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Omeka additions and metadata, R. Nielsen, 2023.</text>
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                  <text>A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.  &#13;
&#13;
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and  Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. &#13;
&#13;
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. </text>
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&#13;
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Omeka additions and metadata, R. Nielsen, 2023.</text>
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&#13;
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and  Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. &#13;
&#13;
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&#13;
These images are intended for research and reference use only.  The library holds copyright to the digital images of this collection.  Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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Omeka additions and metadata, R. Nielsen, 2023.</text>
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&#13;
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&#13;
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&#13;
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&#13;
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Omeka additions and metadata, R. Nielsen, 2023.</text>
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&#13;
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&#13;
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&#13;
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and  Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. &#13;
&#13;
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Omeka additions and metadata, R. Nielsen, 2023.</text>
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&#13;
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&#13;
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&#13;
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Omeka additions and metadata, R. Nielsen, 2023.</text>
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&#13;
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and  Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. &#13;
&#13;
Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. </text>
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Omeka additions and metadata, R. Nielsen, 2023.</text>
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&#13;
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&#13;
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&#13;
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&#13;
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Omeka additions and metadata, R. Nielsen, 2023.</text>
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&#13;
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&#13;
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&#13;
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&#13;
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Omeka additions and metadata, R. Nielsen, 2023.</text>
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&#13;
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&#13;
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&#13;
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and  Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. &#13;
&#13;
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Omeka additions and metadata, R. Nielsen, 2023.</text>
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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                  <text>A collection of 336+ historic bookplates and corresponding material from local artist and musician Helen Pearson. These bookplates were accumulated from her travels, acquaintances, other collectors and membership into several national and international bookplate societies. The collection was initially created and organized by Pearson. It arrived at Portsmouth Public Library as a bequest upon her passing on August 19, 1949. The collection was added to and at least partially mounted by then Library Director, Dorothy Vaughan.  &#13;
&#13;
One of the highlights of this collection is Pearson's own bookplate, sketched by her in 1927 and inspired by a comet she saw in Portsmouth. Born Nov. 13, 1870, Pearson was a Portsmouth native and raised in an artistic family. Her father, Amos Pearson, was a florist and music teacher originally from Ipswich, MA. Pearson's mother, Susan, also from Portsmouth, was both an artist and musician as well. The Pearson family boarded local artists, including Susan's sister, Mary E.B. Miller. Miller, who earned her living as a portrait painter, lived with the family for much of Pearson’s childhood. Other tenants in the Pearson home included illustrator Max Parrish and  Ulysses Tenney, best known for his portraits of New Hampshire statesman, notably Franklin Pierce. Pearson was an accomplished concert pianist and attended Cowles Art School in Boston and was known for her pen and ink drawings in local publications. She spent time in both Boston and New York but preferred to live in Portsmouth where she continued her father's nursery and served as a patron of the arts. &#13;
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Bookplates have existed since the fifteenth century and serve today as both historical records of ownership as well as biographical, societal, institutional, artistic and/or cultural statements. Various letters that accompany this bookplate collection acknowledge Pearson's interest in the artistic quality of the bookplates and the individuality displayed in each. Her collection features bookplates from around the globe and range from simple, typographic inserts for institutions to elaborate personal bookplates for European royalty. They have been digitized here for greater accessibility. </text>
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                  <text>The materials were first arranged first by Helen Pearson and then Library Director Dorothy Vaughan between the years of 1925 and 1949.</text>
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                  <text>Nicole Luongo Cloutier, Reference &amp; Special Collections Supervisor, added these items to the city inventory and assigned an accession number to them on April 25, 2011. </text>
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                  <text>Jessica Ross, Special Collections Librarian, created the finding aid and inventory of materials and began digitally scanning the bookplates individually in January of 2017.</text>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.  </text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>This collection was transferred to the Portsmouth Public Library from the estate of Helen Pearson upon her death in 1949 according to the terms of her will. &#13;
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These images are intended for research and reference use only.  The library holds copyright to the digital images of this collection.  Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>--title::The Helen Pearson Bookplate Collection &lt;br /&gt;--text::A collection of 336+ historic bookplates and corresponding material by local artist and musician, Helen Pearson, from her travels, acquaintances, other collectors and membership into several national and international bookplate societies.&lt;br /&gt;--images::1814,1551</text>
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                <text>Bookplate for New York Academy of Medicine</text>
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                <text>A pictorial-style institutional bookplate in black ink on ivory paper featuring  a photograph of Everett Herrick in an oval frame, over a detailed drawing of a bookshelf  in front of ivy-twined columns. Above the columns are banners with the library name, and "the Everett Herrick Fund." Below the bookshelf is a frame containing the academy's seal and additional text which reads “This volume has been purchased for the Library of Medicine from the Proceeds of the Everett Herrick Fund.” </text>
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                <text>George Wharton Edwards</text>
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                <text>The Helen Pearson Bookplate Collection</text>
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                <text>Portsmouth Public Library, Special Collections Dept. </text>
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                <text>PPL-MS: 1925.1.164</text>
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                <text>Pearson, Helen (1870-1949)</text>
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                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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