                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
                </elementText>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
                </elementText>
                <elementText elementTextId="31716">
                  <text>Digital collection created in OMEKA, 2019.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31717">
                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
                </elementText>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
                </elementText>
                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="31722">
                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
                </elementText>
                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
                </elementText>
                <elementText elementTextId="31724">
                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="31726">
                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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              </elementTextContainer>
            </element>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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    </collection>
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      <name>Still Image</name>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Portrait of Paul Arthur by Benjamin Falk, New York</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Single-sitter portraits</text>
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                <text>Arthur, Paul</text>
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                <text>Studio portraits</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35697">
                <text>Black and white portrait of theater actor Paul Arthur. Mat reads, "Paul Arthur / Falk / 13 and 15 West 24th St. N.Y." Handwritten on the front: "Thine / Paul Arthur." Handwritten on the back: "To Mr [and] Mrs HC Barnabee / with the [illegible] regard / of their friend / Paul Arthur."</text>
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          </element>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35698">
                <text>Falk, Benjamin J. (1853-1925)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="35699">
                <text>Henry Clay Barnabee Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35701">
                <text>1891-1895</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL2017IIPhotoB_6_14</text>
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        <name>Portrait</name>
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              <name>Title</name>
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                  <text>Henry Clay Barnabee Collection</text>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              <name>Date</name>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
                </elementText>
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                  <text>Collection arranged, 1995.</text>
                </elementText>
                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
                </elementText>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
                </elementText>
                <elementText elementTextId="31715">
                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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                <text>Black and white portrait of theater actress Roselle Knott with her head resting in her hand. Mat reads, "Roselle Knott. / Windeatt / 88 North Clark St." Handwritten on the back of the image: "To dear Mr Barnabee / with fond regards / most cordially / Agnes Knott."</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              </elementTextContainer>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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            <name>Title</name>
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                <text>Portrait of Madeleine Bouton by Jacob Schloss, New York, 1895</text>
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                <text>Black and white portrait of theater actress Madeleine Bouton wearing an embellished collar and multiple rings on her hand. Mat reads, "Madeleine Bouton / Schloss / 54 West 23d St. / New York." Handwritten on the mat: "1895."</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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              <description>Put whatever you want in here.</description>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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      <name>Still Image</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
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                <text>Portrait of John Ernest McCann by Napoleon Sarony, New York, 1894</text>
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                <text>Single-sitter portraits</text>
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            <description>An account of the resource</description>
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                <text>Black and white portrait of songwriter and playwright John Ernest McCann. Handwritten on image: "Dear / Henry Clay / Barnabee: / Yours, this side of / Heaven, and a [illegible] side / of Hell, John Ernest McCann. / April 18, 1894." Mat reads, "Sarony / 37 Union Sqr, N.Y." Back reads, "Sarony / Gold Medal Paris, 1878. / 37 Union Square, / New York. / Negatives preserved, duplicates may be / obtained at a ny time. / Elevator from the street."</text>
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                <text>Sarony, Napoleon (1821-1896)</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Henry Clay Barnabee Collection</text>
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                <text>Portsmouth Public Library, Special Collections</text>
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                <text>1894-04-18</text>
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                <text>eng</text>
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                <text>StillImage</text>
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            <name>Identifier</name>
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                <text>PPL2017IIPhotoB_6_17</text>
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        <name>Black and White</name>
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        <name>John Ernest McCann</name>
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        <name>Napoleon Sarony</name>
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        <name>New York</name>
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        <name>Portrait</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sarah Haven Foster Views of Portsmouth</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad.  They depict a wide array of buildings, landscapes, and wild flowers.  Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster.   She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
John Welsh Foster was a prominent member of the Portsmouth community.  He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank.  His businesses dealt with printing, book selling and bookbinding.  His success allowed his daughters the opportunity to make summer trips to Europe.  Sarah and her sister Mary lived in Europe from 1886-1890.  On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
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Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life.  Record of her public life is nearly non-existent.  She was a member of the Unitarian Church.  By all accounts she was shy and did not like public attention.  No known likenesses of Sarah have been found.  A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection.  As explained in this chapter, the Foster family was involved in many benevolent and community building activities.  It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad.  The day was warm and extra cars were running to and from the beach.  Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one".  She stepped out after waiting for a car to pass, but an extra car following hit her.  She had been heading home from the Lyman residence.  She died later that day of her sustained injuries.  She was 74 years old.  Foster is buried in Proprietors' cemetery.&#13;
&#13;
Views of Portsmouth&#13;
&#13;
In this album, Foster captures her fondness for the Portsmouth of old.  Her realistic and gentle paintings capture a slightly ideal view of Portsmouth.  These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”.  Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of.  It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing).  Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. &#13;
&#13;
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features.  After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. &#13;
	&#13;
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.&#13;
&#13;
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth.  In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public.  She and others created the library in the Custom house which opened January 1, 1881.  After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. &#13;
&#13;
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant.  Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.&#13;
&#13;
These images were digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Portsmouth Public Library</text>
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                  <text>Collection was digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Omeka Team, Nicole Cloutier, Robyn Nielsen</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="19513">
                  <text>Buildings, homes, scenery of Portsmouth and Surrounding communities.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Portsmouth Public Library</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Watercolor coll</text>
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                  <text>Portsmouth Public Library</text>
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              <name>Date</name>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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                  <text>Collection was scanned, 2012/2013.</text>
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                  <text>Quality control, research, and metadata created, 2013.</text>
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                  <text>Digital Archive Created, 2014.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19524">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.&#13;
&#13;
</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.</text>
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              <name>Format</name>
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              <description>The nature or genre of the resource</description>
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                  <text>Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.</text>
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                  <text>This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth</text>
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              <description>Put whatever you want in here.</description>
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                  <text>--title::Sarah Haven Views of Portsmouth&#13;
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.&#13;
--images::874,865</text>
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              <text>Gift of Mary A. Foster, 1901</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Queen's Chapel</text>
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            <description>The topic of the resource</description>
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                <text>Portsmouth (N.H.)</text>
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            <description>An account of the resource</description>
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                <text>A drawing of Queen's Chapel which stood where St. John's Episcopal Church is now located. Inscription reads, "Built 1732, burned 1806, from a print 1760."</text>
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                <text>Foster, Sarah Haven (1827-1900)</text>
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                    <text>COMMUNITY DIARY:
PORTSMOUTH COVID-19 PANDEMIC 2020
Entry 001
Name:
Genine

Date:
4/28/2020 11:05:25

Email:
genineb87@comcast.net

Age (not required):
Tell us a bit about your situation during this time period (employed / remote learning / caring for loved
ones / sick / quarantined / etc.):
Currently, I am one of the many furloughed workers facing an uncertain future. Before the pandemic and
the subsequent shutdown, I was working in kitchens as a cook.
During the shutdown, I turned back to toymaking. Sewing has been a hobby of mine for a long time, and I
hand stitch everything. I sell my toys at Good Juju in Newmarket, they're a wonderful small business that
focuses on local artisans.
Share an uplifting story of neighbors helping neighbors or a story that made you smile during this time:
There is a wild turkey who visits the neighborhood, she's an icon, everyone knows her by different names.
One day early on in the shutdown, we were talking to our next door neighbor and they mentioned how
much they love seeing the turkey. We've gotten to know our neighbor a little, but in that cordial New
England kind of way. Through the love of this wild animal, they ended up sharing their number with us so
they could send us their videos of the turkey. Thank you, Maude!
What memory of this time do you think will stay with you?
The capacity for human kindness. I have seen a lot of ugliness too, but I will remember the small acts of
kindness.
Has this experience changed you? If so, how?
Yes, but for the better. It's made me do a lot of introspective work. I've become more aware of the things
around me, and a lot more grateful too. It's also challenged me to refocus my energy and my career plan.
While at times it has frustrated me, I am thankful for the closeness I have found with my partner as well as
myself. Most importantly, it has brought me back to Buddhist teachings.
What has been the most challenging part of this experience?
Honestly, it has been the uncertainty. While I hold a small hope that things can return to some normalcy, I
have found myself angry and, at times, hopeless. The lack of care from federal and state governments
has been frustrating. The five weeks of no payment has been difficult, along with the knowledge that the
path to recovery will be a long and laborious process.
The most treacherous part is the road ahead, and I, like many, have worried if there will be a job to come

Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�back to once this is over. I also live in a state heavily dependent on tourism, which is a concern - not just
to the health of everyone in my state, but in the long term.
Share an image? (jpg or pdf format)

Explain or describe the photograph you uploaded:
This is a picture of meatballs that I cooked on a Saturday afternoon. (Once browned on all sides, I
finished them off in the oven to cook). I had spent most of that day prepping and preparing a meal for my
partner and myself.
Usually Saturdays were working days for us, and we never had time together to enjoy them. I decided to
treat my partner to "nonna" cooking - meatballs being one of my Grammy's specialities. She would put
raisins inside them and this was the first time my partner had ever tried meatballs with raisins! (He
enjoyed them). Having the time to cook and really prepare a meal has been something I've really enjoyed
during this difficult time. Food can be restorative, especially when it's cooked from the heart.
Share a document? Longer writings, documents, etc. (jpg or pdf format)
Explain or describe the document you uploaded:

I certify that I am over 18:
I agree
If under 18, I give permission for my minor to participate and submit the above information to this project.
If over 18, please sign yourself. (Please type your full name):
GENINE BOGGIANO
By submitting this information, and/or files, to the Portsmouth Public Library Covid-19 Pandemic Diary I
agree to allow the Library to share all, or part of this information as appropriate. In addition, the library has
my permission to use this entry online, in social media, in print, and any other format of the future, in
perpetuity:
I agree
By checking the following two boxes you agree that the information you have supplied above is true and
accurate and you have permission to share from all parties included:
All information I have provided above is true, Permission has been obtained from included parties.

Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�</text>
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                  <text>The Portsmouth Public Library is endeavoring to historically document this unusual time in our shared Portsmouth, New Hampshire History. As always, staff of the Special Collections Room are physically collecting printed accounts, articles, and documents for the history files.&lt;br /&gt;&lt;br /&gt;To further our mission to document and make accessible Portsmouth history, we have started this diary project to capture the social, economic and personal accounts of the impact this pandemic has had on our residents and community. &lt;br /&gt;&lt;br /&gt;To learn more about our history collecting efforts and to become a part of history itself, visit &lt;a href="https://www.portsmouthnh/library/communitydiary" target="_blank" rel="noreferrer noopener"&gt;our website&lt;/a&gt; and fill out &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSfr74CfB-fiCVECo9c4p7ogw3schiEiuMKEfuzYSI6WEvqZyA/viewform" target="_blank" rel="noreferrer noopener"&gt;our form&lt;/a&gt;.</text>
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                    <text>COMMUNITY DIARY:
PORTSMOUTH COVID-19 PANDEMIC 2020
Entry 002
Name:
Stephanie Seacord
Date:
4/28/2020 12:54:51
Email:
sseacord@cityofportsmouth.com
Age (not required):

Tell us a bit about your situation during this time period (employed / remote learning / caring for loved
ones / sick / quarantined / etc.):

Public Information Officer for the City of Portsmouth
Share an uplifting story of neighbors helping neighbors or a story that made you smile during this time:

Terrific response from those who participated in #TreeCityHug Portsmouth's Virtual Arbor Day
celebration: https://youtu.be/jJ1YfOfnXj0
What memory of this time do you think will stay with you?

City Emergency Team working together to stay ahead of the curve.
Has this experience changed you? If so, how?

This was the moment I spent a career (in communications) preparing for.
What has been the most challenging part of this experience?

Daily publication of City Manager's Daily Advisory. 7 days a week starting March 16, 2020. Archived
here: https://www.cityofportsmouth.com/city/city-manager-daily-updates
Share an image? (jpg or pdf format)

Explain or describe the photograph you uploaded:

Share a document? Longer writings, documents, etc. (jpg or pdf format)
Explain or describe the document you uploaded:

Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�I certify that I am over 18:

I agree
If under 18, I give permission for my minor to participate and submit the above information to this project.
If over 18, please sign yourself. (Please type your full name):

Stephanie Seacord
By submitting this information, and/or files, to the Portsmouth Public Library Covid-19 Pandemic Diary I
agree to allow the Library to share all, or part of this information as appropriate. In addition, the library has
my permission to use this entry online, in social media, in print, and any other format of the future, in
perpetuity:

I agree
By checking the following two boxes you agree that the information you have supplied above is true and
accurate and you have permission to share from all parties included:

All information I have provided above is true. Permission has been obtained from included parties.

Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�</text>
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                  <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <text>"Terrific response from those who participated in #TreeCityHug Portsmouth's Virtual Arbor Day celebration: &lt;a href="https://youtu.be/jJ1YfOfnXj0" target="_blank" rel="noreferrer noopener"&gt;https://youtu.be/jJ1YfOfnXj0&lt;/a&gt;"</text>
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              <text>"City Emergency Team working together to stay ahead of the curve."</text>
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              <text>"This was the moment I spent a career (in communications) preparing for."</text>
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          <name>What has been the most challenging part of this experience?</name>
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              <text>"Daily publication of City Manager's Daily Advisory. 7 days a week starting March 16, 2020. Archived here: &lt;a href="https://www.cityofportsmouth.com/city/city-manager-daily-updates" target="_blank" rel="noreferrer noopener"&gt;https://www.cityofportsmouth.com/city/city-manager-daily-updates&lt;/a&gt;"</text>
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              <elementText elementTextId="37083">
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                    <text>Anguished April
The magenta azalea blooms
right on cue,
Unfazed, unaware that its owners
Can’t freely enjoy their time outdoors
without covering their faces
Against a virus that has us
all gripped in a vise of fear.
The streets of the city are empty
of window shoppers,
Restaurant seats are vacant,
Beaches closed to those
craving salt air breezes,
looking forward to
summer moments
that may not come this year.
Babies are born,
birthdays celebrated in caution,
many die alone,
While we wait and watch to understand
what will come next,
We are on hold - for now.
@slaurent 4/22/2020

�</text>
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                    <text>COMMUNITY DIARY:
PORTSMOUTH COVID-19 PANDEMIC 2020
Entry 003
Name:
Suzanne Laurent
Date:
4/28/2020 14:52:02
Email:
srlaurent@gmail.com
Age (not required):

Tell us a bit about your situation during this time period (employed / remote learning / caring for loved
ones / sick / quarantined / etc.):
Widowed, family far away, unemployed because of Covid-19
Share an uplifting story of neighbors helping neighbors or a story that made you smile during this time:
Enjoy playing in a percussion ensemble from PMAC on Zoom each week.
What memory of this time do you think will stay with you?
loneliness
Has this experience changed you? If so, how?
More time for inner reflection.
What has been the most challenging part of this experience?
Feeling isolated
Share an image? (jpg or pdf format)

Explain or describe the photograph you uploaded:

Share a document? Longer writings, documents, etc. (jpg or pdf format)

Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�Anguished April
The magenta azalea blooms
right on cue,
Unfazed, unaware that its owners
Can’t freely enjoy their time outdoors
without covering their faces
Against a virus that has us
all gripped in a vise of fear.
The streets of the city are empty
of window shoppers,
Restaurant seats are vacant,
Beaches closed to those
craving salt air breezes,
looking forward to
summer moments
that may not come this year.
Babies are born,
birthdays celebrated in caution,
many die alone,
While we wait and watch to understand
what will come next,
We are on hold - for now.
@slaurent 4/22/2020
Explain or describe the document you uploaded:
A poem about the current time of staying home.
I certify that I am over 18:
I agree
If under 18, I give permission for my minor to participate and submit the above information to this
project. If over 18, please sign yourself. (Please type your full name):
Suzanne Laurent
By submitting this information, and/or files, to the Portsmouth Public Library Covid-19 Pandemic Diary I
agree to allow the Library to share all, or part of this information as appropriate. In addition, the library
has my permission to use this entry online, in social media, in print, and any other format of the future, in
perpetuity:
I agree
By checking the following two boxes you agree that the information you have supplied above is true and
accurate and you have permission to share from all parties included:
All information I have provided above is true. Permission has been obtained from included parties.

Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�</text>
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                  <text>The Portsmouth Public Library is endeavoring to historically document this unusual time in our shared Portsmouth, New Hampshire History. As always, staff of the Special Collections Room are physically collecting printed accounts, articles, and documents for the history files.&lt;br /&gt;&lt;br /&gt;To further our mission to document and make accessible Portsmouth history, we have started this diary project to capture the social, economic and personal accounts of the impact this pandemic has had on our residents and community. &lt;br /&gt;&lt;br /&gt;To learn more about our history collecting efforts and to become a part of history itself, visit &lt;a href="https://www.portsmouthnh/library/communitydiary" target="_blank" rel="noreferrer noopener"&gt;our website&lt;/a&gt; and fill out &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSfr74CfB-fiCVECo9c4p7ogw3schiEiuMKEfuzYSI6WEvqZyA/viewform" target="_blank" rel="noreferrer noopener"&gt;our form&lt;/a&gt;.</text>
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                <elementText elementTextId="37064">
                  <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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          <name>Explain or describe the shared document(s)</name>
          <description/>
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          <description/>
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                    <text>COMMUNITY DIARY:
PORTSMOUTH COVID-19 PANDEMIC 2020
Entry 004
Name:
Denise Brown
Date:
4/28/2020 21:27:11
Email:
denise@adceteragraphics.com
Age (not required):

Tell us a bit about your situation during this time period (employed / remote learning / caring for loved
ones / sick / quarantined / etc.):
Self-employed local artist
Share an uplifting story of neighbors helping neighbors or a story that made you smile during this time:

What memory of this time do you think will stay with you?
My mom died April 1st, 2020 at 94. No mass, no wake, no reception, just 9 people at the gravesite. She
died in a nursing home, but I was lucky to be able to say goodbye to her even though it was locked
down. I kissed her goodbye with my mask on and held her hand with my latex gloves on. I did not dare
give her a hug. It is a very surreal time to pass away and a difficult memory. I made a video with my
'happy local paintings' to share at www.youtube.com/watch?v=plxcxrSOOM&amp;feature=share&amp;fbclid=IwAR1mT0GDo78jY66ATvPKd9BeLn7zVfXMm_xn67pJkBLSvEtQUsjusv
yB3PY
Has this experience changed you? If so, how?
Yes, I regret not giving Mom a hug for fear of somehow passing a virus, even though we did not have it. I
enjoy sharing my happy local artwork to give hope and optimistic dreams to return to normal. I just
published my new paperback book, "Denise Brown, New Hampshire Artist" with 300 of my paintings,
comments and motivational tips. Look inside at Amazon to see my lifetime of artwork.
www.raccoonstudios.com
What has been the most challenging part of this experience?
Not being able to walk on the beach.
Share an image? (jpg or pdf format)
Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�Explain or describe the photograph you uploaded:
Denise Brown Wallis Sands Bench Watercolor Painting
Share a document? Longer writings, documents, etc. (jpg or pdf format)
Video
Explain or describe the document you uploaded:
Artist Video of my art and comments about COVD. Note: My panoramic portrait of Portsmouth that I
shot on top of the North Church Steeple during its renovation in 2006 is in the Portsmouth Library time
capsule that is to be opened in 2106.
I certify that I am over 18:
I agree
If under 18, I give permission for my minor to participate and submit the above information to this
project. If over 18, please sign yourself. (Please type your full name):
Denise Brown
By submitting this information, and/or files, to the Portsmouth Public Library Covid-19 Pandemic Diary I
agree to allow the Library to share all, or part of this information as appropriate. In addition, the library
has my permission to use this entry online, in social media, in print, and any other format of the future, in
perpetuity:
I agree
By checking the following two boxes you agree that the information you have supplied above is true and
accurate and you have permission to share from all parties included:
All information I have provided above is true. Permission has been obtained from included parties.
Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�</text>
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                  <text>The Portsmouth Public Library is endeavoring to historically document this unusual time in our shared Portsmouth, New Hampshire History. As always, staff of the Special Collections Room are physically collecting printed accounts, articles, and documents for the history files.&lt;br /&gt;&lt;br /&gt;To further our mission to document and make accessible Portsmouth history, we have started this diary project to capture the social, economic and personal accounts of the impact this pandemic has had on our residents and community. &lt;br /&gt;&lt;br /&gt;To learn more about our history collecting efforts and to become a part of history itself, visit &lt;a href="https://www.portsmouthnh/library/communitydiary" target="_blank" rel="noreferrer noopener"&gt;our website&lt;/a&gt; and fill out &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSfr74CfB-fiCVECo9c4p7ogw3schiEiuMKEfuzYSI6WEvqZyA/viewform" target="_blank" rel="noreferrer noopener"&gt;our form&lt;/a&gt;.</text>
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                    <text>World broken
(for my late husband)
Notre Dame was in ashes last year,
a shadow of its magnificent self,
too many lit candles
never saw it coming.
I gave you the world
when you turned forty.
A desk globe,
borders still separated
by the Berlin Wall,
the USSR still a strong power
to be feared.
Ninety eighty two,
two years before dire Orwellian predictions.
Births, deaths,
including yours,
during our thirty years together.
You are not here to witness
this pandemic numbered 19,
We are sheltered and sad,
most of us so lonely.
Hug all our forever angels.
The world is broken.
@srlaurent 3/29/2020

�</text>
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                    <text>Sheltered
too much onslaught of news,
necessary, but exhausting,
stay home,
stay apart,
stay isolated.
can’t be too careful,
can’t be human,
wanting what we need the most.
@srlaurent 3/24/2020

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                    <text>COMMUNITY DIARY:
PORTSMOUTH COVID-19 PANDEMIC 2020
Entry 005
Name:
Suzanne Laurent
Date:
4/29/2020 14:44:53
Email:
srlaurent@gmail.com
Age (not required):

Tell us a bit about your situation during this time period (employed / remote learning / caring for loved
ones / sick / quarantined / etc.):
Widowed, unemployed, isolated, staying home.
Share an uplifting story of neighbors helping neighbors or a story that made you smile during this time:
Heard an interesting podcast about "getting through this" and how much we are changed.
What memory of this time do you think will stay with you?
Feeling isolated, but keeping in touch with family, friends by phone chats, FaceTime.
Has this experience changed you? If so, how?
It's made me realize how lucky I am to have a home, food, and people reaching out.
What has been the most challenging part of this experience?
Staying home.
Share a document? (jpg or pdf format)

Sheltered
too much onslaught of news,
necessary, but exhausting,
stay home,
stay apart,
stay isolated.
Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�can’t be too careful,
can’t be human,
wanting what we need the most.
@srlaurent 3/24/2020
Explain or describe the photograph you uploaded:
One of the first poems I wrote during this time

Share a document? Longer writings, documents, etc. (jpg or pdf format)

World broken
(for my late husband)
Notre Dame was in ashes last year,
a shadow of its magnificent self,
too many lit candles
never saw it coming.
I gave you the world
when you turned forty.
A desk globe,
borders still separated
by the Berlin Wall,
the USSR still a strong power
to be feared.
Ninety eighty two,
two years before dire Orwellian predictions.
Births, deaths,
including yours,
during our thirty years together.
You are not here to witness
this pandemic numbered 19,
We are sheltered and sad,
most of us so lonely.
Hug all our forever angels.
The world is broken.
@srlaurent 3/29/2020
Explain or describe the document you uploaded:
A poem to my late husband who was from Paris about Notre Dame last year and now this virus.
I certify that I am over 18:

Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�I agree
If under 18, I give permission for my minor to participate and submit the above information to this
project. If over 18, please sign yourself. (Please type your full name):
Suzanne Laurent
By submitting this information, and/or files, to the Portsmouth Public Library Covid-19 Pandemic Diary I
agree to allow the Library to share all, or part of this information as appropriate. In addition, the library
has my permission to use this entry online, in social media, in print, and any other format of the future, in
perpetuity:
I agree
By checking the following two boxes you agree that the information you have supplied above is true and
accurate and you have permission to share from all parties included:
All information I have provided above is true. Permission has been obtained from included parties.

Portsmouth Public Library | 175 Parrott Avenue | 603-766-1720 | cityofportsmouth.com/library

�</text>
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                  <text>The Portsmouth Public Library is endeavoring to historically document this unusual time in our shared Portsmouth, New Hampshire History. As always, staff of the Special Collections Room are physically collecting printed accounts, articles, and documents for the history files.&lt;br /&gt;&lt;br /&gt;To further our mission to document and make accessible Portsmouth history, we have started this diary project to capture the social, economic and personal accounts of the impact this pandemic has had on our residents and community. &lt;br /&gt;&lt;br /&gt;To learn more about our history collecting efforts and to become a part of history itself, visit &lt;a href="https://www.portsmouthnh/library/communitydiary" target="_blank" rel="noreferrer noopener"&gt;our website&lt;/a&gt; and fill out &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSfr74CfB-fiCVECo9c4p7ogw3schiEiuMKEfuzYSI6WEvqZyA/viewform" target="_blank" rel="noreferrer noopener"&gt;our form&lt;/a&gt;.</text>
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          <name>Explain or describe the shared document(s)</name>
          <description/>
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              <text>About "World Broken": "A poem to my late husband who was from Paris about Notre Dame last year and now this virus."&#13;
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About "Sheltered": "One of the first poems I wrote during this time"</text>
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