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                  <text>Collected by Louis J. Mackles.</text>
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                  <text>These images are intended for research and reference use only.  The library holds copyright to the digital images of this collection.  Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015.  It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment.  The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.&#13;
&#13;
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast.  Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.&#13;
&#13;
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893.  Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well.  Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.  &#13;
&#13;
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].&#13;
&#13;
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards.  The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.  &#13;
&#13;
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)&#13;
_______________________________________________________________________________________________&#13;
&#13;
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:&#13;
&#13;
‘…Maj. Mackles attended A&amp;M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves.  He was the recipient of the Purple Heart and the Bronze Star.  He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.&#13;
     Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.&#13;
     He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’&#13;
&#13;
_______________________________________________________________________________________________&#13;
&#13;
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:&#13;
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul&#13;
&#13;
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A &amp; M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England.  In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry.  Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.&#13;
&#13;
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.&#13;
&#13;
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.&#13;
&#13;
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.&#13;
&#13;
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all.  Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.&#13;
&#13;
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.&#13;
&#13;
__________________________________________________________________________________________&#13;
&#13;
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.  &#13;
Please see below for copyright information.  &#13;
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions.  603-766-1720.&#13;
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&#13;
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast.  Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.&#13;
&#13;
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893.  Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well.  Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.  &#13;
&#13;
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].&#13;
&#13;
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards.  The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.  &#13;
&#13;
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)&#13;
_______________________________________________________________________________________________&#13;
&#13;
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:&#13;
&#13;
‘…Maj. Mackles attended A&amp;M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves.  He was the recipient of the Purple Heart and the Bronze Star.  He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.&#13;
     Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.&#13;
     He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’&#13;
&#13;
_______________________________________________________________________________________________&#13;
&#13;
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:&#13;
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul&#13;
&#13;
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A &amp; M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England.  In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry.  Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.&#13;
&#13;
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.&#13;
&#13;
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.&#13;
&#13;
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.&#13;
&#13;
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all.  Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.&#13;
&#13;
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.&#13;
&#13;
__________________________________________________________________________________________&#13;
&#13;
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.  &#13;
Please see below for copyright information.  &#13;
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions.  603-766-1720.&#13;
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                  <text>Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.</text>
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                  <text>Digitized, Spring 2016.</text>
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                  <text>Digital Collection created in OMEKA, June 2016.</text>
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                  <text>Collected by Louis J. Mackles.</text>
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                  <text>Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.</text>
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                  <text>These images are intended for research and reference use only.  The library holds copyright to the digital images of this collection.  Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>This is a small part of a larger collection.  Other parts of the collection may be found in....</text>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.  </text>
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                  <text>This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards.  They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.</text>
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                  <text>Portsmouth and the Seacoast, NH.</text>
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                  <text>This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015.  It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment.  The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.&#13;
&#13;
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast.  Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.&#13;
&#13;
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893.  Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well.  Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.  &#13;
&#13;
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].&#13;
&#13;
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards.  The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.  &#13;
&#13;
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)&#13;
_______________________________________________________________________________________________&#13;
&#13;
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:&#13;
&#13;
‘…Maj. Mackles attended A&amp;M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves.  He was the recipient of the Purple Heart and the Bronze Star.  He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.&#13;
     Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.&#13;
     He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’&#13;
&#13;
_______________________________________________________________________________________________&#13;
&#13;
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:&#13;
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul&#13;
&#13;
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A &amp; M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England.  In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry.  Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.&#13;
&#13;
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.&#13;
&#13;
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.&#13;
&#13;
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.&#13;
&#13;
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all.  Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.&#13;
&#13;
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.&#13;
&#13;
__________________________________________________________________________________________&#13;
&#13;
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.  &#13;
Please see below for copyright information.  &#13;
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions.  603-766-1720.&#13;
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--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015&#13;
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              <text>"Dear Josie!-&#13;
I can report that C. is on the mend. At least his continued rest has prevented any further attacks - only tho me[?] a week ago Fri. since the first the Sat. previous. He comes downstairs twice a day &amp; will for another week then three times. We are leaving it to the Doctor's judgment when he should return to work. He is a good, obedient patient. The Beverly folks drove up late Fri. P.M. for an hour or so -brought Myrtle who spent Thanksgiving &amp; is staying another week with them. Love from us [illegible word]&#13;
Annie&#13;
&#13;
Mrs. Josie B. Rolfe&#13;
14 Mechanic St.,&#13;
Brdigten,&#13;
Maine."</text>
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              <text>month[?] 26, 1945</text>
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                <text>Additional portions of the Louis J. Mackles Collection are housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and by a single private collector. </text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Volume 1, Portsmouth City and Street Views #129-130</text>
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&#13;
These photographs were pulled from the library’s vertical files, donations, and general photograph collection. Additions and their exact provenance are noted in the container listing of the finding aid.&#13;
&#13;
These images were scanned by library page Isabelle Kirwin in February 2020.</text>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Henry Clay Barnabee</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31707">
                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              </elementTextContainer>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31710">
                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
                </elementText>
                <elementText elementTextId="31711">
                  <text>Collection arranged, 1995.</text>
                </elementText>
                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
                </elementText>
                <elementText elementTextId="31713">
                  <text>Collection partially indexed and scanned, 2014. </text>
                </elementText>
                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
                </elementText>
                <elementText elementTextId="31715">
                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
                </elementText>
                <elementText elementTextId="31716">
                  <text>Digital collection created in OMEKA, 2019.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31717">
                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
                </elementText>
                <elementText elementTextId="31718">
                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
                </elementText>
                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="31722">
                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
                </elementText>
                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
                </elementText>
                <elementText elementTextId="31724">
                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
                </elementText>
              </elementTextContainer>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="31726">
                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
                </elementText>
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          <name>Miscellaneous</name>
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          <elementContainer>
            <element elementId="115">
              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="31937">
                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Pleasant View, Concord, New Hampshire</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61370">
                <text>Concord (N.H.)</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61371">
                <text>A postcard featuring a colorized photograph of a large house with a fence bordering the street. Red text to the right of the picture reads "Pleasant View, Home of Reverend Mary Baker G. Eddy, Concord, N.H."</text>
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            </elementTextContainer>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61372">
                <text>H.C. Leighton Company</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="61373">
                <text>Henry Clay Barnabee Collection</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="61374">
                <text>Portsmouth Public Library, Special Collections</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61375">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61376">
                <text>JPG derived from TIF</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="61379">
                <text>PPL-MS: 1995.1.IX.049</text>
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            </elementTextContainer>
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    </elementSetContainer>
  </item>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="29917">
                  <text>The Helen Pearson Drawings</text>
                </elementText>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="29918">
                  <text>Portsmouth (N.H.)</text>
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                <elementText elementTextId="35785">
                  <text>Historic buildings</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="29919">
                  <text>A series of drawings created between 1908-1913 by local artist and Portsmouth native, Helen Pearson (1870-1949).  &#13;
&#13;
In 1993, local historian and long-time editor of the Portsmouth Herald, Ray Brighton called Helen Pearson “…one of the best artists Portsmouth ever produced whose talent has been largely forgotten.” Born in Portsmouth on Nov. 13, 1870, Pearson was trained as a concert pianist and attended Boston’s Cowles Art School. She played piano with the Schenectady Symphony Orchestra in New York but was most recognized throughout the Seacoast for her pen and ink drawings in local publications. Her “Open Door” drawing especially, was used for many years in Portsmouth publicity pamphlets. This collection includes 14 original Helen Pearson drawings, 12 of which were created for her 1913 volume Vignettes of Portsmouth, New Hampshire, produced in collaboration with Harold Hotchkiss Bennett. &#13;
&#13;
This collection was gifted to the Portsmouth Public Library by Helen Pearson as a bequest from her estate. Each item underwent evaluation and conservation in 1992 and are permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="29920">
                  <text>Pearson, Helen (1870-1949)</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="29921">
                  <text>Portsmouth Public Library, Special Collections</text>
                </elementText>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="29922">
                  <text>1908-1913</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="29923">
                  <text>Jpg derived from Tif</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="29924">
                  <text>Original graphite drawings with pen and ink overlaid; some finished with black and white watercolors. </text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="30121">
                  <text>Digitization and database creation by Jessica Ross and Lael Dalal, Fall 2017</text>
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                <elementText elementTextId="35786">
                  <text>Omeka additions and metadata by Jessica Ross, Fall 2017</text>
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              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="35788">
                  <text>&lt;span&gt;These images are intended for research and reference use only. The Library holds copyright to the digital images of this collection. &lt;/span&gt;Please see our &lt;a href="http://www.portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="35790">
                  <text>eng</text>
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          <name>Miscellaneous</name>
          <description/>
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            <element elementId="115">
              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="30122">
                  <text>--title::The Helen Pearson Drawings&#13;
--text::This collection of 14 original drawings, which shows buildings and scenes of Portsmouth and the Seacoast area, was a bequest of the Helen Pearson estate in 1949.&#13;
--images::1897,1886</text>
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              </elementTextContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="30047">
              <text>Drawing </text>
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        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
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            <elementText elementTextId="30048">
              <text>25 x 39 cm&#13;
</text>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30037">
                <text>Point of Graves</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Portsmouth (N.H.)</text>
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                <text>Cemeteries</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Original graphite drawing overlaid in pen and ink. Created for Pearson's publication of Vignettes of Portsmouth, New Hampshire. Point of Graves Burial Ground is located on the south side of Mechanic Street, Portsmouth, NH.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pearson, Helen (1870-1949)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>The Helen Pearson Drawings</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1913</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="30046">
                <text>PPL-AA1993.2&#13;
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35764">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35798">
                <text>View our &lt;a href="http://www.portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
              </elementText>
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        <name>20th century</name>
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                    <text>POINT OF GRAVES
Record Compiled by
L. H • Tallman

��RECORDING CEMETERY DATA
"Point Of Graves"

Bart C Ferrell
Survey of American Literature
Final Project
.Potter, \'/atters

12/17/79

��A Compiled Record
of
POINT OF GRAVES
Many persons have examined the old gravestones at Point of Graves, Mechanic
Street in Portsmouth. This is the oldest assemblage of inscribed gravestones
known in New Hampshire. With the passing of time, parts of the record are
lost. Stones are broken or eroded. We are fortunate that several persons
left notes of what could be read of these markers many years ago. Their work
serves to fill out and interpret what remains today.
In 1904 a meticulous set of marker readings for Point of Graves was
published in The New Hampshire Genealogical Record, Vol. I. No author is
stated. This material fills 17 pages. The precision and completeness of
this recording makes this source of great value.
In 1907, Arthur H. Locke published a pamphlet, Cemetery Inscriptions,
giving an abstract of the names and dates of the 2,000 oldest gravestones
of Portsmouth. This reference adds quite a few markers that he was able
to identify at Point of Graves.
In 1902, Caleb S. Gurney published his Portsmouth, Historic &amp; Picturesque.
In this, he shows two pages of gravestone photos, of markers at Point of
Graves. Good prints of the original photos are on file at the Strawbery
Banke Library, the Patch Collection. Inscriptions were easy to read from
these photos.
A recent project was done in 1979 by U.N,H. student, Bart C. Ferrell.
His important contribution was a good charting for Point of Graves. He
shows 120 marker locations, though some numbers refer to footstones. For
each he has an analysis sheet, with condition notes, measurements and marker
inscription copy. His description of the site as a whole is of particular
interest, and a print is included with this notebook. The marker sheets
are difficult to read, as he apparently used a carbon which got pretty faint
for the later numbers. Clearest readings are for markers nearest Marcy
Street, at the west end. For some reason, markers at the west end were
not included in the 1904 publication, so the two sources suppllmented each
other. This student report was loaned by Prof. David Watters of the U.N.H.
English Department.
My work, started 1983, is a recording of early gravestones of Portc:T110" .• ,
using an 8x5 card for each marker. This file will be kept at +~1~ ?ortsmouth
Athenaeum, adding units as sites are completed. What Y~s never shown in
the older notes was any reference to material, de~ ~nor condition. Nor
was there any reasonable way to find a_ Iti ular marker except to examine
them a ll. Before the Ferrell cha..Tting was in hand, I had started a crude
location reference of letter d rows. However, each marker is now noted with
Bart Ferrell's numbering, such as "BF - #58".
Another project is in progress by Prof. Watters. He is making a photo
recor of gravestones of Portsmouth that date before 1800. His interest is
interpreta .ion of designs, and identity of stone carvers. These points
express much of the culture of their times. The photos will eventually be
coordinated with the record cards.
In compiling this material on Point of Graves, I have been able to
identify several markers that were almost illegible. For genealogical search g
even those that are completely gone can be noted on a card. Ferrell did
not mention or show on his chart the many fieldstone grave markers at Point
of Graves, pairs that fill seeming blanks on the chart. Those families of
means had cut stones prepared, while poor folks settled for unlettered stones
of local selection.
This notebook is prepared for Portsmouth Library so that the charting for
Point of Graves can be available, along with a print of the record cards.
Louise H. Tallman, 1984.

�MASTER SURVEY CARD
Name of Cemetery "Points Of Graves"

Name of recorder Bart C Ferrell
Date recorded Dec. 1, 1979

Location

Condition

Position
St./Rd. _M_e_c~h-a-n~i_c_s___
City/Town Portsmouth
County
Rockingham

Easy/difficult to locate
¥as /di.fficult access
ated/near habitation
Overgrown/tended-neither
Jumbled/orderly
Bare/treed
Deciduous/evergreen-both
Hilly/level
Open1fenced/landscaped

1

Stones (circle appropriate designations)
Fallen chi ed broken worn
ee s restoration some restoration done--metal pins &amp; rods/
cement/eposies or other plastics
Vandalized/Thiefs
Footstones yes x no
Estimated totairiumb~of stones
105
Earliest death date 1682
Latest death date ~1=s=o=2_ _ __
Number of fieldstones
?
Do stones appear to b-e-=-i_n_o_r~i-g~in-al locations yes_ no x
Estimated percentages of stone types:
sandstones

4%
-------slate
85%
---------

Directions Facing
(carved face of stone)
N S

E

schist
marble

granite
2%
-------

2%
------

quartzite

4%
---------

W

Remarks: The ''Point Of Graves" graveyard in Portsmouth is indeed a fine cultural attraction. It hosts stones from the late
1600's to the early 1890 1 s. Nearly two centuries of history!
The cemetery is, at this very moment, in need of vast repair. Both headstones and footstones are out of place. Grass
and dirt have become lodged against the stones; obscuring letters,
words, and even whole sentences. Some stones are laying face-up
or face-down--becoming even more worn by the public and the elements.

�There are also small amounts of trash and dgg feces. Trees
need to be pruned and leaves should be raRed.
It should be stressed that the graveyard has great potential for public attraction and support. The faces of the
stones range from deep, grimacing skulls with picks and hour
glasses above them to flying angels with smiling faces and
flowers about them. \~at an exce l lent cultural attraction for
both the layman and the expertl Graveyards may enable us to
plot trade patterns by determining the areas in which tombstones
were carved and their ultimate destination. Regional wealth
can c .1.'!.1,) be reconstructed based upon the differnnces in costs
and size of stones in various communities. The status of individuals or families may be determined from information such
as the cost of the stone and its size. It is important, as we
should all know, to preserve our heritage.
"Points Of Graves" is located on Mechanics Road in Portsmouth, New Hampshire. Mechanics Rd. runs perpendicular to
Marcy Lane Hhich is adjacent to State Street. Marcy Lane joins
State Street (a main street in Portsmouth) just before it runs
over the Pastataqua River. If at any ti~e you are unable to
find your way there, sicply ask for directions to Strawberry
Banke (another fine cultural attraction). The graveyard is
kiddy-corner to this.
After spending a great number of houss trancsribing the
one-huadred some odd stones, I have two suggestions. First,
the "Condition" of the stone. I often found that the characteristics available did an injustice to the stone. They were
not able to descriue it accurately. I suggest that a space be
provided for remarks concerning the stone. i.e. "\fords are very
worn and illegible" or 111rhe stone appears to be in excellent
condition (easily read) except ••• " The whole point of transcription of description is to do a good dob.
The footstone description also needs expansion. Besides
sketching and recording the inscription, the measurements of
it should also be taken,(height, width, thickness). I realize
that measurements take an awesome amount of time to do. However;
an accurate record is needed •for all components of a graveyard.
Note- The measurements between the stones on the diagram were
taken from right edge to right edge. On a few occasions, confusion took place and distance may be o~f by a foot or two.
Generally~they are quite accurate. I should also ment~ion that
at one time I mistook large, very worn footstones to be headstones. I discovered this after making my final cemetary diagram. You will notice this where a thin line connects seemingly two headstones i.e. #5-#6. These errors are practically
negligible as compa red to the enormity of this project undertaken by a single person.

.

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�Point of Graves - Map Reference, as drawn by Bart C, Ferrell, UNH, in 1979,
1, Frances Messer, d, 1692, a, 58 slate
2. Mary Ingraham, d, 1720, 41st, slate
3, Mary Cameron, d , 1742, a. 33, slate
4. Elener Lord, d, 1716, slate
5, Eleanor Shackford, 1804, 90, slate
6,
"
Footstone
7, John Dennett , d, 1709, sandstone slab
8. Vaughan Monument, granite &amp; marble
9, Wentworth Tomb, sandstone slab
10, Elisha Briard, d, 1718, 57th, slate
11, Margaret Gardner, d, 1725, 10m, slate
12. Sarah Macphaedris, d, 1719, 2m, slate
13, Obadiah Marshall, d, 1746, a, 37 , slate
14. Richard Jose, d, 1707, a. 48, slate
&amp; Hannah Ayers, d, 1718/9, a, 54 "
15 , Jethro Furber, d, 1738, 56th, slate
16. William Button, d. 1693, a, 37, slate
t 7 , Mary Hart, d, 1714, a, 38, slate
LB. Footstone to #13, slate (Marshall)
l9. Foo-tstone to #16, slate (Button)
~O. Maty Blagdon, d . 1735, a. 75 , slate
~1. Joseph Small, d, 1720, 40th, slate
'.2, Phillip Siveret, d, 1689, a, 20, slate
'.J,
"
"
Footstone , slate
4. Thomas Collings, d, 1729, a, 16, slate
:5, Footstone to #21, slate (Small)

26. Illegible slate
26A. Lucey Moulton, d, 1733, 37th, slate
27, Tobias langdon, d, 1727/8, a, 2 yr,, slate
28, Joseph langdon, d, 1749, a, 25, slate
29, Marble slab - illegible
30. Footstone for #27, slate (I.angdon)
31, Mehitable langdon, d, 1769, a, 63, slate
32, Mary Jackson, d, 1763, 90th, slate
33. Foots tone for "27, slate (I.angdon)
34, Alexander Swett, d, 1715/6, a. 3 days, slate
35, Footstone for #31, slate (I.angdon)
36. John Moulton, d, 1719, 7th , slate
37, John Simes, d, 1725, 3 mos,, slate
38, Illegible slate
39, Broken stub of slate marker
40, Footstone for "#37, slate (Simes)
41. Illegible slate
42. Illegible slate
43, Allice Ayers, d, 1718/8, a. 53, slate
44 . Daniel lang, d, 1757, a, 36th, slate
45 . Elizabeth Lear, d. 1774, a, 58, quartzite
46 ,.Tobias Lear, d, 1781, a. 45, slate
47, Mary Lear, d. 1829, a, 90, marble
48. Mary Safford, d. 1832, a. 88, marble, faint
49. Illegible marble
50, Sarah Ayers, d. 1827, a, 66, slate

Point of Graves - Map Reference, continued
51. William Safford, d, 1826, a, 26, slate
52. Elizabeth Ayers, d. 1821, a. 81, slate
53, Elizabeth Blunt, d, 1802, a. 32, slate
51i,. Footstone for #51, slate (Safford)
55, Footstone for #52, slate (Ayers)
56, Nathaniel S. Nelson, 1846, a. 47, slate
57. Illegible slate
58, William Fellows, d, 1737, 71st, slate
;SA, Sarah Loud, d, 1738, a. 27, slate
~ranee
59, Illegible slate slab ( or ledge)
io, Robert Handesyde, d. 1705, a, 28, slate
&gt;1. Richard Webber, d. 1721, a. 69, slate
&amp; Lyddia Webber, d., 1721, 82,
' "
12, John Libbey, d. 1785, 4th, slate
,3, Benjamin Allcock, d, 1726, 5 mos,, slate
,4., Illegible marble (Daniel Huntress, 1820)
5, Joshua lang Huntress , d. 1802, 50, slate
6. Anna Huntress, d, 1847, a. 98, slate
7, Daniel Huntress, d, 1807, a, 24, slate
8. Daniel Jackson, d, 1738 , 7 mos., slate
9, John Jackson, d, 1690/1, a. 33, slate
0, Anne Jaffrey, d, 1682, a, 18, slate
1. John Shackford, d, 1738, a, &amp;:J, slate
2. Sandstone slab, name block missing

Portsmouth, N.H.
73. Sarah Redf'ord, d. 1693, 29th, slate
&amp; Eliz, Frost, d. 1696, a. 14th,
"
74. Agnis Shurburn, d. 1726, a. 33, slate
75. Illegible slate
76, Abigail Cario, d. 1767, 41st, slate
77. Mary Jackson, d, 1729, 1 yr,, slate
78, Samuel Jackson, d, 1732, a. 53, sla.te
79. Eliz. Elatson, d. 1704, a. 43, slate
&amp; Eliz. Rogers, d. 1704,

17 mos,,

"

80. John Rogers, d, 1719, a. 5, slate
81. John Hoddy, d. 1684, a. 36, double slate
&amp; Mary Kea is , d, 1711 , a. 58,
"
"
82. Elizabeth Beck, d, 1746, a. 62, fieldstone
83, Abigail Hart, d, 173, 31st, slate
84. Nathaniel Griffith, 1737, a. 21 days, slate
85. Hannah Grant, d, 1769, a. 38, slate
86. Griffith Family, Deborah 1771, etc,, slate
87. Samuel Griffith, d. 1773, a. 44, alate
88. Samuel Griffith, d. 1759, a, 3, slate
&amp; Miles W. Griffith, d. 1759, a. 2,
"
89, Footstone to #86, slate, misplaced
90. Thomas Phipps, d, 1712, a. ? , slate
91. Footstone for #87, slate (Griffith)
92, Mary March, d. 1759, a. 80, slate
93. Sarah Sargent, d. 1771, a. 74, slate

�Point of Graves - Map Reference, continued

Portsmouth, N,H,

94, Elizabeth Peirce, d, 1717/8, a, 42nd, slate
95, Sandstone slab with name block missing
96, Sandstone slab with name block missing
97, (No marker shown for this number)
98, Jane Meserve, d, 1747, a, 30th, slate
99, "
"
Footstone, slate
100, Elizabeth Pike, d, 1719/20, a. 27, slate
101. Mehitable Gerrish, d, 1715, a, 21, slate
102, John Plaisted, d, 1712, a, 29, slate
103,
"
"
Foots tone, slate
104, Elizabeth Peirce, d, 1732, 45th, slate
105, Samuel Waterhouse, d, 1744/5, a, 38, slate
&amp; Elizabeth Waterhouse, d, 1736, a, 29,
"
106, Nehemiah Partridge, d, 1709, a, 46th, slate
&amp; William Partridge, d, 1718, a, 47th,
"
107, James Lovett, d, 1718, 65th, slate
108, Abraham Shaw, d, 1817, a. 4 mo, slate
&amp; Elizabeth Shaw, d, 1825, a, 26 mo, "
109, Illegible marble
110, Illegible marble
111. Footstone to #108, slate (Shaw)
112, John Clark, d, 1694, a, 29, slate

-

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---

-

----

--

-

�Allcock , Benjamin

D, 1720/1 , A, 5 mos ,

Material : slate , fairly small
Condition : fair - has a deep crack
Shape : triple arches
Design : death head
Text :

Point of Graves

Portsmouth , N. H.

Row R, #J

Gr-

tfb.3

Benjamin , Son
of Mr Jo f eph
&amp; Mrs K~turah
Allcocks Aged
5 Month &amp; 25 Ds
Deed Febry 28 , 1720/1

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg , 19 ,
Marker was cut by Caleb Lamson of Charlestown , Mass ., and signed "CL" ,
Viewed by L.H. Tallman, Apr , 13 , 1984 ,
Mapping 1979 by Bart Ferrell , UNH ,

Ayers , Allice

D, 1717/8 , A, 53

Portsmouth , N. H.

Point of Graves

Material : slate
Condition : good
Shape : triple arches
Design : early style death head wi th hour- glass
Text :

HERE LYES ENTERD
ye BODY OF ALLICE
AYERS WIFE TO
EDWARD AYERS AGED
5~ YEARS DIED ye
9 h OF FEBRUARY
1717/8 ,

Source : The New Hampshire Genealogical Record , 1904, Vol , I , pg , 16 ,
Mapping 1979 by Bart Ferrell , UNH ,
The Genealogical Dictionary of Me , &amp; N, H,, 1928 , notes that Alice was the first wife
of Edward Ayers . His second wife was Hannah (Martyn) Jose , widow of Richard
Jose , A reference is made to a broken gravestone for Edward , next to Alice ,
with remnant of inscription : "JO day , , , , . , 172 (J) in , , , 65th year", This
might be #41 , an illegible slate ,

_--~--

,,. ~·l

-

-

-

-

�Ayers, Edward

d.

1723, a. 65

Portsmouth, N.H,

Point of Graves
J.pst before 1904.

Notes of 18851

Edward Ayers, died 30th of November, 1723, aged 65 years.

Sources The Daily Evening Times, Sept. 29, 1885.

�Ayers , Elizabeth

D. 1821 , A, 81

Portsmouth , N. H.

Rev~ f\l 1-tt. 5

Material : :; LO:G e
Condition : ~c-C'c\
Sha~e : ~(ce)L'- ce,.,~L er- o.r-ch
Design : w \ l\ ClN f( 1...u---"'
Text :

Point of Graves
BF' :!s-2.

In memory of
Mrs , ELIZABETH AYERS,
died
Jan , 29, 1821 ,
aged 81 years ,

Source: The New Hampshire Genealogical Record ' 1904 ' V0 1 • I ' pg . 18 ,

\/(eNel

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l ' H.

x'\.u

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Mapping 1979 by Bart Ferrell, UNH .

Ayers, Hannah

Portsmouth , N. H.

d , 1718/9 , a , 54

Point of Graves
Bf-'. _-tt..14

\ Row E, #2")
Marker: slate
Condition : good
Shape: double pattern of arches
Design : death heads
Text of right hand portion :
HERE LYES ye
BODY OF Mrs
HANNAH AYRS
AGED 54 YEARS
DIED JANr ye
12 th 1718/19 ,

l

(Left hand portion had notes for her first
husband , Richard Jose , )

Identity : Richard Jose was married Oct , 16 , 1683 to Hannah Martyn . He died 1707,
She was married 2nd Oct , 2 , 1718 to Edward Ayers .
(Gen , Diet , Me , &amp; N.H. )
Marker viewed by L,H, Tallman , Apr . 4 , 1984 .
Mapping 1979 by Bart Ferrell , UNH .

�Ayers , Sarah

D,

1827 ,

A,

66

Portsmouth , N,H,

Point of Graves

Material : ~ to'\e
Condition : rcc1~ - p"1eC€.
Shape : h,0i ~ C.G-,{lie..Design : 'v-!) \ \ ~ a110
'?(
Text :

In memory of
Mrs , SARAH AYERS ,
died Jan , 12 , 1827 ,
aged 66 years ,

/

Source : The New Hampshire Genealogical Record , 1904, Vol , I , pg , 18 ,

Viewe.-~

b~ h. N .To.llm°'"', f\fr·

3 1 1'.JBY..

Mapping 1979 by Bart Ferrell , UNH ,

Baxter , John
Rebecca
II

d . 1697/8, a , 1 yr ,
Portsmouth , N. H.
d , 1697/8, age J mos , S't'r-,1:&gt;., 7

Point of Graves
Marker lost

Marker for these children could not be found in 1984,
or illegible slate ,

It could be one of the broken

Arthur H, Locke, "Cemetery Inscriptions" , 1907 , has noted the names and dates ,
John Baxter died Feb , 15 , 1697/8 , age 1 year,
Rebecca Baxter died Feb , 21, 1697/8 , age J mos ,

Srno!.7)

Identity :
These are children of Dr , John Baxter of Suffolk County, Mass , and Portsmouth , N. H.
He married Rebecca (Mayer) Nossiter of Salem &amp; Boston .
(Gen , Diet , of Me , &amp; N.H. )

�Beck, Elizabeth

1746 ,

D,

A,

62

Portsmouth , N. H.

Material : fieldstone (quartzite ?)
Condition : fairly good - leaning , low
Shape : irregular
Design : none
Text :

Point of Graves
BF - #82

HERE LYES
BUERYID ye BODY
OF ELIZEBTH
BECK Dcd JULY
Ye 7 1746 E 62 ,

Source : The New Hampshire Genealogical Record , 1904, Vol. I , pg , 15 ,
Mapping 1979 by Bart Ferrell , UNH ,

He noted this marker as illegible ,

Exami nation May 1, 1984 by L. H. Tallman enabled reading of enough words
to enable identity as Eli zabeth Beck , This marker is of particul ar
interest as the only inscribed fieldstone marker at Point of Graves ,
Guide lines for the letters are cl early visib l e ,

Blagdon , Mary

d,

1735 ,

a,

75

Portsmouth , N. H.

Marker : slate
Condition : good
Shape : triple arches
Des i gn : death head
Text :

Point of Graves
BF - #20

HERE LYES THE BODY
OF Mrs MARY BLAGDON
WIFE TO DOCtr SAMUEL
BLAGDON AGED 75
YEARS DIED DECf ye
11 th 1735

Copied by Bart C, Ferrell , UNH , Dec , 2 , 1979 ,
Identity : Dr , Samuel Blagdon was a surgeon in Portsmouth by 1686 , By 1688 he had
married Mary , daughter of Richard Seward , and widow of Dodoval Hull ,
In 1696 , they were living in Boston , She was a second time a widow i n 1713
in Portsmouth , living with daughter Hannah Follett , (Gen , Diet , Me , &amp; N.H. )

'

. '

--

--

--

�Portsmo uth , N.H.

D, 1802, A, 32

Blunt , Elizabeth
Material : 3\ c--'.Le.
Condition: '&lt;\ c:.,cc\
Shape : ;-, (. (:' s k el
Design : llr "l'\ v-.'.)l'\)l\

Point of Graves

Ch
bc. ck,~tc l,\.,~

c&lt;;;_

c\cl s-.

Here lies Buried
Mrs ELIZABETH
BLUNT t~e amiable Consort
of Cap ROBERT BLUNT ,
who Departed this Life
Febr 12th 1802,
Aged 32 Years .

Text :

Life is but a moment ,
And the longest Earthly Felicity
Is but a pleasing Dream ,
Source : The New Hampshire Genealogical Record, Vol. I , 1904, pg , 20 ,

Vlev-:&gt;

el

loj ~, \-{, q-o..~\,n ~

1

F\ fY- . 4 1 l ~s &lt;{

·

Mapping 1979 by Bart Ferrell , UNH,

Briard, Elisha

d , 1718 , a , 57th year

Portsmouth, N. H.

Marker: slate
Condition: fair - heavy lichen growth had been partially
cleaned , center of top broken off ,
Shape : originally triple arches
Design : round face
Text :

Point of Graves
BF - #10

HERE LYES BURIED ye BODY
OF M~ ELISHA BRIARD
WHO DIED MAY ye 27
1718 IN ye (57 th ) YEAR OF
HIS AGE ,

Mapping 1979 by Bart C, Ferrell , UNH , He stated condition as illegible due to
lichen g~owth now partially cleaned,
Copied by L.H. Tallman, May 1, 1984 .

....

Year of death was noted 1907 by A.H. Locke, in
his "Cemetery Inscriptions" ,
l,l

�Boyd, Andrew

d.

1797

Portsmouth, N. H.

Point of Graves
lost before 1904.

Notes of 18851
Andrew Boyd, son of James and Margaret Boys,
died May 8th, 1797,
Source&amp;

The Daily Evening Times, Sept. 29, 1885.

�Button , William

D, 1693 , A, 37

Portsmouth, N.H .

Marker : slate
\
Condition: good v1 f\? ev-- f o ,s.t/u,"" j 'a,,o \&lt;,:ev, {t\'&gt; Gro,'-,c\_ \ e1,,J
Shape : triple arches
Design : Urn , Dagons, &amp; floral designs ,
very complex , (Dagons are half - human figures)
Carving by "J,N," Attributed to John Noyes of Boston ,

Text :

Point of Graves

R&lt;::&gt;1.0 E' .i:1 l{..

I

'Jr-c v--,1,

l l'Yoj'i it'':'

f

,~

HERE LYETH BURIED ye BODY
· OF WILLIAM BUTTON OF
JERSEY AGED 37 YEARS
DIED ye 19 DAY OF OCTOBER

1 6 9 3
BURIED BY CIEMENT
IEMPRIERE - EN - THO - BUTTON
Source : Photo by David Watters , published in MARKERS II , 1983 , pg , 116 .
Mapping done 1979 by Ba.rt Ferrell, UNH ,

Cameron , Mary

d . 1742 ,

a•

33

Portsmouth, N, H,

Marker : slate
Condition : fair - chipped, part under ground
Shape : triple arches
Design : death head

Text :

Point of Graves
BF - #3

HERE LYES Ye BODY OF
Mrs MARY CAMERON
WIFE OF Mr WILLIAM
CAMERON AGED 33
YEARS 6 M0 &amp; 12 Ds
WHO DIED MARCH
(underground - Locke gives date
of death March 1J , 1742 . )

Copied by Bart Ferre·ll, Dec , 1, 1979,
Abstract by Arthur H, Locke , 1907 ,

-

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-

- - ----~-

�Cari o, Abi gail

Portsmouth , N.H.

D. 1767 , A. 41st year

Row T, #4

Materi al : slate
Cond i tion : good , slight side lean
Shape : triple arches
Des i gn : death head with bones over
Text :

Point of Graves

er=-t:t:1~

Here lies Buried
the Body of
Mrs ABIGAIL CARIO , wife
of Mr WILLIAM CARIO ,
who Departed this Life
Septr 17 th 1767
in the 41 st YEAR of' her Age .

Source : The New Hampshire Genealogical Record , 1904 , V0 1 • I , pg . 15 .
Mappi ng 1979 by Bart Ferrell , UNH .

Viewed by L.H. Tal lman , Apr , 13 , 1984 .

Cl ark , John

D. 1694 , A. 29

Portsmouth , N.H.

Point of Graves

Material : slate
Condition : good
Shape : triple arches
Design : death head

Text :

JOHN Cl.ARK
AGED 29 YEARS
DIED APRIL
ye 13 ,
1694 ,

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg , 14 ,
Identity : John was a son of Edward Clark , They lived on Do ctor ' s or Clark ' s Island ,
Edw. was married 1st to Elizabeth Fernal d , 2nd to Mary Farrow ,
(Gen , Diet , Me , &amp; N. H. )
Mapping done 1979 by Bart Ferrell , UNH ,

,I" ..,... ,.,

-

~ - - - - - ~ -

-

�Cochran , John

Portsmouth , N, H.

(date illegible)

Point of Graves

Arthur H, Locke , "Cemetery Inscriptions" , 1907 , gave
',
some partial notes on this mark~r , date illegible even then ,
John Cochran , son of John

&amp;

Mrs , J , Sable Cochran - - -- - --

This coul d be broken slate or eroded mar bl e ,
early 1800 ' s ,

Marker l ost ,

(remai nder i llegi bl e )

Date could range from before 1700 to

e

Co llings , Thomas

Marker : slate
Condition : fair - somewhat broken
Shape : tri pl e arches
Des i gn : death head
Text :

Portsmouth , N.H,

d , 1729 , a , 16

Point of Graves
BF - #24

&amp;

chipped

HERE LYES Ye BODY
OF THOMAS COLLINGS
SON TO Mr JOHN &amp;
Mrs SARAH COLLINGS
AGED 16 YEARS
3 MONTHS &amp; 7 Ds
DECd FEBRUARY ye
1st 1729

Copied By Bart C , Ferre 11 , UNH , Dec , 2 , 1979 ,

�Corcoran, John

d.

1736, a. 3

Portsmouth, N.H.

(cvf- S-?)
Notes of 18851

John Corcoran, son of John and Isabel Corcoran,
died August 9, 1736, aged 3 years.
Sources

The Daily Evening Times, Sept. 29, 1885.

Point of Graves
Lost before 1904.
(Name was noted as John
Cochran, but with no date.)

�d. 1709, a . 63

Dennett , John

Portsmouth , N.H .

Point of Graves
Row C, #1.

Marker : sandstone slab
Condition : poor - largely illegible
Shape : rectangular
Design : none

~ f= -

tt7

Text: about all that can be read is on the second line :
_ _ _ _ DENNETT , Esq .

(with two more lines illegible)
Arthur H, Locke , "Cemetery Inscriptions" , 1907 , has this abstract :
DENNETT , John , d , May 5, 1709 , a . 63 .
(We will have to assume that the sandstone could still be read in 1907,)
Viewed by L.H. Tallman , Apr. 4, 1984 .
Mapping 1979 by Bart Ferrell , UNH .

Drisco , Elizabeth

D•

180 5 ,

A,

54

Portsmouth, N,H .

marker
lost

Material :
Condition :
Shape :
Design :
Text:

Point of Graves

Here lies
deposited the body of
Mrs , Elizabeth Drisco ,
consort of
Capt . James Drisco,
who departed this life
August 25 , 1805 ,
AEtat 54,
In her was united the amiable &amp;
affectionate wife a tender &amp; indulgent
mother &amp; an agreeable friend ,
Sleep on sweet friend &amp; take thy
rest,
God called the home , he thought i t
best ,

Source: The New Hampshire Genealogical Record, 1904, Vol . I , pg . 16 .
Jot found 1984, would be broken slate or illegible marble .

�Portsmouth , N. H.

D. 1812 , A. 62

Drisco , James

marker lost

Materi al:
Condition :
Shape :
Design :
Text :

Point of Graves

Sacred
to the Memory of
Capt James Drisco ,
who died
March 19 , 1812 ,
AEt 62 .
Softly his dying head he lay
Upon his makers breast .
His maker called his soul away ,
And here ' s his flesh at rest ,

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg . 16 .
Marker was not found 1984 .

Elatson , Elizabeth

Could be one of the broken slate , or illegible marble ,

Portsmouth , N. H.

D. 1704/5 , A, 45

Material : slate
Condition : poor - portions of top broken
Shape : double arch pattern
Design :death heads
Text :
(left
side)

HERE LYES
ye BODY OF Mrs
ELIZABETH
EIATSON ,
AGED 4 5 YEARS
DIED JANry
1704/5

Point of Graves
Row U, #3
BF · t1..,l'.J

(on right side
Eliz , Rogers)

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg , 17 ,
Identity : Elizabeth Pemberton was married 1st to George Purkis , Was Wid, Purkis by 1682 .
She married 2nd Warner Wessendonk , Widow again by 1690 ,
Her third marriage was to Jonathan Elatson , merchant of Boston .
(He had buried hi s 1st wife Mar . 6 , 1694/5 , )
She lost her life along with a grandchild in the burning of a house .
(Gen , Diet , of Me , &amp; N.H. )

Viewed by L.H . Tallman , Apr . 13 , 1984 .

Mapping by Bart Ferrell, UNH , in 1979 ,

�Fa bins , George
"
Elizabeth

d , 1692/J
d , 1698 , a ,

Portsmouth , N.H.

Point of Graves
Marker lost

George was a weaver in Portsmouth , His will was written Feb , 19 , 1692/2 and was
proved Dec , 11 , 1693 ,
Elizabeth , his wife , died Jan , 23 , 1698 ,
(Identity Gen , Diet , Me , &amp; N. H,)
Arthur H, Locke , "Cemetery Inscriptions", 1907, noted the date for Elizabeth , and
indicated that both were buried at Point of Graves , This would have been slate
for one or two early markers ,

Fellows , William
D, 1737 , A, 71st year
d , 1732 , a , 61 - now gone)
(Fellows , Elizabeth
Material : s La..&lt;t e.
Conditi~n: -z.;.e:,-~ c;co c\
Shape : -t, 1, 1 ~) le o. r---c Ir. e s
Design : c.\. e ~G~\
he CL&lt;:l .
Text :

Portsmouth , N, H,

Point of Grave s

Rc:,v-.:, ?; tr 1.
BF-

-rr

52

Here Lyes Bried the
Body of Cap WILLIAM
FELLOWS , Who Departed
this Life April ye 12
1737 : in the 71 st
YEAR of His Age ,

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg , 20 ,
Identity : Capt . William Fellows was son of Ephraim Fellows of Ipswich , He was
married Dec , 7 , 1693 , Ipswich , to Elizabeth Rust of Ipswich ,
(Gen , Diet . Me , &amp; N. H. )
\/ieL--: eJ

b~ \__, w.-~~lw,O\Y1, \j-1"'· 4 , ,c_'\84,

Mapping 1979 by Bart Ferrell , UNH ,
Arthur H, Locke , "Cemetery Inscriptions", 1907 , noted Elizabeth Fellows , wife of Wm ,,
who di ed Oct , 3 , 1732 , age 61, buri ed Po i nt of Graves , Not found 1984 .

�Frost , El izabeth

D, 1696 , A, 14th year

Portsmouth , N. H.

Point of Graves

Marker : double slate
Condition: good in 1983
Shape : broad triple arches
Design : death head
Text :

Row S, #6

BF-

-J:1

"13

(Left side has Sarah Redford who died 1695)

Right s i de :

HERE LYETH
ye BODY OF
ELIZABETH FROST
DIED MAY Ye 21
1696
IN ye 14 YEAR
OF HER AGE

Source : photo in Patch Collection , Strawbery Banke , Thi s was taken by Caleb S , Gurney ,
and published in Por tsmouth , Historic &amp; Picturesque , pg, 104 ,
This double marker viewed Nov . 1983 by L, H, Tallman ,
Ident i ty : She was a daughter of Major Charles
is shown on the same marker ,

&amp;

Mary (Bowles) Frost , Her sister Sarah
(Gen , Diet , Me , &amp; N. H. )

Mapping 1979 by Bart Ferrell , UNH ,

''·
I

d , 1738, a , 56th year

Furber , Jethro

Point of Graves

Portsmouth, N. H.

Marker: slate
Condition: fair - some chipping of top
Shepe : triple arches
Design : death head
Text :

BF - #15

HERE LYES BURIED
BODY OF
CAP. JETHRO FUR BER
DEC1 APRIL ye 9
1738 IN ye 56
YEAR OF HIS AGE

tHE

Copied By Bart C, Ferrell, UNH, Dec , 2 , 1979 ,
Identity : Jethro was son of Jethro &amp; Amy (Cowell) Furber. He was
married by 1708 to Elizabeth Morrill ,
(Gen , Diet , Me .

&amp;

N. H. )

�Gardner , Margaret

d , 1725 , a , 10 mos .

Portsmouth , N. H.

Marker : slate
Condition : fair - some lichen growth , some
chipping , &amp; set low .
Shape : triple arches
Desi gn : death head
Text :

Point of Graves
BF - #11

Margaret , Daug er
of Mr David
&amp; Mrs Margaret
Gardner Aged
10 Monts &amp; 11 Days
Dec~ Janry
(underground - Locke gives date
as Jan , 22 , 1723)
(Kelly

&amp;

Williams give 1725)

Copi ed by Bart C, Ferrell , UNH , Dec , 2 , 1979 ,
Date from "Cemetery Inscriptions" , 1907 , by Arthur H, Locke ,
Stone Cutter "CL" is Caleb Lamson of Charlestown , Mass , Noted in MARKERS II , 1983 ,
pg , 84 , article by Sue Kelly and Anne Williams , They give date as 1725 , and
condition as good ,

I

'
Gerrish , Mehi table

Text :

D, 1715 , A, 21

Portsmouth , N,H.

Point of Graves

HERE LYES ye BODY OF Mrs
MEHEI'ABIB GERRISH WIFE
TO Mr BENJAMIN GERRISH
AGED 21 YEARS EHO
DECEASED JANY ye 3d 1715
SHE LIVED BELOVED
AND DIED LA.MENTED ,

SOURCE : The New Hampshire Genealogical Record , 1904 , Vo l. I , pg , 14 .
Identity : Mehitable was daughter of Col , John &amp; Mary (Pickering) Plaisted . She was
baptized at No . Church Dec , 16 , 1694 , She was married about 1711 to
Benjamin Gerrish . He was married 2nd June 1716 to Martha Foxcroft of
Cambridge , and 3rd June 1738 to Abigail (Fowle) Bunker of Charlestown ,
(Gen , Di et , Me , &amp; N. H,)
Mappi ng done 1979 by Bart Ferr el l , UNH ,

�Grant , Hannah

D,

1769 ,

A,

38

Portsmouth , N.H .

Row U, #10

Material : slate
Condition : good
Shape : triple arches
Des i gn : death head

Text:

Point of Graves

fl

BF - 8S-

Here lies buried
the Body of
Mrs HANNAH GRANT ,
Wife of
Capt JOHN GRANT ,
who departed this Lif e
Sepr the 18 th 1769 ,
Aged 38 Years .
"Our Life contains a thoufand
springs,
"And dies if one be gone :
"Strange that a harp of thou\and
strings
"Should keep in tune so long , "

Source : The New Hampshire Genealogical Record , 1904 , Vol. I , pg , 15 ,
Viewed by L,H, Tallman , Apr , 13 , 1984 ,

Mapping 1979 by Bart Ferrell , UNH ,

�D. 1771 , A, 65
D, 1771 , A , 31

Griffith , Deborah
Griff',th , Nathaniel
and other chi ldren

Portsmouth , N. H.

Material : slate
Condition : poor - broken , inscr i bed portion underground
Shape : ?
Des i gn : ?
Text :

Point of Grave::

Headstone BF - #86
(BF - #89 for
foots tone)

To the Memory
of Mrs DEBORAH GRIFFITH , wife of
Mr JOHN GRIFFITH , ¥Ho departed
this Li fe March 20
A. D, 1771 Aged 65 Years ,
And the follow i ng Chi l dren of Mr JOHN
and Mrs DEBORAH GRIFFITH
Viz ,
MOSES GRIFFITH Aged 20 Years , died A. D. 1747
NATHANIEL GRIF{iFH Aged 31 Years , died
February 26
A. D. 1771 , Also
NATHANIEL , MARY , and WILLIAM
GRIFFITH , who died in Infancy , A. D.

1737 , 1738 , 1742 ,
Source : The New Hampshire Genealogical Record , 1904, Vol. I , pg . 18 ,
Identity : Deborah was daughter of Nat haniel &amp; Eli zabeth Lang . She was married
Jan , 28 , 1724/5 to John Griffith ,
(Gen , Diet , Me , &amp; N.H. )
Mappi ng 1979 by Bart Fer rell , UNH ,

GRIFFITH Family

D.

1737 to 1771

Material:
s l ate
Condition : good
Shape : triple arches
Des i gn : none
Text :

Portsmouth , N.H .

Point of Graves
BF - #89
(footstone for #86)

Mrs DEBORAH GRIFFITH , 1771
MOSES GRIFFITH , 1747
NATHANIEL GRIFFITH , 1771
NATHANIEL , MARY , and
WILLIAM GRIFFITH ,

1737 , 1738 , 1742 .
Source : The New Hampshire Genealogical Record , 1904, Vol , I , pg . 15 ,
This is probably the footstone for the Deborah Griffith marker with children , listed
on page 18 ,
As a footstone , this is quite elaborate , but does not have the detail of a headstone ,
The compl ete reading of the matching headstone was noted 1904 , That marker is now
broken , with the top half in the ground so no part can be read , the identity from the
nearness to other Griffith markers , This footstone is now out of line , and has been
reversed ,
Mapping 1979 by Bart Ferrell , UNH ,

�Griffeth , Miles W.

D. 1759 , A, 2 yrs ,

Portsmouth , N. H.

( Row U,

Material : slate
Condition : good
Shape : double pattern of arches
Design :
death heads
Text :

(r~~gt)

Po int of Gra V l

\.

#9\

Here lies the Body of
MIIES WARD GRIFFETH
son of Mr SAMUEL &amp;
Mrs ABIGAIL GRIFF~H
who Died April 25
1759 Aged 2 Years
3 Months &amp; 1 Day ,

Source : The New Hampshire Genealogica l Record , 1904 , Vol. I , pg , 17 ,
Brother Samuel is noted on the left side of the marker ,
Mapping 1979 by Bart Ferrell , UNH ,

Viewed by L.H. Tallman , Apr , 13 , 1984 ,

Griffith , Nathaniel
Griffith , Mary

D, 1737 , A, 21 days
D, 1738 , A, 21 days

Portsmouth , N. H.

Point of Grave:
Row T , #1

Material : slate
Condition : poor - on ground , had probably been broken, corner chipped ,
Shape : triple arches
Design : death head
Text :

NATHANAEL SON TO
JOHN &amp; DEBORAH
GRIFFETH AGED 21
DAYs DECd AUG st 1737
MARY DAUr TO
JOHN &amp; DEBORAH
GRIFFET~ AGED 21
DAYS DEC oCTr 18th 1738

Source : The New Hampshire Genealogical Record , 1904, Vol. I , pg , 15
Mapping 1979 by Bart Ferrell , UNH .

Viewed by L. H. Tallman , Apr , 13 , 1984 ,

BP' - 11 64

�Gr iffeth , Samuel

D, 1759 , A. 3 yrs .

Portsmouth , N. H.

Row U, #9

Material : slate
Condition : good
Shape : double pattern of arches
Design : death heads
Text :
(left
side )

Point of Graves

Here lies the Body of
SAMUEL GRJFFETH
son of Mr SAMUEL &amp;
Mrs ABIGAIL GRJFFETH
who Died April 21st
1759 Aged 3 Years
10 Months &amp; 21 Ds

Source : The New Hampshire Genealogical Record , 1904 , Vol. I , pg . 17 ,
Brother Miles Ward Griffeth is noted on the right side of the marker .
Mapping 1979 by Bart Ferrell , UNH .

Viewed by L.H. Tallman , Apr , 13 , 1984 ,

Griffith , Samuel

D. 1773 , A, 44

Portsmouth, N.H.

( I +-i-5"?)
Material : slate
Condition : very good
Shape : triple arches
Design : death head
Text :

In Memory of
SAMUEL GRJFFITH Esqr
departed this Life
Decemr 11 th , 1773 ,
Aged 44 Years .

Source : The New Hampshire Genealogical Record , 1904 , Vol . I , pg . 15 ,
Mapping 1979 by Bart Ferrell , UNH ,

Viewed by L.H. Tallman , Apr . 13 , 1984 .

Point of Graves
Row U, #8

\3f' - ±'8 ' /

�Handesyde , Robbert

Portsmouth , N, H.

D. 1705, A , 28

Row Q, #1

Material: slate , medium size
Condition : fair - some chipping at side
Shape : triple arches
Design : death head
Text:

Point of Graves

BF -

-±1:

'=, O

HERE LYES
ye BODY OF
Mr ROBBERT
HANDESYDE
AGED 28 YEARS
DIED JULY Ye
23d 1705,

Source: The New Hampshire Genealogical Record, 1904 , Vol . I , pg . 20 .

Viewed by L,H, Tallman , Apr , 13 , 1984.
Mapping 1979 by Bart Ferrell, UNH,

Hart , Abigail

D. 173_, A. 31st year

Portsmouth , N. H.

Material : slate
Condition : poor - broken before 1904
Shape : ?
Design : ?
Text of foots tone :

Point of Graves
Row U, #7

Mrs ABIGAIL
HART

Text , part of headstone remaining:

HART
Ye 21 st 173
IN ye 3 1st YEAR OF
HER AGE

Source : The New Hampshi re Genealogical Record, 1904 , Vo l. I , pg . 15 ,

Identity : Col. John Hart was married Mar , 23, 1729 to Abigail landall at Newington ,
He was married 2nd to Sarah (Savell) Cutts , His third marriage was
to Mary (Dennett) Stoodley, widow of Jonathan . (Gen . Diet , Me , &amp; N. H. )
Mapping 1979 by Bart Ferrell , UNH,

Viewed by L.H, Tallman , Apr , 13, 1984 ,
------. -

-

-.- - - -

�Hart , Mary

d,

Portsmouth , N. H.

1714, a . 38

Point of Graves
BF - #17

Marker : slate
Condition : poor - badly broken
Shape: triple arches
Design :
?

&amp;

cracked, leaning

HERE LYES ye BODY
OF Mrs MARY , WIFE
OF CAPt SAMUEL HART
DIED JUNE ye 23
(underground - Locke gives date as
June 23 , 1714, age 38) .

?Sit'\'

1

2

~ ~

~opied by Bart C. Ferrell , UNH , Dec , 2, 1979 ,

?_

His map #17 ,

Date from "Cemetery Inscriptions" by Arthur H, Locke , 1907 .
Identity: Samuel was married firs\, 2 May 1699 to Mary Evans , daughter of Robert and
Elizabeth (Colcord) Evans of Dover , Mary was born 1676,
His second marriage was 13 Jan , 1714/5 to Mary Booth who died 1755 ,
(Gen . Diet , Me , &amp; N.H. )

Hoddy , John
Keais , Mary

D,
D,

1684,
1711 ,

A , 36
A , _58

Portsmouth , N,H.

Point of Graves
Row U, #5
Bf" _-±± 8 (

Material : slate
Condition : poor - badly broken on top
Shape : once had triple arches
Design : ?
Text :

JOHN HODDY AGED

36 YEARS DECESED
JULY, THE 17 ,
1684 .
MARY KEAIS AGED
58 YEARS DECESED
th
AUGUST , THE 17

1711.
Source : The New Hampshire Genealogical Record , 1904, Vol . I, pg , 16 ,
Relation between John &amp; Mary is not clear, Probably he was her first husband ,
Identity : John Hoddy , mariner , was born about 1675 , Me was married June 21 , 1675 to
Mary Riddan , daughter of Thadeus, After his death , she was married
second to Samuel Keais ,
(Gen , Diet , Me , &amp; N.H. )

Viewed by L.H. Tallman, Apr , 13 , 1984.

Mapping 1979 by Bart Ferrell, UNH ,

�D. 1847, A. 98

Huntress , Anna

Portsmouth, N.H .

Row R, #7

Material : slate
Condition: good
Shape : arch top
Design : willow &amp; urn
Text :

Point of Graves

Bf=" _-±L'°6

ANNA HUNTRESS
widow of the late
Capt . Joshua L. Huntress ,
died April 17 , 1847 ,
Aged 98 Years,
"A goo d name is
. better than :precious
ointment; and the day of death
than the day of one ' s birth . "

Source : The New Hampshire Genealogical Record, 1904 , Vol. I , :pg . 20 .
Mappinh 1979 by Bart Ferrell , UNH ,

Viewed by L. H. Tallman , Apr , 13, 1984.

Huntress , Daniel Jr .

D. 1807 , A. 24

Portsmouth, N.H.

Point of Graves
Row R, #8

Material : slate
Condition : good
Shape: high center arch
Design : willow &amp; urn
Text:

Sacred
to the Memory
of
DANIEL HUNTRESS Jr
who Departed
this Life Suddenly,
August 26, 1807 ,
Aged 24 ,
Stop my friends, the reason why ,
As you are , so once was I ,
As I am now so you must be,
And now :prepare to follow me .

Source : The New Hampshire Genealogical Record, 1904 , Vol. I, :pg . 20 .
Mapping 1979 by Bart Ferrell, UNH .
Viewed by L. H. Tallman, Apr . 13, 1984.

�Portsmouth, N, H.

D. 1820 , A, 65

Huntress , Daniel

Point of Graves

Material : marble
Condition: poor - completely illegible , 1984 .
Shape : elaborate as originally cut
Design : ?
Text :

At his own special re~uest we have
Here deposited the remains of
CAPT . DANIEL HUNTRESS
who departed this life
May 5, 1820
Aged 65 Years .
A WORTHY HONEST MAN
(A verse illegible by 1904)

Source : The New Hampshire Genealogical Record, 1904 , Vol , I , pg . 17 ,

Mapping 1979 by Bart Ferrell , UNH ,
Viewed by L. H. Tallman , Apr . 13, 1984 .

Huntress , Joshua Lang

Identity by proximity to other Huntress markers .

D. 1802 , A, 50

Portsmouth , N,H .

Material : slate
Condition: fairly good, long crack repaired ,
Shape : high center arch
Design :. willow &amp; urn
Text :

Sacred
To the memory of
Mr Joshua Lang Huntress ,
who died Deer 21 , 1802 ,
AEt , 50
He bore a lingering sickness with
patience ,
And met the King of terrors with a
smile ,

Source : The New Hampshire Genealogical Record , 1904, Vol . I , pg . 20 .
Mapping 1979 by Bart Ferrell , UNH ,

Viewed by L.H. Tallman , Apr , 13 , 1984 .

Point of Graves
Row R, #6

0F _ttGS-

�ingraham , Mary

d , 1720 , a , 41st year

Portsmouth , N. H.

BF - #2

Marker: slate
condition : poor - top chipped
Shape : triple arches
Design : death head
"ext :

Here Lyes ye Body of
Mrs Mary Ingraham
Wife To W Moles
Ingr~am Dece
Decem r 5th 1720 ye
41 st Year of her Age

Point of Graves

( ?~d , )

:dentity : Moses Ingraham was a tailor of Portsmouth &amp; York , He was married 1st
25 July 1706 to Mary Walton , and married 2nd 23 Feb , 1720/1 to
Elizabeth Ayers , wodow of Caleb Griffith &amp; Henry Lyen .
(Gen , Diet , Me . &amp; N. H.)
Copied by Bart C, Ferrell, UNH , Dec , 1 , 1979 ,

Portsmouth, N.H.

D, 1738 , A, 13

Jackson , Daniel

Point of Graves
Row S , #1

,aterial : slate
Condition: good
Shape : triple arches
Design : death head
Text :

6F _:ttG.b

DANIEL JACKSON SON
TO Mr DANIEL JACKSON JUNr
Mrs JOANNA JACKSON
AGED 1J YEARS &amp;
th
7 M0 DEc°- NOVr Ye 27
1738 ,

&amp;

Source : The New Hampshire Genealogical Record , 1904 , Vol . I , pg , 19 ,
Identity : Parents, Daniel Jackson
of Ipswich .

&amp;

Joanna Bennet were married Dec , 30 , 1722 ,
(Gen , Diet . Me . &amp; N.H. )

She was

Mapping 1979 by Bart Ferrell, UNH ,
I

i

Viewed by L.H. Tallman , Apr . 13 , 1984 .

I

�Jackson , John

D . 1690 , A , 33

Portsmouth , N.H.

Point of Graves

Marker : probably slate
Condition : good in 1900
Shape: flat top , thick
Design : cherubs in corners
Text :

(l ettering in circle on face)
HERE
LYEI'H BURIED
ye BODY OF
JOHN JACKSON :
AGED 33 YEARS
DYED JANUARY
ye 26 169°;;
, \

Footstone :

JOHN JACKSON

Source : photo in Patch Collect io n , Strawbery Banke , This was taken by Caleb S . Gurney ,
and published 1902 in Portsmouth , Historic &amp; Picturesque , pg , 104.
Footstone noted pg . 20 , New Hampshire Genealogical Record , 1904, Vol. I, pg . 20,
Headstone noted pg . 19 , (Year given as 1690/1)
Mapping 1979 by Bart Ferrell , UNH ,

Vi ewed by L. H. Tallman, Apr, 13, 1984 ,

Jackson , Mary

D, 1729 , A , 1 yr ,

Portsmouth , N.H.

Material :
small slate
Condition : fair - some cracks , may have had repairs .
Shape : triple arches
Des ign: death head
Text :

MARY JACKSON
DA Ur T~ SAMUEL
&amp; ELIZ h JACKSON
AGED 1 YEAR &amp;t
3 M0 DYED AUG
ye 9 1729

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg . 19 ,
Date was incorrectly noted as 1799 by Arthur H. Locke in 1907 ,

Mapping done 1979 by Bart Ferrell, UNH ,
Viewed by L. H. Tallman , Apr. 13, 1984.

Point of Graves
Row U, #1

6V - --r1°/''/

�Jackson , Mary

D, 1763 , A, 90th year

Portsmouth , N. H.

Po int of Grave~.

Material : 5 l o..~e
Condi ti(?n : °c)
Shape : ~tr\\JLe (}1--~1'es
Design : '-Led~~\ ~e&lt;&gt;d .

ccc\

Text :

Here lyes ye Body of
Mrs MARY JACKSON , fidow
to Mr JOSEPH JACKSON ,
who departed this life on ye
15 th DAY OF JUNE , 1763 , IN ye
90 th YEAR OF HER AGE ,

Source : The New Hampshire Genealogical Record , 1904 , Vol. I , pg , 18 ,
Identity : Mary was a daughter of John Sargent ,

Viev-:i ~~ \;"'j l---, ~

:TC'-Ll

'v).'\.0-.'V'\. ,

~

r,~. 4

.. )
(G e n , Di' c t , Me , &amp; NH

1 '~ 6 l{ .

Mappi ng 1979 by Bart Ferrell , UNH ,

D, 1732 , A, 53

Jackson , Samuel

Portsmouth , N. H.

Point of Graves

Row U, #2
Material : slate
but
has
piece
broken
on
side
near
ground
.
Condition : fairly good ,
Bt='
Shape : triple arches
Design : death head
ext :

-- -t1- "/B

HERE LYES ye BODY
OF Mr SAMUEL JACKSON
AgED 53 YEARS
DEC APRIL ye 13th
1732

Text of foots tone :

Mr SAMUEL
JACKSON

Source : The New Hampshire Genealogical Record , 1904 , Vol . I , pg . 16 .
Identity : Samuel Jackson was married Oct , 12 , 1693 to Mary Melcher , She was married
2nd to Peter Mann ,
(Gen , Diet , Me , &amp; N. H.)
M
apping 1979 by Bart Ferre 11 , UNH .

Viewed by L. H. Tallman , Apr . 13 , 1984 .

�Jackson , Thomas
"
Sarah

Point of Graves

Portsmouth , N, H,

d , 1833, a , 68
d, 1831 , a , 68

Marker lost
In his abstract , "Cemetery Inscriptions" , 1907 , Arthur H, Locke has names
and dates for this couple, They could have been noted on one of the missing
name blocks of the several sandstone slabs ,
Thomas Jackson died Jan , 29 , 1833 , age 68 ,
Sarah Jackson died June 16 , 1831 , age 68 ,

( 7)

l&gt;v Ct:c.rck,

&gt;

4,.- It

£e. c- M r;

£,,IM,,.

)

( 0-:,..

':F ~, !!_ ) &lt;Z
'-'i)

---

-

'.)

Jaffrey I Anne

D, 1682 , A, 18

Portsmouth, N,H ,

Point of Graves
Row S , #2

Material : slate
Condition : fairly good , some cracking at top ,
Shape : triple arches
Design : death head with bones over skull
Text :

6~ _-t:i&lt;'/0

ANNE , Ye WIFE

OF GEORGE
JAFFREY ESQr
AGED 18 YEARS
DECd DECMBr ye 6
1682 .
Source : The New Hampshire Genealogi·cal Record I 1904 I Vol ' I I pg ' 19
Identity : In one deed her name is given as Agnes ,
Mrs , Hannah Porter of Boston ,
Mapping 1979 by Bart Ferrell, UNH ,

Viewed by L.H, Tallman, Apr , 13 , 1984,
-------

1

George was married second 1694 to
(Gen , Diet, Me , &amp; N, H, )

�Jose , Richard

d , 1707, a , 48

Portsmouth , N. H.

Point of Graves
8F-iillt

Row E , #2

Marker: slate
Condition : good
Shape : double pattern of arches
Design : death heads

.,,-

,

'r

I

Text of left hand portion :
HERE LYES ye
BODY OF M~
RICHARD JOSE
AGED 43 YEARS DIED SEPt ye
23d 1707 ,

.........

(Right hand portion has notes for
Hannah Ayers who died 1718/19)
~

'1 :&gt;

o,

4

,,,

Identity : He was a merchant of Portsmouth , with some Shoals property ,
He was married Oct , 16 , 1683 to Mannah Martyn , After his death she
was marri ed 2nd to Edward Ayers ,
(Gen , Diet , Me , &amp; N. H. )
Viewed by L.H. Tallman , Apr , 4 , 1984 ,
Mapping 1979 by Bart Ferrell , UNH ,

',·

Keais , Mary

d • 1711 , a , 58

Portsmouth , N. H.

Marker : slate
Condition - poor - badly broken on top
Shape : once had triple arches
Des i gn :
?
Text :

Point of Graves
BF - #81

(top portion has notes for John Hoddy
who died 1684 , )
MARY KEAIS AGED

Ai~u~~RiH~E~~~tD
1711.
Identity : John Hoddy , mariner , was married 1675 to Mary Riddan . After his death
she was married 2nd to Samuel Keais , (Gen , Diet , Me , &amp; N.H. )
Source of wording : The New Hampshire Genealogical Record , 1904 , Vol , I , pg . 16 ,
Viewed by L.H. Tallman , Apr , 13 , 1984 .

I

Mapping by Bart Ferrell , UNH , in 1979 ,

�D, 1757, A, J6th year

Lang , Daniel

Portsmouth , N,H ,

Point of Graves

Material : f&gt;b"Ce
Condition : t oc-·ci.
Shape : ·by--1 rl e (\.rd, es
Design : c.\__ee1..' Ui ~eo..c\.
Text :

Here lies Buriei
the Body of Cap
DANIEL IANG
who departlli this Life
July ye 24
1757
In the J6th Year
of his Age ,

Source : The New Hampshire Genealogical Record , 1904, Vol. I , pg , 20 ,
V1ev.::&gt;

e c\_

\,;~ \.... H,"T"'-'-ll1')'\ °'Y\., F\ pr. y 1 lc.)f, L{

Mapping 1979 by Bart Ferrell, UNH ,

d,

Langdon , Joseph

Portsmouth , N. H.

1749 , a , 25

Point of Graves
Row H, #2 ,

Marker : slate
Condition : very poor - broken with pieces
missing , identity from fragments of
wording on remainder ,
Shape : originally triple arches
Design : ?
Text of what remains :

/
/
/
/

/ mainstof
/ Merch ,
/NGDON)
AEtatis 25
once avails ye not
y whom begot,
remains of thee
that WE must be ,

Identity : Parents are Mark &amp; Mehitable (Jackson) Langdon , m, 1722,
Joseph was married Dec . 20 , 1747 to Mary Hunking, at Rochester ,
His full date of death was Oct , JO , 1749 , age 25 ,
t

Source : "Captain Joe" , Langdon Genealogy manuscript by Alice Langdon of Epping ,
Locke , 1907 , indicates that the marker was broken in his day ,
Examined by L.H. Tallman, Apr , 4, 1984.

Mapping 1979 by Bart Ferrell , UNH ,

�Portsmouth, N, H.

d , 1769 , a. 63

Langdon, Mehetable

BF - #31

Marker: slate
Condition : stained
Shape : triple arches
Design : death head
Text :

Point of Graves

Here lies intered ye remains
of Mrs MEHETABIE IANGDON
late Wife of Deacon MARK
IANGDON Who departed this
Life Octo~ ye 7 1769
Aged 63 Years ,

Mark was married 7 June 1722 to Mehitable Jackson,

He had a second wife Mary ,
(Langdon Genealogy)

Copied by Bart C, Ferrell, UNH , Dec , 1979 ,

Langdon, To bias

d,

1727/8, a . 2 yrs ,

Marker : slate
Condition : fa ir - chipped top
Shape : triple arches
Design : death head
Text :

Portsmouth , N. H.

Point of Graves
Row I , #4

Bf - i!..2-.',
f-'oc;G &lt;;5G0Y\ ~ ~ ·:) v

TOBIAS IANGDON
SON TO Mr MARK
&amp; Mrs MEHITABIE
IANGDON AGED 2
~ARS &amp; 8 MONTHS
D, AUG , ye 28 , 1727/8

Identity, Father Deacon Mark Langdon was married 1722 to Mehitab l e Jackson ,

Read by L.H. Tallman, Apr , 12, 1984 ,

Mapping done 1979 by Bart Ferrell, UNH ,

�Portsmouth, N. H.

D, 1774, A, 58

Lear , Elizabeth

Point of Graves

Marker : elat0 Lc,ll-o.r-Cz. 'd:.-.e
Condition : good in 1983
Shape : triple arches
Design : cherub
Text , read from photo :
In Memory of
w.s ELIZABETH LEAR
wife of
Cap1 TOBIAS LEAR
who died July 21~t 1774
Aged 58 Years

Source : photo in Patch Collection, Strawbery Banke , This was taken by Caleb S . Gurney ,
and published 1902 in Portsmouth , Historic &amp; Picturesque , pg , 104 ,
Marker checked at Point of Graves , Nov, 1983 by L, H. Tallman ,
Mapping 1979 by Bart Ferrell , UNH ,

Lear , Mary

D, 1829 , A, 90

Portsmouth , N. H.

Point of Graves

n

J,01.10

Material : Y)\ 1,lo\-e..
Condi tion : roe '('- - · ;-eel
Shape: c;; CC .:.:;kel:c.~,
Design :
·2
Text :

1

po~l, icy, ~J.-,cl--: e""-, L,l...,"'-c.:.l ·l\~cci,Ue

Here lies the remains of
ws MARY LEAR I
the widow of
Captn Tobiastkear ,
she died the 24
of Nov , 1829 ,
Age:i 90 years ,

""'
lt..l, n3 ,

BF - ti4"!,
\ ~t\,l{

'-,

"

,..l

o,~-I.L~·\v-0-.1
s ~ \ C\ ~e.

Devoted in her attachments
Ardent in her affections
and
Sincere in her piety
She was long an example that
The hoary head is a crown of
Glory if it be found in the way of
righteousness ,
Source : The New Hampshire Genealogical Record , 1904, Vol, I , pg , 19 ,

Vi C:.\J0e~ \,j h, ht , ~l\.l\ nA"-YI

1

~ -rr-.

lj &gt; ( ~ S

4. . Mapping 1979 by Bart Ferrell , UNH ,

�Tobias

D.

1781,

A,

45

Portsmouth , N. H.

Material : ,:; lc;1..&lt;t e,
Condition : 5\\ c~Lt s ;_le: t·1 lt I o'l1.e t-v--'.)\ 3 e C'::,cc:-c\ .
Shape : c.~1,·q ·le (.\v-&lt;.h~':l
DesigI: : '::iKv.~\ ~ C..r·c:,-c;-::; bci,,e'3 1 l,lrY\. o-- \J ;--o-,,c\",

Point of Graves

Ro"-.::

\\1

1

"'.J:t.2- .

f.YF•-.:tt'ib

In Memory
of
CAPt TOBIA~hLEAR
obt Novr 6
1781 ,

AE

45 ,

A wit ' s a feather , &amp; a Cheif a Rod :
An honest man ' s the noblest work of
God ,
Source : The New Hampshire Genealogical Record, 1904, Vol , I , pg . 18 ,
c'iev--:.-e

S&lt;Gov, e

b..,1 \,,_, H, ~ll\,..,o....,,,
ClA\\i er ',

1

~~" .

4 1 \'jc,4. .

Mapping 1979 by Bart Ferrell , UNH ,

'

Libbey , John

d,

1785, a , 4

.
J

yrs ,

Portsmouth , N, H.

Marker : slate
Condition : fairly good , some chippi ng top corner
Shape : triple arches
Design : cherub

Point of Graves
BF - #62

Text : in script lettering
In Memory of
John Libbey
son of John &amp; Mary
Libbey Died Marcg
28 th 1785 In ye 4t
Year of his Age ,
Copied by Bart C, Ferrell, UNH, Dec , 1979 ,
Locke , A.H., in "Cemetery Inscriptions" , 1907 , also lists a Mary Libbey , wife of John,
who died July 21 , 1785 , age 35 , This was not found by Farrell , 1979, or
Tallman, 1984 . There might be a nearby slate stub, with inscribed part gon~.

�Libbey, Mary

d.

1705, a. 35

Portsmouth, N.H.

Point of Graves
Lost before 1904,

Notes of 1885 t
Mary Libbey, wife of John Libbey,
aged 35 years, died July 21, 1705,
Sourcet The Daily Evening Times, Sept. 29, 1885,

�1716, a .

d.

:.Ord , Elener

?

Portsmouth , N. H.

Point of Graves
BF - #4

larker : slate
Condition: fair - chipped , set low
Shape :
Design :

EIENER
IDRD
DIED APRIL

:ext :

(underground - Locke gives
date as Apr . 11 , 1716)
8opied by Bart C, Ferrell , UNH , Dec . 1, 1979 ,
~ate from "Cemetery Inscriptions" , 1907 , by Arthur H, Locke ,

D,

Loud , Sarah

1738 ,

A,

27

Portsmouth , N.H.

Point of Graves
Rev-..:- ? , u '2..

Material : s\. a.~e
Condition : t~cu:\
Shape : .S.L.:£l:i &lt;tc.. r
Design : ·rcu."'-&lt;i - ~e

Bf' --:e5E.
c\e,,Lk ~ e"-c\. 1 1: \e 1;1 r- - c\e- - l.., ~'-&gt;

', ""-

cc -,. .:Y\-c ,-~ ,

Lyes : buried : ye :
Body
of : Sarah : Loud : ye
Wife
of : John : Loi.rl : Who
Departed : This : Life :
August : ye : 25 : 1738
Adged : 27 : years :

HERE

Text :

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg , 20 ,
There is a footstone that reads :

\/i e
3&lt;lc.~ e

e\

\;

0

h·

(&gt;,{l tr•,

Mapping 1979 by Bart Ferrell , UNH .

SARAH IDUD
ABIGAIL LOUD

p._

�Loud, Eleanor

d.

1697

Portsmouth, N.H.

Point of Graves
I.ost before 1904,

Notes of 18851
Eleanor Loud, died April 23, 1697,
Sources

The Daily Evening Times, Sept, 29, 1885,

�Lovett , James

D. 1718 , A. 65th
year

Portsmouth , N.H .

Point of Graves

Material : slate
Condition : fairly good · - some top chipping
Shape : triple arches
Design : ancient style death head
Text :

JAMES LOVETT
DIED APRIL ye
4 th 1718 IN Ye

65 YEAR OF
HIS AGE .
Source : The New Hampshire Genealogical Record , 1904, Vol . I , pg , 14 .
Identity: James was son of Thomas &amp; Elizabeth (Atkinson) Leavitt . He was born
Nov , 10, 1652 , His wife Sarah was widow of Nehemiah Partridge .
(Gen , Diet . Me . &amp; N.H. )
Mapping done 1979 by Bart Ferrell , UNH .

Macphaedris , Sarah

d . 1719 , a , 2 mos .

Marker : small slate
condition : top somewhat chipped
shape : triple arches
design : death head
Text :

Sarah Macphaedri
Daughtr of cait
Arch ' ard &amp; Mrs
Sarah ~cphaedr~s
Aged 2 Mon s &amp; 3 W s
Died April 11, 1719,

Copied May 1, 1984 by L, H, Tallman .
Mappi ng 1979 by Bart Ferrell , UNH ,

Portsmouth , N. H.

Point of Graves
BF - #12

�March , Mary

D,

17 59 , A , 80

Point of Graves

Portsmouth , N.H.

Material: slate
Condition : good
Shape : triple arches
Design : skull &amp; crossbones
Text :

Here lies Interr 'd
the Body of
Mrs MARY MARCH
Relict of
' Doc tr CI.EMENT MARCH
who Departed this Life
April 7th 1759 ,
Aetatis 80 ,

Source : The New Hampshire Genealogical Record , 1904 , Vol , I, pg , 15 ,
Identity : She is daughter of Joseph &amp; Elizabeth Hall , and was born about 1679 ,
She married Dr , Clement March of Greenland , otherwise known as Dr , Israel
March , They had a son Clement March , (Gen , Diet , Me , &amp; N. H. )
Mappi ng 1979 by Bart Ferrell , UNH ,
Footstone of slate is broken at an angle , leaving "Mrs , M

II

Stone Carver :

Marshall , Nathaniel

D,

1812 , A , 68

Material :
Condition :
Shape :
Design :
Text :

Portsmouth , N. H.

Point of Graves

Marker lost

Sacred
to the Memory
of
Nath 1 Marshall Esqr ,
who died
March 22 , 1812 ,
AEt , 68 ,

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg , 15 ,
Marker not found 1984 ,

This could be one of the broken slate or illegible marble ,

�Marshall , Obadiah

d , 1746 , a, 37

Portsmouth , N. H.

BF- #1J

Marker : broad slate
Condition : fair - chipped , lichen growth
Shape : triple arches
Design : round face
Text :

Point of Graves

HERE LIES BURIED THE
BODY OF Mr OBADIAH
MARSHALL WHO DIED SEPt 12
1746 AGED (J7) YEARS

Copied by Bart Ferrell , UNH , Dec , 2 , 1979 ,
Age given by Arthur H, Locke , 1907 ,
Identity : Obadiah was a son of George &amp; Elizabeth (Hill) Marshall , He was
a blockmaker , He married Martha Cotten, daughter of William .
was married 2nd to Edward Cate ,
(Gen , Diet , Me , &amp; N.H . ) ·

She

Mapping 1979 by Bart Ferrell , UNH ,

Meserve , Jane

D, 1747 , A, JOth year

Portsmouth , N.H.

Marker : broad slate
Condition I good
Shape : triple arches
Design : cherub
Text :

Here Lyes Interrd ye
Body of Mrs JANE
MESERUE , Wife to COLL0
NATHANIEL MESERUE ,
Who departed this Life
th Anno Domni 1747,
June ye
in ye JO
Year of Her Age ,

t~

Source : New Hampshire Genealogical Record , 1904, Vol , I , pg . 14 .
Mapping 1979 by Bart Ferrell , UNH ,

Point of Graves

�Messer , Francis

d,

1692 ,

a,

58

Point of Graves

Portsmouth , N. H.

BF - #1

Marker : slate
Condition : fair - chipped , set low
Shape : triple arches
design : death head
Here Lyeth Buried
The Body Of
Francis Messer
Aged 58 Years
Departed This Life

Text :

(underground - Locke gives date of
Dec , 19 , 1692)
Copied by Bart C, Ferrell , UNH, Dec , 1, 1979 ,
Date from "Cemetery Inscriptions" , 1907 , by Arthur H, Locke ,
Identity : Francis was a carpenter in Portsmouth, He had a widow Gertrude ,
(Gen , Diet , Me , &amp; N.H. )

Moffatt , John

Marker lost

Material :
Condition :
Shape :
Design :
Text :

Point of Graves

Portsmouth , N. H.

D, 1736 , A, 11

JOHN MOFFATT SON
TO Mr JOHN &amp; Mrs
KATHERINE MOFFATT
A GED 11 YEARS 8 Mo
&amp; 12 Ds DIED DEcr
ye 17th 1736
(Nearby is a remnant for someone
who died Dec , 10 , 1736)

Source: The New Hampshire Geneal ogical Record , 1904 , Vol , I , pg . 19 ,
This marker was not found i n 1984 .

It could be one of the broken slate stubs ,

�Moul ton , John

D. 1719 , A, 7th year

Portsmouth , N. H.

Material : :3rno...U. sLc~ e
Condi t i on : t· i" e.
Shape : ·b r-'i le L Y'cke 3
Design : t\ ecfllA \,eo.J

Point of Gr aves
'R,e;L--"'

BP

j

)-J:t.

1,

_-:t:'3(:

HERE LYES ye
BODY OF JOHN
MOULTON SON
TO JOSEPH
&amp; ABIGAIL
MOULTON DECd
OCTOBER ye
7th 1719
IN 7th YEAR
OF HIS AGE

Text :

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg . 16 .

Mapping 1979 by Bart Ferrell , UNH ,

Moulton , Lucy

d . 1733 , a . 3?th year

Marker : slate
Condition : quite good
Shape : triple arches
Design : death head
Text :

Portsmouth , N. H.

Point of Graves
Row I , #1
BF - #26A

HERE LYES ye BODY OF
Mrs LU~EY MOULTON WIFE
OF CAP , DANIEL MOULTON
WHO DECd FEBRUARY
ye 27th 1l~3
IN THE 37
YEAR
OF HER AGE .

Identity :

Read by L.H. Tal lman , Apr . 4 , 1984 .
Thi s f i ne marker was overlooked in 1979 by Bart C, Ferrell , UNH student , in making
his chart . It i s fairly near the wall and in line with Langdon markers . Thi s
number is added to fit in with the other numbering , It might even have been
underground ,
(Noted by L. H.T. )
Marker was noted 1907 by Arthur H, Locke i n "Cemetery Inscriptions ", with name and date .

�D, 1846 , A, 47

Nelson , Nathaniel

Portsmouth , N, H.

Point of Graves

.
R

Materia l: ~\~'Ge
Condition : ~ c c , c\
Shape : &amp;:.-l c-~'-G ~t&gt;o\?
Design : '--t&gt;u-::-c, v.:.:,\ llo l.0 '-brees,

Dv0

0 J:rt,1 .

BF -

-tt

S-b

NATH~ S , NELSON
died
June 21 , 1846 ,
Aged 47 years ,

Text :

He was a friend to the needy ,
Source : The New Hampshire Genealogical Record, 1904, Vol , I , pg , 20 ,
\L 1e1&gt;-?e~

'al~ \..,,H, ~-~\l,n~ 1

~~v-,

4 1 !'384,

Mapping 1979 by Bart Ferrell , UNH ,

Nicholson , William

D, 1718, A, 12 days

Point of Grave

Marker lost

Materi al :
Condition:
Shape :
Design :
Text :

Portsmouth , N. H,

WILLIAM SON TO
HENRY &amp; SARAH
NICHOLSON AGED 12
DAYs DECd MARCH
ye 19th 1718

Source : The New Hampshire Genealogical Record , 1904 , Vol. I -, pg , 19 ,
This marker was not found in 1984 .

It could be one of the broken slate stubs .

�Partridge , Nehemiah
Partridge, William

D. 1709 , A, 46th year
D, 1718, A, 47th year

Portsmouth , N.H .

6F -

Material: slate
Condition : some chipping of top
Shape : triple arches
Design : death head
Text:

Point of Grave~
:l:i

lD1o

NEHEMIAH PARTRIDGE
DIED FEBry Ye 12
1709 IN ye 46
YEAR OF HIS AGE
WILLIAM PARTRIDGE
DIED MAY ye 13
1718 IN ye ·47
YEAR OF HIS AGE

Source: The New Hampshire Genealogical Record, 1904 , Vol, I, pg . 14 .
Mapping done 1979 by Bart Ferrell, UNH ,

·Pierce, Elizabeth
(Peirce)

D. 1717 , A. 42nd year

Marker : slate
Condition: good in 1983
Shape : triple arches
Design : death head with hour glass
Text:

Portsmouth , N.H .

Point of Graves
\3F-i±.'Jl{

HERE LYES BURIED
ye BODY OF Mr,s
ELIZABETH PIERCE
WIFE TO M~
JOSHUA PIERCE
DECJ4 JAN~Y 13 1717 , IN
ye 42 YEAR OF HER AGE

Source : photo in the Patch Collection , Strawbery Banke, This was taken by Caleb S. Gurney,
and published 1902 in Portsmouth , Historic &amp; Picturesg .ue , pg . 105 .
Marker viewed Nov , 1983 by L, H. Tallman ,
Identity : She was a daughter of Joseph &amp; Elizabeth (Smith) Hall, aorl born 1675/6 .
She was married Jan , 24 , 1694/5 to Joshua Pierce , (Gen , Diet , Me , &amp; N. H.)
Mapping 1979 by Bart Ferrell, UNH ,
Correction : name on marker as "PEIRCE" , a point noted 1979 by Ferrell , confirmed 1984 .

�Pierce , Elizabeth
(Peirce)
Material : slate
Condition : good
Shape : triple arches
Design : death head
Text :

D, 1732 , A, 45th year

Portsmouth , N.H.

Point of Grave.

HERE LYES ye BODY OJ!l'
Mrs ELIZABETH PIERCE
WIFE TO Mr GEORGE
PIERCE DECd MAY
ye 4th 1732 IN ye
45th YEAR OF HER AGE

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg , 14 ,
Identity :

Correction : Name appears as : "PEIRCE", a point noted by Ferrell 1979, confirmed 1984 .
Mapping done 1979 by Bart Ferrell , UNH ,

Phipps , Thomas

D, 1712

Portsmouth , N.H.

Material : slate
Condition : fair - some chipping at top ,
Shape : triple arches
Design : death head
Text :

HERE LYES ye BODY
OF THOMAS SON
TO THOMAS &amp; MARY
PHIPPS ~~cd JANry
ye 6
1712 ,

Source : The New Hampshire Genealogical Record , 1904 , Vol . I , pg . 14 ,
Mapping 1979 by Bart Ferrell, UNH ,

Viewed by L.H, Tallman , Apr , 1J , 1984 ,

Point of Graves
Row V, #2
Bf' - -tt. ~o

�Pike , Elizabeth

D. 1719/20 , A, 27

Portsmouth , N.H .

Material : slate
Condition: fairly good - part of one knob broken
Shape: triple arches
Des i gn : death head , extra borders around inscription
Text :

Point of Graves

Gt-=- - 11 100
&amp;

designs

HERE LYES BURIED
ye BODY OF Mrs
ELIZABETH · PIKE
Ye WIFE OF DOCTOR
ROBERT PIKE AGED
27 YEARS
DECEASED ye 5
OF
FEBRUARY IN ye YEAR
1719 OR 20.

w~g

.t'
Source : The New Hamnshire
Genealogical Record, 1904 , Vol • . I , Pg , 14 •

Identity: She was a daughter of Theodore &amp; Mary Atkinson , and was born Nov , 28 , 1692 in
Boston . Her husband Robert Pike was son of Rev . John Pike .
(Gen , Diet , of Me , &amp; N. H. )
Mapping done 1979 by Bart Ferrell , UNH ,

Plaisted , John

D, 1712 , A. 29

Portsmouth , N. H.

Point of Graves

Material : slate
Condition : fair - some small breakage at top
Shape : triple arches
Design : death head with small bones over
Text :

HERE LYES BURIED ,
THE BODY OF Mr
JOHN FLA ISTED JUNr
AGED 29 YEARS ,
DIED OCTOBER ye
12th 1712 ,

Source : The New Hampshire Genealogical Record, 1904 , Vol , I , pg , 14,
Identity : John was a son of Col , John &amp; Mary (Pickering) Plaisted , He was born
Jan , 2 , 1682/3 , and was married in Boston Oct , 31 , 1707 to Jane Pemberton .
(Gen , Diet, Me , &amp; N. H.)
Mapping done 1979 by Bart Ferrell, UNH,

1,....- -

---

�D, 1695 , A, 29th year

Red.ford , Sarah

Portsmouth , N, H,

Row S, #6
]:) f= - -ti '1 f,

Marker : double slate
Condition : good in 1983
Shape : broad triple arches
Design : death head
Text , left side :

Point of Graves

HERE LYETH
ye BODY OF
SARAH RE DFORD
DIED MAY ye 16
1695
IN Ye 29 YEAR
OF HER AGE

(Right side has Elizabeth Frost who died 1696 ,
See separate card , )
Source : photo in Patch Collection , Strawbery Banke , This was taken by Caleb S , Gurney ,
and published 1902 in Portsmouth , Historic &amp; Picturesque , pg , 104. •
Marker viewed Nov , 1983 by L. H. Tallman ,
Identity : She was a daughter of Major Charles &amp; Mary (Bowles) Frost , and sister of
Elizabeth shown on the same marker , Sarah was married 1st to John Shipway , and
2nd to Will iam Red.ford ,
(Gen , Diet , Me , &amp; N. H.)
Mapping 1979 by Bart Ferrell , UNH ,

Rogers, Elizabeth

D, 1704, A. 17 mos .

Portsmouth , N.H.

Material : slate
Condition: poor - portions of top broken
Design : double arch pattern
Shape : death heads
Text :
(right
side)

ELIZABETH
DAUr TO ye
REVERAND Mr
NATHANIEL &amp;
SARAH ROGERS
AGED 17 MONTHS
DIED OCT br ye
30 1 1704

Point of Graves
Ro w U, #3

(on left side
Eliz , Elatson)

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg , 17 ,
Identity : Sarah Purkis was married to Rev . Nathaniel Rogers , This child was burned in
a house fire which a l so cost the life of Sarah ' s mother , Eliz , Elatson ,
(Gen . Diet , Me , &amp; N.H. )
Mapping done 1979 by Bart C, Ferrell , UNH .
Viewed by L. H. Tallman , Apr , 13 , 1984 .

�Rogers , John

Point of Graves

Portsmouth , N. H.

D. 1719 , A. 5 yrs .

Row U, #4

Marker : slate
Condition : good in 1900
Shape : triple arches
Design : death head
Text , read from photo :

B P- -

:rt

u

John Rogersd Son
of ye Reverl': M:'
Nathaniel &amp;
Mr.s Sarah
Rogers , Aged 5
Years &amp; 6 M~ Dec~
February 13 th 1719

Source : Photo in Patch Collection , Strawbery Banke , This was taken by Caleb S . Gurney ,
and published 1902 in Portsmouth , Historic &amp; Picturesque , pg . 105 ,
Identity : Rev . Nathaniel Rogers had married Sarah Purkis , Thi s son John was
born Aug , 5 , 1714 .
(Gen . Diet . Me . &amp; N.H. )
Marker was cut by Caleb Lamson of Charlestown , Mass ., and signed "CL",
Viewed by L.H. Tallman , Apr , 13 , 1984 ,

Condition still good .

Mapping 1979 by Bart Ferrel

..
Safford , Alice

D. 180 5, A. 26

Point of Graves
Marker lost

Material :
Condition :
Shape :
Design :
Text :

Portsmouth , N.H.

Mrs , Alice Safford ,
consort of
Mr Thomas Sa{tord ,
died Jan , 14 , 1805 ,
AEtat 26 ,

Epitaph :
She died in faith believing she
was going to be with Christ ,
longing for glory &amp; immortality ,
Forbear my friend to weep ,
Since death hath lost its sting ,
Those Christians , that in Jesus slee,
Our God will with him bring ,

Source : The New Hampshire Genealogical Record , 1904 , Vol , I , pg , 18 ,
This marker was not found in 1984 ,

It could be one of the broken slate or illegible
marble ,

�Safford , John

D.

1827, A, 25

Marker lost

Material :
Condition :
Shape :
Design :
Text :

Po i nt of Gr aves

Portsmouth , N.H.

JOHN SAFFORD ,
departed this life
Oct . 29 , 1827 ,
Aged 25 years .

Source : The New Hampshire Genealogical Record , 1904, Vol , I , pg . 18 ,
Thi s marker wa s not found in 1984. It could be a broken slate stub , ill egib l e marbl e ,
or sandstone s l ab mi ssing its name block ,

..
Safford , Mary

D, 1832 , A, 88

'·:,

Portsmouth , N,H.

Mat erial : marble
Condition : poor - a lmost completely i l legible
Shape :
Des i gn : ?
Text :

Point of Graves
BF - #48

Mrs . MARY SAFFORD ,
died
March 1, 1832 ,
aged 88 years .

Source : The New Hampshire Geneal ogi ca l Record , 1904 , Vol , I , pg . 18 .
Only the age of 88 years can be read , Thus the i denti ty can be determi ned by
checki ng those notes of markers not yet l ocated ,
(Ident i ty L. H. Ta l lman , 1984) ,
Ma ppi ng 1979 by Bart C, Ferrell, UNH ,

( Marker ill egi bl e . )

�Safford, William

Portsmouth , N.H.

D. 1826 , A. 26

Point of GraveE

Re:-v..:, N, -tt l/. .

Material : ~ldtx::
Condition : 9:.c.c cC
Shape : see .-_J..:et~l\
Design : \,~ 'l UO IN C{ ~ r-n

~f" -

-ti

5 l

Mr . WILLIAM SAFFORD ,

Text :

departed this life
June 6 , 1826 ,
aged 26 years ,
Source : The New Hampshire Genealogical Record , 1904, Vol , I , pg . 18 .
\/; e....:;

c:-J. b:\

h , 1--L TC\. l\,n ~""

1

~ 1w

4- J I ~ 5 (( .

,

Mapping 1979 by Bart Ferrell , UNH ,

l \

J

Sargent , Sarah

D. 1771 , A, 74

Portsmouth , N. H.

Material : slate
Cond i tion : good
Shape : triple arches
Design : skull &amp; crossbones
Text :

Here lies Interr ' d the Body of
Mrs SARAH SARGENT
who Departed thts Life
August 21s 1771 ,
AEtat 74 ,
In Honor of , &amp; Filial Respect
&amp; Affection to her Memory ,
this Stone is here Placed
by her Children ,
The Memory of the Just is Blessed .

Source : The New Hampshire Genealogical Record , 1904 , Vol . I , pg . 15 ,
Mapping 1979 by Bart Ferrell , UNH .
Footstone of slate is snapped near ground level,
Stone Carver :

Point of Graves

�Shackford, Eleanor

d . 1804 , a . 90

Portsmo uth, N, H.

BF - #5

Marker : s l ate
Conditi on : poor - much of top broken,
otherwise cl ear ,
Shape , originally tripl e arches
Design : urn in ci rcle, also urn on f ootstone
Text :

Po i nt of GraveE'

At her own special reQuest
we here deposited the remains
of that respected character
Mrs . Eleanor Shackford
who lived to the age of 90 years .
She died on the 4tn of Feb , 1804 .

Footstone : high center arch :

Mrs E , Shackford

Read by L. H. Tallman , Apr . 4 , 1984 ,
Mapping 1979 by Bart Ferrell, UNH ,

Shackford , John

D,

1738 , A. 60

Portsmouth , N.H.

Material : slate
Condition : poor - most of top broken off
Shape : originally triple arches
Des i gn :
?
Text :

Point of Grav
Row S , #J
~

B~ -1!

HERE LYES BURIED
THE BODY OF

Mr JOHN SHACKFORD
AGED 60 YEARS
DIED OCTr ye 3d
1738 ,
Source : The New Hampshi re Genealogical Record , 1904 , Vol , I , pg . 19 ,
Identity , John was a blockmaker , and part owner of one of the Portsmouth wharfs ,
His will , written 1738 , names wi fe Sarah , and s i x children ,
(Gen , Diet . Me . &amp; N.H. )
Mapping 1979 by Bart Ferrell , UNH ,

Vi ewed by L. H, Tallman , Apr . 13 , 1984 ,

�Material : slate
Condition : fair - some cracking top layers
Shape : high center arch
Design I willow &amp; urn
Text :

Portsmouth , N. H.

D. 1817 , A, 4½ mo .
D. 1825 , A. 26 mo ,

Shaw , Abraham
Shaw , Elizabeth

&amp;

Point of Graves

chipped

IN
MEMORY OF
TWO INFANT CHILDREN
OF
WILLIAM &amp; NANCY SHAW ,
ABRAHAM DIED MAY 4, 1817 ,
AGED 4½ MOs
ELIZABETH DIED MARCH 23
1825 , AGED 26 MOs .

Source : The New Hampshire Genealogical Record , 1904, Vol , I , pg . 16 .
Mapping done 1979 by Bart Ferrell, UNH ,

.

';,

Shurburn , Agnis

D,

1726,

A,

33

Portsmouth , N.H .

Material : slate
Condition : fair - some chipping , mower scratches
Shape : triple arches
Design : primative death head
Text :

Point of Graves
Row S , #4

BF-1!_74:

HERE LYES BURIED
THE BODY OF
Mrs AGNIS SHURBURN
AGED 33 YEARS
DECd OCTr ye 10 th
1

7

2

6.

Source : The New Hampshire Genealogical Record , 1904, Vol , I , pg , 19 ,
Identity : She was a daughter of William &amp; Sarah (Partridge)Hunking , m, 1692 , Her
marriage was July 25 , 1716 to Edward Sherburne . (Gen , Diet , Me ,
Mapping 1979 by Bart Ferrell , UNH ,

Viewed by L,H, Tallman , Apr . 13 , 1984 ,

&amp;

N.H . )

�Point of Graves

Portsmouth , N. H.

D. 1725, A. 13 mos ,

Simes , John

{\

('I..C, ;..0

Material : slo:te
Condition: Dt'1';~ ;\cc-cl
Shape : ir.Ly\e.. .;:,--c.~,e?.,
Design : cleC\1.:~t heo...c\.

}

"---

-1!.

BF- Y7

JOHN SIMES Ye
SON OF JOHN &amp;
HANNAH SIMES
AGED 13 MONTH~
2 Ds ~Ecf AUG
ye 2
1725

Text :

k "" ·-i

&amp;

Source : The New Hampshire Genealogical Record , 1904, Vol. I , pg , 16 ,

'\li e.wee\

0

1

L. \--LTol\YY\.O,!V\

1

~fl",

l{,

I ':12:-4.,

Mapping 1979 by Bart Ferrell , UNH ,

Simpson , Susannah

D,

1739 ,

A,

72

Material :
Condition :
Shape :
Design :
Text :

Portsmouth , N,H,

Point of Graves
Marker lost

HERE LYES THE BODY OF
Mrs SUSANNAH SIMPSON
WIFE TO Mr THOMAS
SIMPSON AGED 72
YEARS DIED MARCH ye
12 th 1 7 3 9,

Source : The New Hampshire Genealogical Record , 1904, Vol , I , pg , 20 ,
Identity : She was a daughter of Richard
to Thomas Simpson ,
This marker was not found in 1984 ,

&amp;

Mary Seward , She was married Sept , 17 , 1718
(Gen , Diet . Me , &amp; N. H. )

It could be one of the broken slate stubs ,

�D• t689, A• 40

Siveret , Phillip

Marker : slate
Condition : fairly good 1983 1 ,'.:J1~1J,
Shape : flat top
Design : trace of design in corners ,
(not visible in photo)
Text.:

Portsmouth , N.H .

Point of Graves

cl, 1 ,, \'\. Y\':i,

HERE LYETH BURIED ye
BODY OF Mr PHILLIP SIVERET
AGED 40 YEARS DECd
ye 20 OF MARCH 1689

Source : photo in Patch Collection , Strawbery Banke, This was taken by Caleb S, Gurney ,
and published 1902 in Portsmouth, Historic &amp; PicturesQue , pg , 104 ,
Marker viewed Nov, 1983 by L,H, Tallman ,
Mapping 1979 by Bart Ferrell, UNH ,

Small , Joseph

D, 1720, A, 40th year

Marker : slate
Condition : good in 1900 ;{'i \ tee\.
Shape : triple arches
Design : Death Head

Point of Graves

Portsmouth , N.H .

~C:,(;...:&gt;

Cf-C'-•(\

0- I ~ '2,_

1

Text , read from photo :
Here Lyes the
Body of Mf
JOSEPH S~LLth
Dec4 Octo F 4 ·h
1720 in ye 40 t_
Year of His Age

Source : photo in Patch Collection , Strawbery Banke , This was taken by Caleb 8 , Gurney ,
and published 1902 in Portsmouth , Historic &amp; ~ic~uresque , pg , 105,

~

was married 2nd
Identity: Joseph Small married Susannah Packer , After his death , she
(Gen , Diet , Me , &amp; N . H.)
to Benjamin Rust ,
Marker was cut by Caleb Lamson of Charlestown , Mass ,, and signed "CL" .
Mapping done 1979 by Bart Ferrell , UNH ,

�Swett , Alexander

d , 1715/16, a , 5 days

Portsmouth , N.H.

Point of Graves
Row J, #4

Marker : small slate
Condition : poor
most of top broken
Shape : originally triple arches
Design : ?
Text :

ALEXANDER
SON TO JOSEPH
&amp; JANE SWE'IT
DECd MARCH ye
20 th 1715/16
(age 5 days)

- below ground , note from Locke , 1907,

Read by L.H. Tallman , Apr , 4 , 1984 ,
Part of date from "Cemetery Inscriptions " by Arthur H, Locke , 1907 ,
Mapping 1979 by Bart Ferrell , UNH ,

--~ci: ..

-~

,.

..

-o::-~•":'_·~··.

-~

!

. .~

-~ -- ··~', ;c_~-~~~~£~:;~2~~-.)

'

.1
:..•

i

C

�Tarins, George
and Wife

d. 1798

Portsmouth, N,H.

Point of Graves
Lost before 1904

Notes, 18851
George Tarins and his wife, died Jan. 23, 1798,
Source1 The Daily Evening Times, Sept, 29, 1885.

�Portsmouth, N.H.

VAUGHAN Tomb

Point of Graves

The Tomb, 4'x4'x8' is comprised of granite sides with a marble slab top. BF_ # 8
There had been individual markers consolidated into the one unit in
the one unit in 1885, with the marble slab renewed in 1906.
Marble, reading first around the edge, and continuing in the center:
Here Lyeth the Body/ of Margaret the wife of William Vaughan and .Daughter/
of the late Richard/ Cutt Esq, who departed this life the 22 nd January A.D. 1690 /
Aged 40 years, / Also ye Body's of/ Mary wife of George/ Vaughan Esq, &amp; Daut, /
of Andrew Belcher Esq,/ who Dec1 Febry 3rd / 1699 in ye 20 year of hef /
Age &amp; ye Daut, at J Dayes / old &amp; were interred together,
THIS TABIEI' RESTORED/ AND MONUMENT ERECTED/ 1885 / BY A DESCENDANT,
BROKEN TABIET REPIACED WITH/ ORIGINAL INSCRIPTION BY THE/ SOCIETY OF COIDNIAL
WARS IN/ THE STATE OF NEW HAMPSHIRE/ 1906 /
North face of granite:

VAUGHAN

(large letters)

South face granite:
In memoriam/ COL WILLIAM VAUGHAN/ SON OF GOV, GEORGE AND
ELIZABETH VAUGHAN/ BORN SEPT. 12, 1703 / GRADUATED AT HARVARD COLL, 1722 /
PROJECTED THE EXPEDITION AGAINST / IDUISBOURG 1745 AND SUCCESSFULLY IED THE
ASSAULTING COLUMN, / DIED IN IDNDON DEC, 1746
East face granite, left column:
WILLIAM VAUGHAN / EMIGRATED FROM ENGIAND ABOUT 166o / MEMBER OF THE ROYAL COUNCIL
FOR N.H. 168o - 1715 / MAJOR COMANDANT PROVINCIAL FORTS/ JUSTICE OF THE COURT OF
COMMON PIEAS 1680 - 1686 / CHIEF JUSTICE OF THE SUPERIOR COURT 1680 - 1686/
DIED 1719,
( George Vaughan - next card)

Point of Graves
VAUGHAN TOMB - continued
East face granite, right column:
GEORGE VAUGHAN
SON OF WM. AND MARGARET VAUGHAN
BORN APR. 10, 1676,
GRADUATED AT HARVARD COLL. 1696
JUSTICE OF THE COURT OF COMMON PIEAS 1707-1715
LT. GOVERNOR OF NEW HAMPSHIRE 1715-1717
DIED DEC.
1724,
ELIZABETH, WIFE OF LT. GOV. GEORGE VAUGHAN
AND DAUGHTER OF ROBERT ELIOT,
DIED DEC, 7, 1750, AGED 68,

Mapping 1979 by Bart Ferrell, UNH,
Copied by L.H. Tallman, May 1, 1984,
Review VAUGHAN names &amp; datesi
Margaret, wife of William, d, 1690, a, 40.
Mary, wife of George, d, 1699, a, 20th year.
William, d, 1719
William, d, 1746
George, d, 1724
Elizabeth, wife of George, d. 1750, a, 68.

BF - #8

�Portsmouth, N. H.
D. 1744/5 , A, J8
Waterhouse , Samuel
D.
1736,
A.
29
Waterhouse, Elizabeth
Material : slate
Condition: fairly good - some chipping top
Shape : triple arches
Design : death head
Text:

Point of Graves

HERE LYES Ye BODY OF
Mr SAMUEL WATERHOUSE
WHO DYED iANUARY
THE ls 1744/5
AGED J8 YEAR~
allso Mrs ELIZ h WATERHOUSE
the wife of Mr SAMUEL
WATERHOUSE Aged 29
Years Dyed 1736

Source : The New Hampshire Genealogical Record, 1904, Vol , I , pg . 14 .
Mapping done 1979 by Bart Ferrell , UNH ,

Webber, Lyddia

D.

1721 ,

A,

69

Portsmouth , N. H.

Material : slate
Condition : good
Shape : double with arches
Design : death heads
Text :
(right half
of marker)

Point of Graves
Row R, #1

Here Lyes
ye Body of
Mrs Lyddia
Webber , Wife
to Mr Richard
Webber , Aged
69 Years ,
who Deed
April 30 th 1721.

Source : The New Hampshire Genealogical Record , 1904 , Vol . I , pg , 17 ,
Identity : Lydia was daughter of Thomas &amp; Elizabeth Trickey , She married first
Edmund Green , and second Richard Webber .
(Gen , Diet . Me . &amp; N. H. )
Marker was cut by Caleb Lamson of Charlestown , Mass , , and signed "CL" ,
Viewed by L. H. Tallman, Apr . 13 , 1984.
Mapping 1979 by Bart Ferrell , UNH ,

�Webber , Richard

D. 1720 , A, 82

Portsmouth, N.H .

Point of Graves
Row R, #1

Material : slate
Condition : good
Shape : double with arches
Design : death heads
Here Lyes
ye Body of
(left half Mr RICHARD
WEBBER ,
of marker)
Aged 82
Years Deed
May 25
1720 ,

Text :

th

Source : The New Hampshire Genealogical Record , 1904, Vol. I , pg . 17 ,
Identity : Richard Webber was married by 1674 to Lydia (Trickey) Green ,
Marker was cut by Caleb Lamson of Charlestown , Mass ,(Gen , Diet , of Me , &amp; N. H. )
Signed "CL" ,
Viewed by L. H. Tallman, Apr . 1J , 1984 .
Mapping 1979 by Bart Ferrell , UNH ,

entworth , Mary

d , 184J, a ,

Portsmouth, N.H .

Point of Graves
Marker lost

rthur H, Locke , "Cemetery Inscriptions" , 1907 , includes this abstract :
Mary Wentworth , wife of Daniel , died 20 May 184J.
.dentity : Her maiden name was Mary Hardy ,
Daniel Wentworth , son of George ,

She was married 1J Oct , 1798 to
(Wentworth Genealogy)

'rom the four Wentworth names given by Locke , a first impression is that they are all
n the faint sandstone slab , With the date of 184J , she does not fit with the others
if this date is correct , With identity to back up the date, we must assume her marker
is pr obab l y an i l legi ble marble ,

�Wentworth , Samuel
Daniel
Hannah
11

II

d , 1690 , a , .50
Portsmouth , N. H.
d , 1690 , a , 22
d,
, a , 24th year

Point of Graves
BF - #9

Marker : sandstone slab
Condition : poor - almost illegible ,
·
heavily eroded ,
Shape : rectangular, horizontal
Design : none
Text :

SAMUELL WENTWORTH , SEN ,
Died March ye (25th) 1690 ,
in ye fiftieth year of his age,

'-

DANIEL WENTWORTH his son
died ye (Sth) of January
IN ye 22na YEAR (OF HIS AGE 1690/1
HANNAH WIFE TO
SAMUEL WENTWORTH JN , DIED
FEBRUARY ye 21 IN ye 24 YEAR OF HER AGE,
Identity : Samuel Senior was married 1664 to Mary Benning , She was married 2nd
to Richard Martyn , Son Daniel was born 21 Oct , 1669, and died 1690 , unmarried ,
Son Samuel Wentworth , Junior , was married first to Hannah (Bradstreet) Wiggin of
Exeter ,
(Wentworth Genealogy)
Mapping 1979 by Bart Ferrell, UNH ,
Arthur H, locke , 1907, showed •$r-.~

Winkley, El ,

Read April 1984 by L.H . Tallman,
er 2 for Samuel. Can be read as "SEN , "

!!ii, 11

D, 1723

Portsmouth , N. H.

Material :
Condition : poor - broken by 1904
Shape :
Design :
Text , partial :

Point of Graves
Marker lost

HERE
MI'S EL

WIFE
WINKLEY AGED
&amp; 11 MONTHS DECE
APRIL ye 6th
1723
Source : The New Hampshire Genealogical Record , 1904, Vol . I , pg . 19 ,
Identity : Elizabeth (Hunking) Fernald was married Nov. 1712 to Capt . Samuel Winkley ,
(Gen , Diet . Me , &amp; N. H, )

There were no remnants of this marcoknderi·tfioonun~ni~9014~4 , Re~!i~f~gp~~~~~;Yh!v!l;~~b:~I~arr ,
and was obviously poor
now been disposed of ,

�Portsmout~, N.H.

Point of Graves - Alphabetical Listing
Showing name , year of death , and map location
Allcock, Benjamin, 1720/1 ....... #63
Ayers, Allice, 1717/8 .••......•• #43
"
Elizabeth, 1821 •.....•..• #52
"
Hannah, 1718/9 .........•• #14 •
Sarah, 1827 •...........•• #50 ,
Baxter, John, 1697/8 ......... J..ost '
"
Rebecca, 1697/8 •...•• lost
Beck, Elizabeth, 1746 •..•.•••.•• #82
.Blagdon, Mary, 1735 •...........• #20
Blunt, Elizabeth, 1802 •.......•. #53
Briard, Elisha, 1718 ..........•• #10
Button , William, 1693 ..........• #16
Cameron, Mary, 1742 ••.........•• #3 •
Caria, Abigail, 1767 ........•••. #76
2lark, John, 1694 ...•.......... #112
Cochran, John, no date ••.•••.• lost
Collings, Thomas, 1729 .......... #24
Dennett , John, 1709 ............• #7
Drisco, Elizabeth, 1805 ....... lost
"
James, 1812 •.........• lost
Elatson , Elizabeth, 1704/5 ..•.•• #79
Fabins, George, 1692/3 .......•• lost
"
Elizabeth, 1698 ........ los t
Fellows, William, 1737 •....•••.• #58

Frost. Elizabeth', 1696 •......•• #73
Furber, Jethro, 1738 .......•..• #15
Gardner, Margaret, 1725 •....... #11
Gerrish, Mehitable, 1715 ...• #101
Grant, Hannah, 1769 •.......•••. #85
Griffith, Deborah, 1771 .....•.• #86
"
Moses, 1747 •.••.••••• #86 •
"
Nathaniel, 1771, ..... #86
Nathaniel, 1737 ...... #86 &amp; #84
Mary, 1738, ......... ,#86 &amp; #84

"
"

"
"
"

William, 1742 ........ #86
Miles W., 1759 ....... #88
, Samuel, 1759 ... .... .. # 88
Samuel , 1773, ........ # 87

"
Handesyde, Robbert, 1705 ....... #6o
Hart, Abigail, 173_, ........... #BJ
"
Mary, 1714 ............. ,.#17
Hoddy, John , 1684 ...........••. #81
Huntress, Anna, 1847 •.......... #66
"
Daniel Jr., 1807 •.... #8
"
Daniel, 1820 . ....... ,#61.4
Joshua Lang, 18o2 .... # 65

"

Ingraham, Mary, 1720 ••.......... #2
continued

Elizabeth, 1732,, .... ,lost

"

Point of Graves - Alphabetical Listing
Jackson, Daniel, 1738 ............ #68
John, 1690
I ■■
,#69
"
Mary, 1729 . ............ ,#77
"
• Mary f 1763
,#32
"
Samuel, 1732 ... ........ .#78
"
Thomas, 1833 . ........ lost
II

"

I

I•

I

e

I

I

I

I

I

I

I

I

I

I

I

I

I

I

I

I

I

I

Sarah, 1831, .... , .... lost.

Jaffrey, Anne, 1682 •........••••• #70
Jose, Richard, 1707, ....•.•••.•• #14
Keais, Mary, 1711. ...........•••• #81
Lang, Daniel, 1757 ............••• #44
Langdon, Joseph, 1749 •....••••••• #28
"
Mehi table, 1769 •..•...•. #31
"
Tobias, 1727/8 •...•••..• #27
Lear, Elizabeth, 1774 .•....•••.•• #45
''
Mary, 182 9 , ................ # 47
"
Tobias, 178 1 ............... #46
Libbey, John, 1785 •.....•....•••• #62
Lord, Elener, 1716 .••.....•.••.•• #4
Loud, Sarah, 1738 ••.....•.•..•••• #58A
Lovett, James, 1718 •...........•• #107
Macphaedris, Sarah , 1719 •....••.• #12
March, Mary, 17 59 ................ #92
Marshall, Nathaniel, 1812 •....• lost
"
Obadiah, 1746 .. ....... ,#1 3 •

Portsmouth, N.H,
Meserve, Ja.~e, 1747 •.....•...•.•. #98
Messer, Francis, 1692 ......••.••. #1
Moffatt, John, 1736 •..... . ....• lost
Moulton, John, 1719 •..•.•....•..• #36
"
Lucey, 1733 . .... , ...... . /12 6h
Nelson, Nathaniel, 1846 •.......• •#56
Nicholson, William, 1718 .....•• lost
Partridge, Nehemiah, 1709 ......•. #106
"
Willlam, 1718 •...•• • •• #106
Peirce, Elizabeth, 1717 ••.......• #94
"
Elizabeth, 1732 .. ....... . #104
Phipps, Thomas, 1712 •..........•• #90
Pike, Elizabeth, 1719/20 •......• #100
Plaisted, John, 1712 •........••• #102
Redford, Sarah, 1695 •..........•• #76
Rogers, Elizabeth, 1704 .......•.. #79
John, 1719. • • • • • • • • • • • • • .#80
Safford, Alice, 1805 •...•.....••• lost
"
John, 1827 •........•••.• lost
Mary 1832 • • • •
,#48
"
William, 1826 . ......... ,#51
Sargent , Sarah, 1771 •.......••..• #93
Shackford, Eleanor, 1804 •..•...•• #5
"
John, 1738 .......... , ,#71
II

If

9

t

•

I

•

•

•

•

•

•

continued

�Point of Graves - Alphabetical Listing
Shaw, Abraham, 1817 •............. #108
Elizabeth, 1825 •........•.• #108
Shurburn, Agnis, 1726 .•.•.....•••• #74
Simes, John, 1725 •......••.. •• •••• #37
Simpson, Susannah, 1739 ...•...•.•• lost
Siveret, Phillip, 1689 •.•...•. , ••• #22
Small, Joseph, 1720 ••.... ••·••••••#21
Swett, Alexander, 1715/6 •........• #34
Vaughan, Margaret, 1690,., •....•••• #8
"
Mary, 1699 •...••• , , • ••• .•• #8
"
William, 1719 .. , ........ , .#8
"
William, 1746, ........... ,#8
"
"

George, 1724 ........... ,, ,#8
Elizabeth, 1750 ... , , .. , .. . #8

Waterhouse, Samuel, 1744/5 •...•••• #105
"
Elizabeth, 1736 ......• #105
Webber, Lyddia, 1721 •• , ...... ~ ••• ,#61
"
Richard, 1720 •.........••• #61
Wentworth, Mary, 1843 •.•.....•.•• lost
"
Samuel, 1690 •......••••• #9
"
Daniel, 1690 ........ , .. ,#9
Hannal1 • •.•••.••.•••• , •• ,#9
"
Winkley, Elizabeth 1 1723 ••....•..• lost

LOST MARKERS that had been
recorded in 18851

LOST MARKERS that had been
recorded in 1885:
Ayers, Edward, d. 1723, a. 65
Boyd, Andrew, d. 1797
Corcoran, John, d. 1736, a. 3
Libbey, Mary, d. 1705, a. 35
Loud, Eleanor, d. 1697
Tarins, George, d. 1798
and Wife
"

Portsmouth, N.H.

����</text>
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                  <text>Portsmouth's historic cemeteries serve as gateways to the past. The records in this collection will be useful to genealogists, historians, and family members of the deceased. Our collection includes information about the following cemeteries, including maps and plot locations: Cotton Cemetery, Elmwood Cemetery, Harmony Grove Cemetery, North Cemetery, Proprietor's Cemetery, Sagamore Cemetery, and Union Cemetery.&lt;br /&gt;&lt;br /&gt;To view a complete record book or to see a map in more detail, click the PDF name below the image. Click on the image on the next page. The record books in this collection are fully searchable. Once the PDF is open, click Control+F (or Command+F on a Mac) to open the search feature. &lt;br /&gt;&lt;br /&gt;Much of the information in these records has been added to &lt;a href="https://www.findagrave.com/" target="_blank" rel="noreferrer noopener"&gt;FindAGrave.com&lt;/a&gt;. Look there for more information about individual plots. &lt;a href="https://www.portsmouthnh.gov/library/local-history-genealogy#contact" target="_blank" rel="noreferrer noopener"&gt;Contact Special Collections&lt;/a&gt; for information about cemeteries not in this collection. &lt;br /&gt;&lt;br /&gt;Many thanks to the volunteers who spent countless hours collecting this data, including Louise Tallman, Cynthia Pridham Thomas, June Spezzano, and Ginny Jakoubek.</text>
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                <text>PORT VITAL RECORDS 929.5 POINT OF GRAVES CEMETERY</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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                  <text>Pearson, Helen (1870-1949)</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                <elementText elementTextId="39287">
                  <text>Helen Pearson Portfolio</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="39288">
                  <text>Portsmouth Public Library, Special Collections</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39289">
                  <text>Late 19th century-early 20th century</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39290">
                  <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
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                  <text>Jpg derived from Tif</text>
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              </elementTextContainer>
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              <name>Language</name>
              <description>A language of the resource</description>
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                <elementText elementTextId="39292">
                  <text>eng</text>
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                <elementText elementTextId="39293">
                  <text>Italian</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>StillImage</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>PPL-AA: 2020.3-61</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39296">
                  <text>The items in this collection are part of Helen Pearson's portfolio of work that she created around the time she attended Cowles School of Art in Boston. Portsmouth Herald newspaper articles place her there in 1890, though some of her pieces are dated in the surrounding years.&lt;br /&gt;&lt;br /&gt;Many of the original pieces included in the portfolio are unfinished drawings and sketches. Pearson primarily used charcoal and graphite pencil. She continued to work with graphite throughout her career, most notably in her drawings for &lt;em&gt;Vignettes of Portsmouth&lt;/em&gt;. For some of the works in the portfolio, Pearson used live models, but many of her drawings are of busts or statues, likely drawn from casts or other references. Other works collected in the portfolio include prints of pieces by Maxfield Parrish, William Roffe, and Jacques Lubin, among others, as well as an original painting by Boston artist C.E. Heil.&lt;br /&gt;&lt;br /&gt;Helen Pearson was born on November 13, 1870 to parents Amos and Susan Pearson. Amos Pearson was a florist and music teacher originally from Ipswich, MA. Susan E. (Miller) Pearson was an artist and musician from Portsmouth. Helen Pearson attended the Cowles School of Art in Boston sometime around 1890. She also trained as a concert pianist, playing with the Schenectady Symphony Orchestra in New York. In 1913, Pearson’s drawings were featured in &lt;em&gt;Vignettes of Portsmouth, New Hampshire&lt;/em&gt;, a book she collaborated on with Harold Hotchkiss Bennett. She died on July 19, 1949 at her home on Broad Street in Portsmouth.&lt;br /&gt;&lt;br /&gt;This collection was gifted to the Portsmouth Public Library by Richard Candee in January 2020. It is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.&lt;br /&gt;&lt;br /&gt;More of Helen Pearson's work can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/8"&gt;The Helen Pearson Drawings Collection&lt;/a&gt;. Her &lt;a href="https://portsmouthexhibits.org/collections/show/7"&gt;collection of bookplates&lt;/a&gt; is also viewable and includes her own bookplate which features an original drawing of a meteor over Portsmouth.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39299">
                  <text>Scanning, metadata, and Omeka entry by K. Czajkowski and P. Vassiliev, December 2020</text>
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          <name>Miscellaneous</name>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="39300">
                  <text>The digital images in this collection were captured using a HoverCam Flex 11.</text>
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      <name>Still Image</name>
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            <description>A name given to the resource</description>
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                <text>Porfolio</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Art portfolios</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="39270">
                <text>Hardboard portfolio holding contents of the collection. Two bound boards. "Miss H." and "Pearson - / Portsmouth / N.H. -" handwritten on the front side. "Helen Pearson," "Miss Pearson / Portsmouth / N.H.," "Corner Broad [illegible]" handwritten on verso. "[illegible] 5" is written on both sides.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Pearson, Helen (1870-1949)</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="39272">
                <text>Helen Pearson Portfolio</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="39273">
                <text>Portsmouth Public Library, Special Collections</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39274">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="39275">
                <text>Jpg derived from Tif</text>
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            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="39278">
                <text>PPL-AA:2020.61</text>
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      <tag tagId="385">
        <name>Pearson</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Henry Clay Barnabee Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Henry Clay Barnabee</text>
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              <description>An account of the resource</description>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="31709">
                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31710">
                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
                </elementText>
                <elementText elementTextId="31711">
                  <text>Collection arranged, 1995.</text>
                </elementText>
                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
                </elementText>
                <elementText elementTextId="31713">
                  <text>Collection partially indexed and scanned, 2014. </text>
                </elementText>
                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
                </elementText>
                <elementText elementTextId="31715">
                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
                </elementText>
                <elementText elementTextId="31716">
                  <text>Digital collection created in OMEKA, 2019.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31717">
                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
                </elementText>
                <elementText elementTextId="31718">
                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
                </elementText>
                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="31722">
                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
                </elementText>
                <elementText elementTextId="31724">
                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31726">
                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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              </elementTextContainer>
            </element>
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        <elementSet elementSetId="8">
          <name>Miscellaneous</name>
          <description/>
          <elementContainer>
            <element elementId="115">
              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="31937">
                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Portrait of a Man and a Woman</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="62656">
                <text>A faded black and white photographic postcard of a man and a woman dressed in light colors. The man is seated with the woman standing beside him and holding a fan. Both are smiling and appear relaxed. A handwritten note on the front reads "Kind greetings from Jack &amp;amp; Emilie [illegible] 1906."</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="62657">
                <text>Henry Clay Barnabee Collection</text>
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              <elementText elementTextId="62658">
                <text>Portsmouth Public Library, Special Collections</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="62659">
                <text>1906</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="62660">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="62661">
                <text>JPG derived from TIF</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL-MS: 1995.1.IX.169</text>
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                  <text>Henry Clay Barnabee Collection</text>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              </elementTextContainer>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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                <text>Black and white portrait of Alice Nielsen wearing a loose white blouse, a scarf tied around her head, and a wide-brimmed hat. Part of an album that reads, "Bostonians / Season 1897-98. / Bushnell / Fotografer / San Francisco, Cal."</text>
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                <text>eng</text>
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            <name>Identifier</name>
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                <text>PPL2017IIPhotoB_9_24</text>
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        <name>San Francisco</name>
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              <name>Title</name>
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                  <text>Henry Clay Barnabee Collection</text>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="31709">
                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              </elementTextContainer>
            </element>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31710">
                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
                </elementText>
                <elementText elementTextId="31711">
                  <text>Collection arranged, 1995.</text>
                </elementText>
                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
                </elementText>
                <elementText elementTextId="31713">
                  <text>Collection partially indexed and scanned, 2014. </text>
                </elementText>
                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
                </elementText>
                <elementText elementTextId="31715">
                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
                </elementText>
                <elementText elementTextId="31716">
                  <text>Digital collection created in OMEKA, 2019.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31717">
                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
                </elementText>
                <elementText elementTextId="31718">
                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
                </elementText>
                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="31722">
                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
                </elementText>
                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
                </elementText>
                <elementText elementTextId="31724">
                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
                </elementText>
              </elementTextContainer>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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      <name>Still Image</name>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of Alice Nielsen by Frederick Bushnell, San Francisco</text>
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            </elementTextContainer>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="35415">
                <text>Nielsen, Alice (1872-1943)</text>
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                <text>Studio portraits</text>
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                <text>Single-sitter portraits</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35418">
                <text>Black and white portrait of Alice Nielsen in costume with an embellished dress and a feather-topped hat. Part of an album that reads, "Bostonians / Season 1897-98. / Bushnell / Fotografer / San Francisco, Cal."</text>
              </elementText>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bushnell, Frederick (1858-1903)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Henry Clay Barnabee Collection</text>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1897-1898</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Jpg derived from Tif</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL2017IIPhotoB_9_25</text>
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        <name>19th Century</name>
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        <name>Portrait</name>
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        <name>San Francisco</name>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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                <name>Bit Depth</name>
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                <name>Channels</name>
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                    <text>3</text>
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                <name>Height</name>
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                    <text>700</text>
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                <name>Width</name>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Haven School Neighborhood Project</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums.&#13;
&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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              <name>Creator</name>
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                  <text>Portsmouth Public Library, Special Collections</text>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="19460">
                  <text>Puddle Dock Reunion Photo Albums held by the PPL, Special Collections.</text>
                </elementText>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
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                  <text>Portsmouth Public Library, Special Collections</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
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                  <text>Portsmouth Public Library</text>
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                  <text>Sherman and Cathy Pridham, scanned and provided factual information for each image.</text>
                </elementText>
                <elementText elementTextId="19469">
                  <text>Portsmouth Public Library Omeka Team created the Digital Collection.</text>
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            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19463">
                  <text>Rights are held to the Digital Images by the Portsmouth Public Library. Images are intended for research and reference use only.  Please see the Copyright information link at the bottom of each page for further information regarding image use and reproduction.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="19464">
                  <text>Vertical files of the Portsmouth Public Library contain historical information regarding the neighborhood, locations mentioned, family genealogy, and published works.  Puddle Dock reunion video</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19465">
                  <text>Images used in the database are jpg files derived from archival .tif files.  </text>
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              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
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                  <text>Primarily the content of this collection is photographic in nature.  The photo collections used in the core of this collection are considered historic information about the people and neighborhood of the South End of Portsmouth. </text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="19467">
                  <text>South End of Portsmouth, Puddle Dock Neighborhood, Haven School Alumni, late 19th Century-mid 20th Century.</text>
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          <name>Miscellaneous</name>
          <description/>
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            <element elementId="115">
              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="25677">
                  <text>--title::Haven School Neighborhood Project&#13;
--text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed.&#13;
--images::687,582</text>
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    </collection>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="106">
          <name>Description</name>
          <description>An account of the resource</description>
          <elementTextContainer>
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              <text>A black and white portrait of an unidentified man and woman sitting side-by-side on a bench.</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Haven School Neighborhood Project Collection</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="45726">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              </elementTextContainer>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              </elementTextContainer>
            </element>
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              <description>A related resource</description>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of an unidentified woman by George Gardner Rockwood, New York, 1898</text>
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            <description>An account of the resource</description>
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                <text>Black and white portrait of an unidentified woman. Photographer's logo is debossed on the mat and reads, "Rockwood / 1440 Broadway / New York." Handwritten on the image: "To my dear friends / Mr. and Mrs. Barnabee / with ever so much love / from Jennie [illegible] / '98."</text>
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                <text>Rockwood, George Gardner (1832-1911)</text>
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                <text>Henry Clay Barnabee Collection</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
                </elementText>
              </elementTextContainer>
            </element>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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                <text>Black and white photograph of Anna Robinson wearing a white dress with a ruffled shawl and feathered hat and holding a staff. Handwritten on image: " To Mr. and Mrs. Barnabee / Cordially Yours / Anna Robinson / Oct. 19th, 96." Mat reads, "Falk / 13 and 15 West 24th St. N.Y."</text>
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                  <text>Henry Clay Barnabee Collection</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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                <text>Portrait of Arlando Harley by Benjamin J. Falk, New York, 1893</text>
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                <text>Black and white portrait of Arlando Harley wearing a suit and tie with a fur overcoat. Mat reads, "Falk / 13 &amp; 15 West 24th St., N.Y. / Madison Square." Handwritten on the back: "Arlando Harley / 1893."</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="31709">
                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31710">
                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                <elementText elementTextId="31711">
                  <text>Collection arranged, 1995.</text>
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                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
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                <elementText elementTextId="31713">
                  <text>Collection partially indexed and scanned, 2014. </text>
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                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                <elementText elementTextId="31715">
                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                <elementText elementTextId="31716">
                  <text>Digital collection created in OMEKA, 2019.</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="31717">
                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                <elementText elementTextId="31718">
                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="31726">
                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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              </elementTextContainer>
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          <name>Miscellaneous</name>
          <description/>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="31937">
                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Portrait of Barnabee in a winged costume by Elmer Chickering, Boston</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32470">
                <text>Barnabee, Henry Clay (1833-1917)</text>
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              <elementText elementTextId="33918">
                <text>Studio portraits</text>
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                <text>Single-sitter portraits</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32471">
                <text>Black and white portrait of Henry Clay Barnabee posing in front of an ornate wall and wearing a striped costume with wings and a cap. Mat reads, "H.C. Barnabee, Bostonians. / Elmer Chickering / 21 West Street, Boston Mass."</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32472">
                <text>Chickering, Elmer (1857–1915)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="32473">
                <text>Henry Clay Barnabee Collection</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="32476">
                <text>Jpg derived from Tif</text>
              </elementText>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL2017IIPhotoA_5_4d</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33920">
                <text>eng</text>
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        <name>19th Century</name>
      </tag>
      <tag tagId="648">
        <name>Black and White</name>
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        <name>Boston</name>
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      <tag tagId="622">
        <name>Bostonians</name>
      </tag>
      <tag tagId="656">
        <name>Costume</name>
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      <tag tagId="661">
        <name>Elmer Chickering</name>
      </tag>
      <tag tagId="620">
        <name>Henry Clay Barnabee</name>
      </tag>
    </tagContainer>
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</itemContainer>
