13 21 3446 https://portsmouthexhibits.org/files/original/8f5d05bd98c1c81ec58cd465aee4e7d7.jpg d2f8fdc24fcafb1891dd78816c4c7e4f https://portsmouthexhibits.org/files/original/4fde6feb1987757bc29dac530ca16bf0.jpg 5495b28a0b67bc21dc72c19681ebac84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Louis J. Mackles Postcard Subject The topic of the resource Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations Creator An entity primarily responsible for making the resource Louis J. Mackles was the collector of these postcards. Source A related resource from which the described resource is derived Louis J. Mackles collected postcards depicting a variety of locations. The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire. Date A point or period of time associated with an event in the lifecycle of the resource Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015. Digitized, Spring 2016. Collection rehoused, Spring 2016 Digital Collection created in OMEKA, June 2016. Contributor An entity responsible for making contributions to the resource Collected by Louis J. Mackles. Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016. Omeka addition and metadata by Jessica Ross. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource This is a small part of a larger collection. Other parts of the collection may be found in.... Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Type The nature or genre of the resource This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards. They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portsmouth and the Seacoast, NH. Description An account of the resource This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015. It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment. The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well. Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast. Some buildings depicted are long gone while multiple postcards of the same building show the progression of time. Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893. Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well. Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries. DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp]. The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards. The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards. Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987) _______________________________________________________________________________________________ Excerpted from obituary in the Portsmouth Herald, September 8, 1987: ‘…Maj. Mackles attended A&M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves. He was the recipient of the Purple Heart and the Bronze Star. He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover. Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987. He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’ _______________________________________________________________________________________________ His family kindly provided a copy of the eulogy given in his honor, transcribed as follows: Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A & M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England. In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry. Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover. During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover. What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well. But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely. When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all. Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him. Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed. __________________________________________________________________________________________ This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016. Please see below for copyright information. Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions. 603-766-1720. Miscellaneous Miscellaneous Put whatever you want in here. --title::Mackles Postcard Collection --text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015 --images::975,1367 Postcard PPL Acc. # 2015.1-419 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boardman House Doorway Subject The topic of the resource Langley Boardman House, Middle St., Portsmouth, NH Creator An entity primarily responsible for making the resource C.T. American Art Colored Source A related resource from which the described resource is derived Louis J. Mackles Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource Additional portions of the Louis J. Mackles Collection may be housed at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and with a single private collector. Format The file format, physical medium, or dimensions of the resource JPG derived from TFF Type The nature or genre of the resource Paper postcard Identifier An unambiguous reference to the resource within a given context Volume 2, Portsmouth Doors #5-6 Boardman House Door history Langley Boardman House local history Mackles Collection Middle St. Portsmouth postcard https://portsmouthexhibits.org/files/original/537a0850036f9b18d5e9362e138e2c38.jpg 80a1c589372a728e4faadd6a0a8b705b https://portsmouthexhibits.org/files/original/b9c21577b0341ba2f14d76ec6c7ed0fb.jpg 6a14ec6e10be6fddd5065cb6c0d5413e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Adams Collection Subject The topic of the resource Hand carved folk art wildlife, boats, birds, etc., created by Captain Adams, Captain of the Gundalow. Source A related resource from which the described resource is derived The Adams Collection. Property of the City of Portsmouth, Trustees of the Trust. Cared for by the Portsmouth Public Library. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections. Date A point or period of time associated with an event in the lifecycle of the resource Collection inventoried and relocated by the City, and the Trustees of the Trust, to the Portsmouth Public Library, 2009 Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016 Digital Archive created Spring/Summer 2016 Contributor An entity responsible for making contributions to the resource Photographs and database creation, Jessica Ross. Omeka addition and metadata creation by Jessica Ross and Nicole Cloutier. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource The physical Adams' Collection is located in the Portsmouth Public Library, cared for by the Special Collections staff. Vertical Files contain historic information about Adams, the Gundalow, and the collection of carvings. Format The file format, physical medium, or dimensions of the resource The files for these items are .jpg derived from .tif archival files. Images have been post-edited for cropping and lighting deficiencies only. Type The nature or genre of the resource Folk art wood artifacts. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history. Description An account of the resource This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust. The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization. Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross. Creator An entity primarily responsible for making the resource Edward H. Adams Miscellaneous Miscellaneous Put whatever you want in here. --title::The Adams Collection --text::This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The... --images::1397,1529 Adams Collection City Inventory # This will be the record # found in the Goodman Report (database held at library) 479 Adams Collection # This is the original number found on each object Box 13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boat Stand Subject The topic of the resource Folk art wood carving Creator An entity primarily responsible for making the resource Edward H. Adams Source A related resource from which the described resource is derived The Adams Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource City of Portsmouth, Trustees of the Trust Format The file format, physical medium, or dimensions of the resource JPEG derived from TIFF Type The nature or genre of the resource Three dimensional wood artifact Adams Collection boat Captain Adams carved Edward Adams Portsmouth stand wood https://portsmouthexhibits.org/files/original/137f1c6059d888d32fb9d930cbe9ed81.jpg 37c9788dc37129492e1aa7140f7242cc https://portsmouthexhibits.org/files/original/b36184a1a195ecdb6e407875b8911640.jpg d4bf599154a07c4b9ba18b73fa199c79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Adams Collection Subject The topic of the resource Hand carved folk art wildlife, boats, birds, etc., created by Captain Adams, Captain of the Gundalow. Source A related resource from which the described resource is derived The Adams Collection. Property of the City of Portsmouth, Trustees of the Trust. Cared for by the Portsmouth Public Library. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections. Date A point or period of time associated with an event in the lifecycle of the resource Collection inventoried and relocated by the City, and the Trustees of the Trust, to the Portsmouth Public Library, 2009 Collection re-inventoried, re-housed, and photographed by Jessica Ross, and Nicole Luongo Cloutier, 2015/2016 Digital Archive created Spring/Summer 2016 Contributor An entity responsible for making contributions to the resource Photographs and database creation, Jessica Ross. Omeka addition and metadata creation by Jessica Ross and Nicole Cloutier. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource The physical Adams' Collection is located in the Portsmouth Public Library, cared for by the Special Collections staff. Vertical Files contain historic information about Adams, the Gundalow, and the collection of carvings. Format The file format, physical medium, or dimensions of the resource The files for these items are .jpg derived from .tif archival files. Images have been post-edited for cropping and lighting deficiencies only. Type The nature or genre of the resource Folk art wood artifacts. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant This collection is relevant to Portsmouth, Maritime history, Portsmouth people, and Gundalow history. Description An account of the resource This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The Adams Collection was previously housed at the Sheafe Warehouse, and is now cared for by the Special Collections staff at Portsmouth Public Library, on behalf of the City of Portsmouth Trustees of the Trust. The Captain was born Edward Hamlin Adams to Joseph and Olive Adams on October 22, 1860. Influenced by his artist mother, he began carving as a child, and started modelling his first scale gundalow in 1882. He completed it in 1886 and spent decades hauling freight and navigating the Piscataqua earning himself the title of “Captain.” Adams was a skilled builder and artist who completed his last gundalow, the Driftwood, in 1950 with his son and business partner Edward Cass Adams. Adams passed away on April 9, 1951 at the age of 91. Between Adams’ earliest carvings and those completed by Cass after his death, more than ninety years of animal and fish carvings, ship models and other folk art are represented in this collections, each of which offer singularly unique interactions with the region’s environmental and maritime past. As comprehensive as this collection is, it is only a portion of Capt. Adams work. Additional pieces of the Captain’s legacy exist in other local institutions and include artifacts and holdings at the Portsmouth Athenaeum, the Portsmouth Historical Society, and the Durham Historic Association Museum. Further holdings also range from the Adams family papers located in the University of New Hampshire archives, to a stunning replica gundalow, inspired by and aptly named for the man himself and sailing today courtesy of the Portsmouth Gundalow Company. The artifacts themselves range from intricately built ship models, carved waterfowl and other regionally-specific animals to miscellaneous household items and tools. They vary widely in size and condition causing the preservation and longevity concerns of this collection to remain a chief priority and part of the emphasis in digitization. Preservation care has included painstaking inventories with special attention paid to both long-term housing requirements, (i.e. size/weight/physical condition) and to the organization of the pieces, (i.e. chronological, thematically etc.) for the purposes of consistent tracking and physical access. The artifacts have also been photographed in order to aid in the efficiency of visual access to the physical artifacts once they are individually wrapped, while minimizing the disturbance of surrounding pieces. The dual roles required to both maintain and preserve a physical collection alongside the creation of a digital one is a purposeful process and specific to the individual collection. In this case, the process for preserving and digitizing the Adams Collection is both driven and compounded by his beloved status in our regional history and the integrity of his contributions as a skilled gundalow captain, navigator and builder. The work of Capt. Adams remains relevant and sought after in any number of fields and venues, rendering diversity of access to his work necessary as well. All preservation and digitization research, quality control, rehousing and organization was completed by PPL Special Collections staff, Nicole Luongo Cloutier and Jessica Ross. Creator An entity primarily responsible for making the resource Edward H. Adams Miscellaneous Miscellaneous Put whatever you want in here. --title::The Adams Collection --text::This collection is an assemblage of work by Captain Edward H. Adams. They are photographic representations of The Adams Collection which includes about 175 of his original models and carvings. The... --images::1397,1529 Adams Collection City Inventory # This will be the record # found in the Goodman Report (database held at library) 479 Adams Collection # This is the original number found on each object Box 13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boat Stand Subject The topic of the resource Folk art wood carving Creator An entity primarily responsible for making the resource Edward H. Adams Source A related resource from which the described resource is derived The Adams Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Relation A related resource City of Portsmouth, Trustees of the Trust Format The file format, physical medium, or dimensions of the resource JPEG derived from TIFF Type The nature or genre of the resource Three dimensional wood artifact Adams Collection boat Captain Adams carved Edward Adams Portsmouth stand wood https://portsmouthexhibits.org/files/original/497043ec0ebde372c788c7ade522db16.jpg 3753240a60eccfb3913d49378d7a0fd1 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1996 Width 3585 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Haven Foster Views of Portsmouth Description An account of the resource The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps. Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster. John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales. Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster. In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery. Views of Portsmouth In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903. Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization. These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin Contributor An entity responsible for making contributions to the resource Portsmouth Public Library Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin Omeka Team, Nicole Cloutier, Robyn Nielsen Subject The topic of the resource Buildings, homes, scenery of Portsmouth and Surrounding communities. Creator An entity primarily responsible for making the resource Portsmouth Public Library Source A related resource from which the described resource is derived Watercolor coll Publisher An entity responsible for making the resource available Portsmouth Public Library Date A point or period of time associated with an event in the lifecycle of the resource Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901. Collection was scanned, 2012/2013. Quality control, research, and metadata created, 2013. Digital Archive Created, 2014. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time. Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work. Format The file format, physical medium, or dimensions of the resource mages used in the database are jpg files derived from archival .tif files. Type The nature or genre of the resource Watercolor sketches of Portsmouth Architecture. Several used in book illustrations. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth Miscellaneous Miscellaneous Put whatever you want in here. --title::Sarah Haven Views of Portsmouth --text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps. --images::874,865 Watercolor Provenance Gift of Mary A. Foster, 1901 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boatswain Allen's House, New Castle, New Hampshire, front Creator An entity primarily responsible for making the resource Foster, Sarah Haven (1827-1900) Source A related resource from which the described resource is derived Sarah Haven Foster Views of Portsmouth Date A point or period of time associated with an event in the lifecycle of the resource Mid to late 19th century Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-AA1989.60.70 Description An account of the resource Located in New Castle, NH, this house belonged to Commodore Paul Jones' Boatswain. Inscription reads, "Boatswain Allen's House, N. Castle." Subject The topic of the resource New Castle (N.H.) Historic buildings Watercolors (paintings) Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Rights Information about rights held in and over the resource View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a> Language A language of the resource eng 19th Century Foster historic building New Castle New Hampshire watercolor https://portsmouthexhibits.org/files/original/03d69988946f2efa177cce46a1f9eb5a.jpg 2df5e053014bf04195e8835d1e240693 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2278 Width 3598 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sarah Haven Foster Views of Portsmouth Description An account of the resource The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps. Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster. John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales. Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster. In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery. Views of Portsmouth In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903. Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization. These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin Contributor An entity responsible for making contributions to the resource Portsmouth Public Library Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin Omeka Team, Nicole Cloutier, Robyn Nielsen Subject The topic of the resource Buildings, homes, scenery of Portsmouth and Surrounding communities. Creator An entity primarily responsible for making the resource Portsmouth Public Library Source A related resource from which the described resource is derived Watercolor coll Publisher An entity responsible for making the resource available Portsmouth Public Library Date A point or period of time associated with an event in the lifecycle of the resource Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901. Collection was scanned, 2012/2013. Quality control, research, and metadata created, 2013. Digital Archive Created, 2014. Rights Information about rights held in and over the resource These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Relation A related resource The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time. Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work. Format The file format, physical medium, or dimensions of the resource mages used in the database are jpg files derived from archival .tif files. Type The nature or genre of the resource Watercolor sketches of Portsmouth Architecture. Several used in book illustrations. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth Miscellaneous Miscellaneous Put whatever you want in here. --title::Sarah Haven Views of Portsmouth --text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps. --images::874,865 Watercolor Provenance Gift of Mary A. Foster, 1901 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boatswain Allen's House, New Castle, New Hampshire, rear Creator An entity primarily responsible for making the resource Foster, Sarah Haven (1827-1900) Source A related resource from which the described resource is derived Sarah Haven Foster Views of Portsmouth Date A point or period of time associated with an event in the lifecycle of the resource Mid to late 19th century Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-AA1989.60.71 Subject The topic of the resource New Castle (N.H.) Historic buildings Watercolors (paintings) Description An account of the resource Located in New Castle, NH, this house belonged to Commodore Paul Jones' Boatswain. Inscription reads, "Back of Allen house." Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Rights Information about rights held in and over the resource View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a> Language A language of the resource eng 19th Century Foster historic building New Castle New Hampshire watercolor https://portsmouthexhibits.org/files/original/d3bf5d56f614beef2ce9c52e583a2d7a.jpg bdba67225a52a08bc87872f4371329fd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 700 Width 514 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Haven School Neighborhood Project Description An account of the resource Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums. The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study. Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed. The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image. This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com. Creator An entity primarily responsible for making the resource Portsmouth Public Library, Special Collections Source A related resource from which the described resource is derived Puddle Dock Reunion Photo Albums held by the PPL, Special Collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Contributor An entity responsible for making contributions to the resource Portsmouth Public Library Sherman and Cathy Pridham, scanned and provided factual information for each image. Portsmouth Public Library Omeka Team created the Digital Collection. Rights Information about rights held in and over the resource Rights are held to the Digital Images by the Portsmouth Public Library. Images are intended for research and reference use only. Please see the Copyright information link at the bottom of each page for further information regarding image use and reproduction. Relation A related resource Vertical files of the Portsmouth Public Library contain historical information regarding the neighborhood, locations mentioned, family genealogy, and published works. Puddle Dock reunion video Format The file format, physical medium, or dimensions of the resource Images used in the database are jpg files derived from archival .tif files. Type The nature or genre of the resource Primarily the content of this collection is photographic in nature. The photo collections used in the core of this collection are considered historic information about the people and neighborhood of the South End of Portsmouth. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant South End of Portsmouth, Puddle Dock Neighborhood, Haven School Alumni, late 19th Century-mid 20th Century. Miscellaneous Miscellaneous Put whatever you want in here. --title::Haven School Neighborhood Project --text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed. --images::687,582 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bob Thurber Subject The topic of the resource Portsmouth (N.H.) Men Black-and-white photographs Source A related resource from which the described resource is derived Haven School Neighborhood Project Collection Format The file format, physical medium, or dimensions of the resource JPG derived from TIF Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-P:2010.1.146 Description An account of the resource A black and white image of Bob Thurber leaning against a white fence. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Rights Information about rights held in and over the resource View our <a href="http://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener">Terms of Use and Copyright Information</a> Language A language of the resource eng 20th century photograph South End https://portsmouthexhibits.org/files/original/74e65485625fe7e97062fd9194fffd7e.jpg ad736fa008993a87f0fa9d538134c5ff Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 511 Width 700 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Haven School Neighborhood Project Description An account of the resource Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums. The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study. Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed. The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image. This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com. Creator An entity primarily responsible for making the resource Portsmouth Public Library, Special Collections Source A related resource from which the described resource is derived Puddle Dock Reunion Photo Albums held by the PPL, Special Collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Contributor An entity responsible for making contributions to the resource Portsmouth Public Library Sherman and Cathy Pridham, scanned and provided factual information for each image. Portsmouth Public Library Omeka Team created the Digital Collection. Rights Information about rights held in and over the resource Rights are held to the Digital Images by the Portsmouth Public Library. Images are intended for research and reference use only. Please see the Copyright information link at the bottom of each page for further information regarding image use and reproduction. Relation A related resource Vertical files of the Portsmouth Public Library contain historical information regarding the neighborhood, locations mentioned, family genealogy, and published works. Puddle Dock reunion video Format The file format, physical medium, or dimensions of the resource Images used in the database are jpg files derived from archival .tif files. Type The nature or genre of the resource Primarily the content of this collection is photographic in nature. The photo collections used in the core of this collection are considered historic information about the people and neighborhood of the South End of Portsmouth. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant South End of Portsmouth, Puddle Dock Neighborhood, Haven School Alumni, late 19th Century-mid 20th Century. Miscellaneous Miscellaneous Put whatever you want in here. --title::Haven School Neighborhood Project --text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed. --images::687,582 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bob Thurber and Morris Thurber Subject The topic of the resource Portsmouth (N.H.) Men Black-and-white photographs Source A related resource from which the described resource is derived Haven School Neighborhood Project Collection Format The file format, physical medium, or dimensions of the resource JPG derived from TIF Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-P:2010.1.340 Description An account of the resource A black and white image of Bob Thurber (left) and Morris Thurber (right). Bob is dressed in a military uniform. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Rights Information about rights held in and over the resource View our <a href="http://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener">Terms of Use and Copyright Information</a> Language A language of the resource eng 20th century photograph South End https://portsmouthexhibits.org/files/original/334228f84fd869fc26627ce2369eacf2.jpg 2552cd641f31228c489a21147aff3209 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 700 Width 498 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Haven School Neighborhood Project Description An account of the resource Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums. The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study. Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed. The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image. This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com. Creator An entity primarily responsible for making the resource Portsmouth Public Library, Special Collections Source A related resource from which the described resource is derived Puddle Dock Reunion Photo Albums held by the PPL, Special Collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Contributor An entity responsible for making contributions to the resource Portsmouth Public Library Sherman and Cathy Pridham, scanned and provided factual information for each image. Portsmouth Public Library Omeka Team created the Digital Collection. Rights Information about rights held in and over the resource Rights are held to the Digital Images by the Portsmouth Public Library. Images are intended for research and reference use only. Please see the Copyright information link at the bottom of each page for further information regarding image use and reproduction. Relation A related resource Vertical files of the Portsmouth Public Library contain historical information regarding the neighborhood, locations mentioned, family genealogy, and published works. Puddle Dock reunion video Format The file format, physical medium, or dimensions of the resource Images used in the database are jpg files derived from archival .tif files. Type The nature or genre of the resource Primarily the content of this collection is photographic in nature. The photo collections used in the core of this collection are considered historic information about the people and neighborhood of the South End of Portsmouth. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant South End of Portsmouth, Puddle Dock Neighborhood, Haven School Alumni, late 19th Century-mid 20th Century. Miscellaneous Miscellaneous Put whatever you want in here. --title::Haven School Neighborhood Project --text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed. --images::687,582 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Description An account of the resource A black and white image of Robert (Bobby) Pecunies as a child. He is standing on Jefferson Street. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bobby Pecunies Subject The topic of the resource Portsmouth (N.H.) Children Black-and-white photographs Description An account of the resource A black and white image of Robert (Bobby) Pecunies as a child. He is standing on Jefferson Street. Source A related resource from which the described resource is derived Haven School Neighborhood Project Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Rights Information about rights held in and over the resource View our <a href="http://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener">Terms of Use and Copyright Information</a> Format The file format, physical medium, or dimensions of the resource JPG derived from TIF Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-P:2010.1.093 20th century photograph South End https://portsmouthexhibits.org/files/original/dc9fcad254529c8c572429d0b5f25323.jpg b4d8484dd3cf4f9abc54aba424b92be3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 700 Width 504 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Haven School Neighborhood Project Description An account of the resource Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums. The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study. Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed. The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image. This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com. Creator An entity primarily responsible for making the resource Portsmouth Public Library, Special Collections Source A related resource from which the described resource is derived Puddle Dock Reunion Photo Albums held by the PPL, Special Collections. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Contributor An entity responsible for making contributions to the resource Portsmouth Public Library Sherman and Cathy Pridham, scanned and provided factual information for each image. Portsmouth Public Library Omeka Team created the Digital Collection. Rights Information about rights held in and over the resource Rights are held to the Digital Images by the Portsmouth Public Library. Images are intended for research and reference use only. Please see the Copyright information link at the bottom of each page for further information regarding image use and reproduction. Relation A related resource Vertical files of the Portsmouth Public Library contain historical information regarding the neighborhood, locations mentioned, family genealogy, and published works. Puddle Dock reunion video Format The file format, physical medium, or dimensions of the resource Images used in the database are jpg files derived from archival .tif files. Type The nature or genre of the resource Primarily the content of this collection is photographic in nature. The photo collections used in the core of this collection are considered historic information about the people and neighborhood of the South End of Portsmouth. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant South End of Portsmouth, Puddle Dock Neighborhood, Haven School Alumni, late 19th Century-mid 20th Century. Miscellaneous Miscellaneous Put whatever you want in here. --title::Haven School Neighborhood Project --text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed. --images::687,582 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bobby Watson Subject The topic of the resource Portsmouth (N.H.) Children Black-and-white photographs Source A related resource from which the described resource is derived Haven School Neighborhood Project Collection Format The file format, physical medium, or dimensions of the resource JPG derived from TIF Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-P:2010.1.287 Description An account of the resource A black and white image of Bobby Watson as a child. He is wearing a hat and coat and is standing in the street. A car is in the background. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Rights Information about rights held in and over the resource View our <a href="http://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener">Terms of Use and Copyright Information</a> Language A language of the resource eng 20th century photograph South End https://portsmouthexhibits.org/files/original/97ccf2c6eba094d7fa3e75f85b4ec931.jpg 5031886911a2dc206b857ecd9b5be13c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 2 and 1/2"H x 2 and 1/2"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A typographic-style bookplate in green ink on ivory paper with a deckled edge. Text reads "Quem espera sempre alcan ca" which translates from Portuguese to "Whoever waits always reaches." The text is framed by a square with an anchor in each corner. Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Language A language of the resource Por Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.295 Subject The topic of the resource Bookplates Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris Pearson portuguese https://portsmouthexhibits.org/files/original/30ae184ea2f98eca7df7f04fdbcca051.jpg c52eea0f79fedf924c02c31b222f6596 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and 1/4"H x 2"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A pictorial-style bookplate in brown ink on ivory paper, with a floral motif border. The ventral image is of a room with brick walls and a window, in front of which is a desk and a bench or chair. On the table there is an open book, a rolled up scroll, and a quill and inkpot. There is a cupboard on the wall to the right of the desk, with an open door and books on its shelves. A banner at the top reads "Ex libris" and a blank border over the lower part of the image provides space to write the owner's name. Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.333 Subject The topic of the resource Bookplates Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris pictorial https://portsmouthexhibits.org/files/original/c0c3977839c2553500b7cbcb9e434a3c.jpg b105563633c96340fdf08ce278fa5543 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 3 and 1/2"H x 4 and 3/4"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A template of a pictorial-style bookplate used for marketing, in black ink on ivory paper with an elaborate border of bamboo and vines, with several birds perched on leaves. The central image is of a bearded man in a smoking jacket, lying on a bed or chaise lounge and propped up by pillows, reading a book and smoking a cigarette in a long holder. Two cherubs are attending the man, one playing the lute, and the other carrying a tray with a teacup, tea pot, and sugar dish. A text box reads "Your name here," and beneath is the text "No. 120." Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Language A language of the resource eng Type The nature or genre of the resource StillImageg Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.332 Subject The topic of the resource Bookplates Men in art Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. https://portsmouthexhibits.org/files/original/d97cb8615885be8a6d8109849d2d131a.jpg d7873329cf0650c4daf034476561ad1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and 3/4"H x 3 and 1/2"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A pictorial-style bookplate in black and yellow ink on ivory paper. the central image is printed in black on a rectangle of yellow, featuring an image of an Egyptian boat on zigzag lines representing water. The boat has an elaborately patterned sail, with triangular patterns on the bow and stern, and below a kneeling figure who is holding a rudder. Under the zigzag lines are five fish facing right, and above the image are two rows of hieroglyphics. At the bottom of the bookplate is space where the owner's name could be written. Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.331 Subject The topic of the resource Bookplates Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. Language A language of the resource eng bookplate ex libris Pearson pictorial https://portsmouthexhibits.org/files/original/9338f4c2ad7c63296755356b670a0bf7.jpg 30d2eb4a1a6e4e6ec702225eff9feac1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and 3/4"H x 3 and 1/2"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A pictorial-style bookplate in black and yellow ink on ivory paper. the central image is printed in black on a rectangle of yellow, featuring an image of a great horned owl perched on an oak branch in front of the moon, with its head turned towards the viewer. Beneath is the text "'To who?' 'to who?' to me" and space to write the owner's name. Creator An entity primarily responsible for making the resource F. Bittner Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.330 Subject The topic of the resource Bookplates Animals in art Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris Pearson pictorial https://portsmouthexhibits.org/files/original/13628472c3fa080146545005f1140af8.jpg e6f4f424e8b9933123778223f63db423 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and 3/4"H x 3 and 1/2"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A pictorial-style bookplate in black and yellow ink on ivory paper. the central image is printed in black on a rectangle of yellow, featuring an image of a flying pegasus facing right. Above is the word "Pegasus" and below is a banner with the text "From the books of" with space to write the owner's name. Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.329 Subject The topic of the resource Bookplates Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris pictorial https://portsmouthexhibits.org/files/original/c63b7db7f6e7a928c7b33e1af8bb5255.jpg 78e7c2bac79ca10700efd81440f19799 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and 3/4"H x 3 and 1/2"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A pictorial-style bookplate in black and yellow ink on ivory paper. the central image is printed in black on a rectangle of yellow, and features a quill and a lit candle in front of an open, upright book. Beneath is the text "The book of" with space to write the owner's name. Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.328 Subject The topic of the resource Bookplates Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris Pearson pictorial https://portsmouthexhibits.org/files/original/39b1c07096c10d8ca51277eb3affc314.jpg 7f66f2d24f6db727e8d858441a94dc31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and 3/4"H x 3 and 1/2"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A pictorial-style bookplate in black and yellow ink on ivory paper. the central image is printed in black on a rectangle of yellow, and features a short-haired terrier dog standing on a closed book with their tail raised. Below is the text "Dog on it, this is my book" with space to write the owner's name. Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.327 Subject The topic of the resource Bookplates Animals in art Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris Pearson pictorial https://portsmouthexhibits.org/files/original/364d1b8ba94bf81e6841263647497b5a.jpg 2e75da3a2c4073125ba4397d40926e7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4 and 3/4"H x 3 and 1/2"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A pictorial-style bookplate in black and yellow ink on ivory paper. The central image is printed in black on a rectangle of yellow, and features a woman in a large, frilly dress with curled hair sitting under a coniferous tree and reading a book. In the background is a house with a chimney, and below her is the text "Ex libris." Creator An entity primarily responsible for making the resource F. Bittner Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpeg derived from Tif Language A language of the resource eng Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.326 Subject The topic of the resource Bookplates Women in art Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris pictorial https://portsmouthexhibits.org/files/original/aa6892be1834ee7eae706db48e3b8140.jpg 17a13ac67ab640512a3e78749713dfd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 4"H x 2 and 1/4"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A copy of a preliminary pictorial-style bookplate design in gray ink on ivory paper with a line border. There is a drawing of a landscape, with a path leading through two stone fence posts towards the horizon. There are several trees in the background, and a single large cloud in the sky. At the start of the path is a space for a name sketched in pencil, with "name" written inside it. Handwritten in pencil on the back of the bookplate is the text "Copy of preliminary sketch... This design is for sale as it is for $20, including lettering of name." Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.325 Subject The topic of the resource Bookplates Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. Language A language of the resource eng bookplate ex libris Pearson pictorial https://portsmouthexhibits.org/files/original/1c92a16fdba2b186ca884127fc25c975.jpg 080b92ff01fce6000d87ec28aaa493d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 2 and 5/8"H x 5 and 1 and 1/8"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A pictorial-style bookplate in green ink on ivory paper featuring an image of a hyacinth. There is a line beneath it, and under that is the word "hyacinthus." Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.324 Subject The topic of the resource Bookplates Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. Language A language of the resource eng bookplate ex libris hyacinthus Pearson pictorial https://portsmouthexhibits.org/files/original/9edad638dfdfd170b04c9f32f30ab18a.jpg 6cc3ad95fd910925b1be00170b8ea400 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Helen Pearson Bookplate Collection Creator An entity primarily responsible for making the resource Helen Pearson was the original collector of these bookplates. Contributor An entity responsible for making contributions to the resource Collected and arranged by Helen Pearson & Dorothy Vaughan, beginning 1925. Digitization and database creation, Jessica Ross, Spring/Summer 2017. Omeka additions and metadata, R. Nielsen, 2023. Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Identifier An unambiguous reference to the resource within a given context PPL-MS 1925.1 Subject The topic of the resource Historic bookplates Description An account of the resource A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan. One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. Date A point or period of time associated with an event in the lifecycle of the resource The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949. Nicole Luongo Cloutier, Reference & Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017. Format The file format, physical medium, or dimensions of the resource The images appearing in this database are JPG format, they are derived from archival TIF files. Rights Information about rights held in and over the resource This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. Miscellaneous Miscellaneous Put whatever you want in here. --title::The Helen Pearson Bookplate Collection <br />--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.<br />--images::1814,1551 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image. 3 and 3/4"H x 3 and 1/4"W Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bookplate Description An account of the resource A pictorial-style bookplate in black ink on ivory paper featuring a wreath of roses and leaves. In the center is a simple shield bearing the text "Póδos έĸ βι βλιoθήĸηs," which translates from Greek to "It's been a long time." Source A related resource from which the described resource is derived The Helen Pearson Bookplate Collection Publisher An entity responsible for making the resource available Portsmouth Public Library, Special Collections Format The file format, physical medium, or dimensions of the resource Jpg derived from Tif Language A language of the resource gre Type The nature or genre of the resource StillImage Identifier An unambiguous reference to the resource within a given context PPL-MS: 1925.1.323 Subject The topic of the resource Bookplates Contributor An entity responsible for making contributions to the resource Pearson, Helen (1870-1949) Rights Information about rights held in and over the resource View our <a href="https://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>. bookplate ex libris Pearson pictorial