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                  <text>The items in this collection are part of Helen Pearson's portfolio of work that she created around the time she attended Cowles School of Art in Boston. Portsmouth Herald newspaper articles place her there in 1890, though some of her pieces are dated in the surrounding years.&lt;br /&gt;&lt;br /&gt;Many of the original pieces included in the portfolio are unfinished drawings and sketches. Pearson primarily used charcoal and graphite pencil. She continued to work with graphite throughout her career, most notably in her drawings for &lt;em&gt;Vignettes of Portsmouth&lt;/em&gt;. For some of the works in the portfolio, Pearson used live models, but many of her drawings are of busts or statues, likely drawn from casts or other references. Other works collected in the portfolio include prints of pieces by Maxfield Parrish, William Roffe, and Jacques Lubin, among others, as well as an original painting by Boston artist C.E. Heil.&lt;br /&gt;&lt;br /&gt;Helen Pearson was born on November 13, 1870 to parents Amos and Susan Pearson. Amos Pearson was a florist and music teacher originally from Ipswich, MA. Susan E. (Miller) Pearson was an artist and musician from Portsmouth. Helen Pearson attended the Cowles School of Art in Boston sometime around 1890. She also trained as a concert pianist, playing with the Schenectady Symphony Orchestra in New York. In 1913, Pearson’s drawings were featured in &lt;em&gt;Vignettes of Portsmouth, New Hampshire&lt;/em&gt;, a book she collaborated on with Harold Hotchkiss Bennett. She died on July 19, 1949 at her home on Broad Street in Portsmouth.&lt;br /&gt;&lt;br /&gt;This collection was gifted to the Portsmouth Public Library by Richard Candee in January 2020. It is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.&lt;br /&gt;&lt;br /&gt;More of Helen Pearson's work can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/8"&gt;The Helen Pearson Drawings Collection&lt;/a&gt;. Her &lt;a href="https://portsmouthexhibits.org/collections/show/7"&gt;collection of bookplates&lt;/a&gt; is also viewable and includes her own bookplate which features an original drawing of a meteor over Portsmouth.</text>
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                  <text>The digital images in this collection were captured using a HoverCam Flex 11.</text>
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                  <text>The items in this collection are part of Helen Pearson's portfolio of work that she created around the time she attended Cowles School of Art in Boston. Portsmouth Herald newspaper articles place her there in 1890, though some of her pieces are dated in the surrounding years.&lt;br /&gt;&lt;br /&gt;Many of the original pieces included in the portfolio are unfinished drawings and sketches. Pearson primarily used charcoal and graphite pencil. She continued to work with graphite throughout her career, most notably in her drawings for &lt;em&gt;Vignettes of Portsmouth&lt;/em&gt;. For some of the works in the portfolio, Pearson used live models, but many of her drawings are of busts or statues, likely drawn from casts or other references. Other works collected in the portfolio include prints of pieces by Maxfield Parrish, William Roffe, and Jacques Lubin, among others, as well as an original painting by Boston artist C.E. Heil.&lt;br /&gt;&lt;br /&gt;Helen Pearson was born on November 13, 1870 to parents Amos and Susan Pearson. Amos Pearson was a florist and music teacher originally from Ipswich, MA. Susan E. (Miller) Pearson was an artist and musician from Portsmouth. Helen Pearson attended the Cowles School of Art in Boston sometime around 1890. She also trained as a concert pianist, playing with the Schenectady Symphony Orchestra in New York. In 1913, Pearson’s drawings were featured in &lt;em&gt;Vignettes of Portsmouth, New Hampshire&lt;/em&gt;, a book she collaborated on with Harold Hotchkiss Bennett. She died on July 19, 1949 at her home on Broad Street in Portsmouth.&lt;br /&gt;&lt;br /&gt;This collection was gifted to the Portsmouth Public Library by Richard Candee in January 2020. It is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.&lt;br /&gt;&lt;br /&gt;More of Helen Pearson's work can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/8"&gt;The Helen Pearson Drawings Collection&lt;/a&gt;. Her &lt;a href="https://portsmouthexhibits.org/collections/show/7"&gt;collection of bookplates&lt;/a&gt; is also viewable and includes her own bookplate which features an original drawing of a meteor over Portsmouth.</text>
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                  <text>The digital images in this collection were captured using a HoverCam Flex 11.</text>
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            <description>A name given to the resource</description>
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                <text>Cast drawing of L’Écorché</text>
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                <text>A cast drawing of L’Écorché by Helen Pearson. Charcoal on paper. The original L’Écorché was sculpted in the 18th century by French neoclassical sculptor Jean-Antoine Houdon (1741-1828). "H. Pearson -" is handwritten in ink on the mat in the bottom right corner. Below that, "Portsmouth, N.H." is handwritten in pencil. The paper is mounted on a green mat. The paper bears an indistinguishable watermark in the top left corner.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <description>The topic of the resource</description>
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              <description>A related resource from which the described resource is derived</description>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39290">
                  <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>A language of the resource</description>
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              <description>An unambiguous reference to the resource within a given context</description>
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              <description>An account of the resource</description>
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                  <text>The items in this collection are part of Helen Pearson's portfolio of work that she created around the time she attended Cowles School of Art in Boston. Portsmouth Herald newspaper articles place her there in 1890, though some of her pieces are dated in the surrounding years.&lt;br /&gt;&lt;br /&gt;Many of the original pieces included in the portfolio are unfinished drawings and sketches. Pearson primarily used charcoal and graphite pencil. She continued to work with graphite throughout her career, most notably in her drawings for &lt;em&gt;Vignettes of Portsmouth&lt;/em&gt;. For some of the works in the portfolio, Pearson used live models, but many of her drawings are of busts or statues, likely drawn from casts or other references. Other works collected in the portfolio include prints of pieces by Maxfield Parrish, William Roffe, and Jacques Lubin, among others, as well as an original painting by Boston artist C.E. Heil.&lt;br /&gt;&lt;br /&gt;Helen Pearson was born on November 13, 1870 to parents Amos and Susan Pearson. Amos Pearson was a florist and music teacher originally from Ipswich, MA. Susan E. (Miller) Pearson was an artist and musician from Portsmouth. Helen Pearson attended the Cowles School of Art in Boston sometime around 1890. She also trained as a concert pianist, playing with the Schenectady Symphony Orchestra in New York. In 1913, Pearson’s drawings were featured in &lt;em&gt;Vignettes of Portsmouth, New Hampshire&lt;/em&gt;, a book she collaborated on with Harold Hotchkiss Bennett. She died on July 19, 1949 at her home on Broad Street in Portsmouth.&lt;br /&gt;&lt;br /&gt;This collection was gifted to the Portsmouth Public Library by Richard Candee in January 2020. It is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.&lt;br /&gt;&lt;br /&gt;More of Helen Pearson's work can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/8"&gt;The Helen Pearson Drawings Collection&lt;/a&gt;. Her &lt;a href="https://portsmouthexhibits.org/collections/show/7"&gt;collection of bookplates&lt;/a&gt; is also viewable and includes her own bookplate which features an original drawing of a meteor over Portsmouth.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Scanning, metadata, and Omeka entry by K. Czajkowski and P. Vassiliev, December 2020</text>
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          <description/>
          <elementContainer>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
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                  <text>The digital images in this collection were captured using a HoverCam Flex 11.</text>
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      <name>Still Image</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Drawing of The Belvedere Torso, number 1</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Belvedere torso</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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            <description>An entity responsible for making contributions to the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39192">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL-AA:2020.55</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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              <description>A related resource from which the described resource is derived</description>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="39290">
                  <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>The items in this collection are part of Helen Pearson's portfolio of work that she created around the time she attended Cowles School of Art in Boston. Portsmouth Herald newspaper articles place her there in 1890, though some of her pieces are dated in the surrounding years.&lt;br /&gt;&lt;br /&gt;Many of the original pieces included in the portfolio are unfinished drawings and sketches. Pearson primarily used charcoal and graphite pencil. She continued to work with graphite throughout her career, most notably in her drawings for &lt;em&gt;Vignettes of Portsmouth&lt;/em&gt;. For some of the works in the portfolio, Pearson used live models, but many of her drawings are of busts or statues, likely drawn from casts or other references. Other works collected in the portfolio include prints of pieces by Maxfield Parrish, William Roffe, and Jacques Lubin, among others, as well as an original painting by Boston artist C.E. Heil.&lt;br /&gt;&lt;br /&gt;Helen Pearson was born on November 13, 1870 to parents Amos and Susan Pearson. Amos Pearson was a florist and music teacher originally from Ipswich, MA. Susan E. (Miller) Pearson was an artist and musician from Portsmouth. Helen Pearson attended the Cowles School of Art in Boston sometime around 1890. She also trained as a concert pianist, playing with the Schenectady Symphony Orchestra in New York. In 1913, Pearson’s drawings were featured in &lt;em&gt;Vignettes of Portsmouth, New Hampshire&lt;/em&gt;, a book she collaborated on with Harold Hotchkiss Bennett. She died on July 19, 1949 at her home on Broad Street in Portsmouth.&lt;br /&gt;&lt;br /&gt;This collection was gifted to the Portsmouth Public Library by Richard Candee in January 2020. It is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.&lt;br /&gt;&lt;br /&gt;More of Helen Pearson's work can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/8"&gt;The Helen Pearson Drawings Collection&lt;/a&gt;. Her &lt;a href="https://portsmouthexhibits.org/collections/show/7"&gt;collection of bookplates&lt;/a&gt; is also viewable and includes her own bookplate which features an original drawing of a meteor over Portsmouth.</text>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
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                  <text>The digital images in this collection were captured using a HoverCam Flex 11.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cast drawing of three busts, 1893</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Drawing</text>
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                <text>Michelangelo Buonarroti, 1475-1564. Dying slave</text>
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            <description>An account of the resource</description>
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                <text>A cast drawing by Helen Pearson. Charcoal or graphite on paper. Three busts are drawn side-by-side; right is possibly the bust of The Dying Slave by Michelangelo (1475-1564), carved between 1513 and 1516. "Helen Pearson '93" is handwritten in the bottom right corner. Paper is mounted on thin cardboard. </text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1893</text>
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            <description>An entity responsible for making contributions to the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39207">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Jpg derived from Tif</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <description>Put whatever you want in here.</description>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <description>Put whatever you want in here.</description>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="39237">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <description>An entity primarily responsible for making the resource</description>
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              <description>A related resource from which the described resource is derived</description>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
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                  <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>A language of the resource</description>
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              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>The items in this collection are part of Helen Pearson's portfolio of work that she created around the time she attended Cowles School of Art in Boston. Portsmouth Herald newspaper articles place her there in 1890, though some of her pieces are dated in the surrounding years.&lt;br /&gt;&lt;br /&gt;Many of the original pieces included in the portfolio are unfinished drawings and sketches. Pearson primarily used charcoal and graphite pencil. She continued to work with graphite throughout her career, most notably in her drawings for &lt;em&gt;Vignettes of Portsmouth&lt;/em&gt;. For some of the works in the portfolio, Pearson used live models, but many of her drawings are of busts or statues, likely drawn from casts or other references. Other works collected in the portfolio include prints of pieces by Maxfield Parrish, William Roffe, and Jacques Lubin, among others, as well as an original painting by Boston artist C.E. Heil.&lt;br /&gt;&lt;br /&gt;Helen Pearson was born on November 13, 1870 to parents Amos and Susan Pearson. Amos Pearson was a florist and music teacher originally from Ipswich, MA. Susan E. (Miller) Pearson was an artist and musician from Portsmouth. Helen Pearson attended the Cowles School of Art in Boston sometime around 1890. She also trained as a concert pianist, playing with the Schenectady Symphony Orchestra in New York. In 1913, Pearson’s drawings were featured in &lt;em&gt;Vignettes of Portsmouth, New Hampshire&lt;/em&gt;, a book she collaborated on with Harold Hotchkiss Bennett. She died on July 19, 1949 at her home on Broad Street in Portsmouth.&lt;br /&gt;&lt;br /&gt;This collection was gifted to the Portsmouth Public Library by Richard Candee in January 2020. It is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.&lt;br /&gt;&lt;br /&gt;More of Helen Pearson's work can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/8"&gt;The Helen Pearson Drawings Collection&lt;/a&gt;. Her &lt;a href="https://portsmouthexhibits.org/collections/show/7"&gt;collection of bookplates&lt;/a&gt; is also viewable and includes her own bookplate which features an original drawing of a meteor over Portsmouth.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Scanning, metadata, and Omeka entry by K. Czajkowski and P. Vassiliev, December 2020</text>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
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                  <text>The digital images in this collection were captured using a HoverCam Flex 11.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Drawing of Hermes, number 5</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>A drawing of Hermes by Helen Pearson. Charcoal and graphite on paper. The original marble statue was carved circa 1750 and is on display in Park Sanssouci in Potsdam, Germany. "H. Pearson no 5" is handwritten in the bottom right corner.</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <description>A language of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <description>The topic of the resource</description>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39290">
                  <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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              <name>Format</name>
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              <description>A language of the resource</description>
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                  <text>The items in this collection are part of Helen Pearson's portfolio of work that she created around the time she attended Cowles School of Art in Boston. Portsmouth Herald newspaper articles place her there in 1890, though some of her pieces are dated in the surrounding years.&lt;br /&gt;&lt;br /&gt;Many of the original pieces included in the portfolio are unfinished drawings and sketches. Pearson primarily used charcoal and graphite pencil. She continued to work with graphite throughout her career, most notably in her drawings for &lt;em&gt;Vignettes of Portsmouth&lt;/em&gt;. For some of the works in the portfolio, Pearson used live models, but many of her drawings are of busts or statues, likely drawn from casts or other references. Other works collected in the portfolio include prints of pieces by Maxfield Parrish, William Roffe, and Jacques Lubin, among others, as well as an original painting by Boston artist C.E. Heil.&lt;br /&gt;&lt;br /&gt;Helen Pearson was born on November 13, 1870 to parents Amos and Susan Pearson. Amos Pearson was a florist and music teacher originally from Ipswich, MA. Susan E. (Miller) Pearson was an artist and musician from Portsmouth. Helen Pearson attended the Cowles School of Art in Boston sometime around 1890. She also trained as a concert pianist, playing with the Schenectady Symphony Orchestra in New York. In 1913, Pearson’s drawings were featured in &lt;em&gt;Vignettes of Portsmouth, New Hampshire&lt;/em&gt;, a book she collaborated on with Harold Hotchkiss Bennett. She died on July 19, 1949 at her home on Broad Street in Portsmouth.&lt;br /&gt;&lt;br /&gt;This collection was gifted to the Portsmouth Public Library by Richard Candee in January 2020. It is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.&lt;br /&gt;&lt;br /&gt;More of Helen Pearson's work can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/8"&gt;The Helen Pearson Drawings Collection&lt;/a&gt;. Her &lt;a href="https://portsmouthexhibits.org/collections/show/7"&gt;collection of bookplates&lt;/a&gt; is also viewable and includes her own bookplate which features an original drawing of a meteor over Portsmouth.</text>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
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                  <text>The digital images in this collection were captured using a HoverCam Flex 11.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cast drawing number 16</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Busts</text>
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                <text>Men</text>
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                <text>Drawing</text>
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            <description>An account of the resource</description>
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                <text>A cast drawing by Helen Pearson. Charcoal on paper. Subject is a carved bust of a male with curly hair. "16" is handwritten on verso, upper right.</text>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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                  <text>Watercolor painting</text>
                </elementText>
                <elementText elementTextId="39285">
                  <text>Illustration of books</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39286">
                  <text>Pearson, Helen (1870-1949)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="39287">
                  <text>Helen Pearson Portfolio</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="39288">
                  <text>Portsmouth Public Library, Special Collections</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39289">
                  <text>Late 19th century-early 20th century</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39290">
                  <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39291">
                  <text>Jpg derived from Tif</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39292">
                  <text>eng</text>
                </elementText>
                <elementText elementTextId="39293">
                  <text>Italian</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39294">
                  <text>StillImage</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="39295">
                  <text>PPL-AA: 2020.3-61</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39296">
                  <text>The items in this collection are part of Helen Pearson's portfolio of work that she created around the time she attended Cowles School of Art in Boston. Portsmouth Herald newspaper articles place her there in 1890, though some of her pieces are dated in the surrounding years.&lt;br /&gt;&lt;br /&gt;Many of the original pieces included in the portfolio are unfinished drawings and sketches. Pearson primarily used charcoal and graphite pencil. She continued to work with graphite throughout her career, most notably in her drawings for &lt;em&gt;Vignettes of Portsmouth&lt;/em&gt;. For some of the works in the portfolio, Pearson used live models, but many of her drawings are of busts or statues, likely drawn from casts or other references. Other works collected in the portfolio include prints of pieces by Maxfield Parrish, William Roffe, and Jacques Lubin, among others, as well as an original painting by Boston artist C.E. Heil.&lt;br /&gt;&lt;br /&gt;Helen Pearson was born on November 13, 1870 to parents Amos and Susan Pearson. Amos Pearson was a florist and music teacher originally from Ipswich, MA. Susan E. (Miller) Pearson was an artist and musician from Portsmouth. Helen Pearson attended the Cowles School of Art in Boston sometime around 1890. She also trained as a concert pianist, playing with the Schenectady Symphony Orchestra in New York. In 1913, Pearson’s drawings were featured in &lt;em&gt;Vignettes of Portsmouth, New Hampshire&lt;/em&gt;, a book she collaborated on with Harold Hotchkiss Bennett. She died on July 19, 1949 at her home on Broad Street in Portsmouth.&lt;br /&gt;&lt;br /&gt;This collection was gifted to the Portsmouth Public Library by Richard Candee in January 2020. It is permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.&lt;br /&gt;&lt;br /&gt;More of Helen Pearson's work can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/8"&gt;The Helen Pearson Drawings Collection&lt;/a&gt;. Her &lt;a href="https://portsmouthexhibits.org/collections/show/7"&gt;collection of bookplates&lt;/a&gt; is also viewable and includes her own bookplate which features an original drawing of a meteor over Portsmouth.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39299">
                  <text>Scanning, metadata, and Omeka entry by K. Czajkowski and P. Vassiliev, December 2020</text>
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        <elementSet elementSetId="8">
          <name>Miscellaneous</name>
          <description/>
          <elementContainer>
            <element elementId="115">
              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="39300">
                  <text>The digital images in this collection were captured using a HoverCam Flex 11.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="39268">
                <text>Porfolio</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39269">
                <text>Art portfolios</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39270">
                <text>Hardboard portfolio holding contents of the collection. Two bound boards. "Miss H." and "Pearson - / Portsmouth / N.H. -" handwritten on the front side. "Helen Pearson," "Miss Pearson / Portsmouth / N.H.," "Corner Broad [illegible]" handwritten on verso. "[illegible] 5" is written on both sides.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39271">
                <text>Pearson, Helen (1870-1949)</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="39272">
                <text>Helen Pearson Portfolio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="39273">
                <text>Portsmouth Public Library, Special Collections</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39274">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39275">
                <text>Jpg derived from Tif</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39276">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39277">
                <text>StillImage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="39278">
                <text>PPL-AA:2020.61</text>
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          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="385">
        <name>Pearson</name>
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    </tagContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31705">
                  <text>Henry Clay Barnabee Collection</text>
                </elementText>
              </elementTextContainer>
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              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Henry Clay Barnabee</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="31707">
                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="31709">
                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31710">
                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
                </elementText>
                <elementText elementTextId="31711">
                  <text>Collection arranged, 1995.</text>
                </elementText>
                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
                </elementText>
                <elementText elementTextId="31713">
                  <text>Collection partially indexed and scanned, 2014. </text>
                </elementText>
                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
                </elementText>
                <elementText elementTextId="31715">
                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
                </elementText>
                <elementText elementTextId="31716">
                  <text>Digital collection created in OMEKA, 2019.</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31717">
                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
                </elementText>
                <elementText elementTextId="31718">
                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
                </elementText>
                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="31722">
                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
                </elementText>
                <elementText elementTextId="31724">
                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31726">
                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <elementSet elementSetId="8">
          <name>Miscellaneous</name>
          <description/>
          <elementContainer>
            <element elementId="115">
              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="31937">
                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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              </elementTextContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34594">
                <text>Portrait of Jessie Bartlett Davis as Cynisca by Max Platz, Chicago, 1889</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34595">
                <text>Davis, Jessie Bartlett (1860-1905)</text>
              </elementText>
              <elementText elementTextId="34596">
                <text>Studio portraits</text>
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              <elementText elementTextId="34597">
                <text>Single-sitter portraits</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34598">
                <text>Black and white portrait of Jessie Bartlett Davis in costume as Cynisca from Pygmalion and Galatea. Handwritten on image: "Sincerely yours / Jessie Bartlett Davis / 1889 / 'I see it all I / have returned too soon.' / Galatea." On back of image: "Max Platz, / Photographer, / 88 N. Clark Street, / Chicago."</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Platz, Max (1850-1894)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="34600">
                <text>Henry Clay Barnabee Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="34601">
                <text>Portsmouth Public Library, Special Collections</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34602">
                <text>1889</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34603">
                <text>Jpg derived from Tif</text>
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            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="34604">
                <text>eng</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="34606">
                <text>PPL2017IIPhotoB_4_12</text>
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      <tag tagId="623">
        <name>19th Century</name>
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        <name>Black and White</name>
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      <tag tagId="622">
        <name>Bostonians</name>
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      <tag tagId="641">
        <name>Chicago</name>
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        <name>Costume</name>
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        <name>Cynisca</name>
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        <name>Jessie Bartlett Davis</name>
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        <name>Max Platz</name>
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        <name>Portrait</name>
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      <tag tagId="841">
        <name>Pymalion and Galatea</name>
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                  <text>Henry Clay Barnabee Collection</text>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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Omeka additions and metadata, Jessica Ross, January 2018</text>
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