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                  <text>Henry Clay Barnabee Collection</text>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              <elementTextContainer>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                <elementText elementTextId="31723">
                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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              <description>Put whatever you want in here.</description>
              <elementTextContainer>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Montgomery Ward &amp;amp; Company Building, Chicago, Illinois</text>
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            <description>The topic of the resource</description>
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                <text>Chicago (Ill.)</text>
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            <description>An account of the resource</description>
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                <text>A colorized photographic postcard of a large building with many people on the streets surrounding it. Text on the front reads "Chicago, Montgomery Ward &amp;amp; Co. Building," There is a handwritten note on the front, which reads "Got home from [illegible] yesterday A.M. Was there 3 weeks, found your letter had just arrived ahead of me. I was mighty glad to get it. [Illegible] got here from So. Haven Sunday, [illegible] write very [illegible], leaves this P.M. for Fox Lake - Lots of Love." The back of the postcard is addressed to Mrs. Henry Clay Barnabee, Innisfail, Vineyard Haven, Mass, and is postmarked August 22, 1905.Tex</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="60977">
                <text>Henry Clay Barnabee Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60980">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG derived from TIF</text>
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                <text>eng</text>
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                <text>StillImage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL-MS: 1995.1.IX.017</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sarah Haven Foster Views of Portsmouth</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad.  They depict a wide array of buildings, landscapes, and wild flowers.  Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster.   She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
John Welsh Foster was a prominent member of the Portsmouth community.  He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank.  His businesses dealt with printing, book selling and bookbinding.  His success allowed his daughters the opportunity to make summer trips to Europe.  Sarah and her sister Mary lived in Europe from 1886-1890.  On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life.  Record of her public life is nearly non-existent.  She was a member of the Unitarian Church.  By all accounts she was shy and did not like public attention.  No known likenesses of Sarah have been found.  A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection.  As explained in this chapter, the Foster family was involved in many benevolent and community building activities.  It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad.  The day was warm and extra cars were running to and from the beach.  Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one".  She stepped out after waiting for a car to pass, but an extra car following hit her.  She had been heading home from the Lyman residence.  She died later that day of her sustained injuries.  She was 74 years old.  Foster is buried in Proprietors' cemetery.&#13;
&#13;
Views of Portsmouth&#13;
&#13;
In this album, Foster captures her fondness for the Portsmouth of old.  Her realistic and gentle paintings capture a slightly ideal view of Portsmouth.  These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”.  Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of.  It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing).  Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. &#13;
&#13;
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features.  After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. &#13;
	&#13;
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.&#13;
&#13;
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth.  In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public.  She and others created the library in the Custom house which opened January 1, 1881.  After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. &#13;
&#13;
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant.  Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.&#13;
&#13;
These images were digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
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                  <text>Portsmouth Public Library</text>
                </elementText>
                <elementText elementTextId="19521">
                  <text>Collection was digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
                </elementText>
                <elementText elementTextId="19522">
                  <text>Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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                  <text>Omeka Team, Nicole Cloutier, Robyn Nielsen</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19513">
                  <text>Buildings, homes, scenery of Portsmouth and Surrounding communities.</text>
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              <name>Creator</name>
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                  <text>Portsmouth Public Library</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Watercolor coll</text>
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              <name>Publisher</name>
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                  <text>Portsmouth Public Library</text>
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              <name>Date</name>
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              <elementTextContainer>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
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                  <text>Collection was scanned, 2012/2013.</text>
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                  <text>Quality control, research, and metadata created, 2013.</text>
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                  <text>Digital Archive Created, 2014.</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19524">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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              <elementTextContainer>
                <elementText elementTextId="19525">
                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.&#13;
&#13;
</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>mages used in the database are jpg files derived from archival .tif files. </text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.</text>
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                  <text>This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth</text>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="25676">
                  <text>--title::Sarah Haven Views of Portsmouth&#13;
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.&#13;
--images::874,865</text>
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              <text>Gift of Mary A. Foster, 1901</text>
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                <text>Sarah Haven Foster Views of Portsmouth</text>
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                <text>A watercolor painting of The Monument to the Confederate War Dead, located in Hollywood Cemetery in Richmond, VA. Inscription reads, "Monument to Confederate Soldiers, Richmond, Va."</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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                  <text>The Higgins Family Photograph Collection</text>
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                  <text>Portsmouth (N.H.)</text>
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                  <text>The Higgins Family Photograph Collection consists of over 300 digital images primarily taken in the late 1800s through the first half of the 20th century. The images capture the everyday moments as well as the celebratory occasions of a family living in Portsmouth’s South End neighborhood.&lt;br /&gt;&lt;br /&gt;The original photographs come from the collection of Kathryn (Casey) Higgins (b. 1882). She is credited with the photography of much of the collection. The photos were provided to the library by the late J. Robert (Bob) Shouse, son of Elizabeth Higgins and V. Allen Shouse, and grandson of Kathryn.&lt;br /&gt;&lt;br /&gt;The Higgins family has lived in Portsmouth since the early 1900s when Dr. Martin Andrew Higgins (1883-1953) moved to Pleasant Street and began work as a physician and surgeon. Dr. Higgins was born in 1883 in Somersworth, New Hampshire to Andrew Higgins and Bridget Hanagan. He received his education at the University of Maryland Medical School. On July 12, 1913, Dr. Higgins married Kathryn Casey in Amesbury, Massachusetts, where Kathryn’s family lived. Her parents were Patrick Casey and Mary Burke, both immigrants from Northern Ireland. Kathryn and Dr. Higgins moved into 249 Pleasant Street in Portsmouth, a house that was built in 1900. It was here that they would raise their two daughters, Margaret “Peggy” (Higgins) Haid (1918-2012) and Elizabeth Martina “Betty” (Higgins) Shouse (1920-1997), and where Elizabeth and her husband Veazey Allen Shouse (1920-2002) would stay and raise their ten children. Both Peggy and Betty are the subjects of many of the photos. &lt;br /&gt;&lt;br /&gt;Also prominently featured in the photos is Delia “Dede” (Casey) Hassett (1868-1960), Kathryn’s sister. Delia was married to Joseph Martin Hassett (1869-1925), proprietor of Hassett’s Music and Art Shoppe located at 115 Congress Street. Joseph and Delia had three children – Ruth Hassett DeCourcy, Loretta Hassett Slawson, and John “Jack” Hassett, who can all be seen in several of the images. &lt;br /&gt;&lt;br /&gt;The digital images in this collection are for public viewing only. No use or reproduction is allowed. &lt;br /&gt;&lt;br /&gt;More images of the South End and the Puddledock neighborhoods can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/2" target="_blank" rel="noreferrer noopener"&gt;The Haven School Neighborhood Collection&lt;/a&gt;.</text>
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                  <text>Higgins, Kathryn (Casey) (b. 1882)</text>
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                  <text>The Higgins Family Photograph Collection</text>
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                  <text>Portsmouth Public Library, Special Collections</text>
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                  <text>Late 19th century-mid 20th century</text>
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              <name>Contributor</name>
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                  <text>Metadata creation and Omeka entry by P. Vassiliev, 2020-2021, and R. Nielsen, 2023.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>No use or reproduction allowed</text>
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                <text>War Memorials</text>
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                <text>A black-and-white photograph of the Higgins family standing in front of the Monument for the Victims of the USS Maine in Havana, Cuba, which was built in 1925. The lower portion of the monument can be seen, with several large wreaths in front of it. Kathryn, Martin, Margaret, and Elizabeth Higgins are standing at the base of the steps in front of it, with an unidentified man to their right.</text>
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                <text>The Higgins Family Photograph Collection</text>
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                <text>PPL-P: 2012.1.387</text>
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                    <text>3</text>
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                <name>Width</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums.&#13;
&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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                  <text>Portsmouth Public Library, Special Collections</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Puddle Dock Reunion Photo Albums held by the PPL, Special Collections.</text>
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                  <text>Portsmouth Public Library, Special Collections</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Portsmouth Public Library</text>
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                  <text>Sherman and Cathy Pridham, scanned and provided factual information for each image.</text>
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                  <text>Portsmouth Public Library Omeka Team created the Digital Collection.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Rights are held to the Digital Images by the Portsmouth Public Library. Images are intended for research and reference use only.  Please see the Copyright information link at the bottom of each page for further information regarding image use and reproduction.</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>Vertical files of the Portsmouth Public Library contain historical information regarding the neighborhood, locations mentioned, family genealogy, and published works.  Puddle Dock reunion video</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Images used in the database are jpg files derived from archival .tif files.  </text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Primarily the content of this collection is photographic in nature.  The photo collections used in the core of this collection are considered historic information about the people and neighborhood of the South End of Portsmouth. </text>
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                  <text>South End of Portsmouth, Puddle Dock Neighborhood, Haven School Alumni, late 19th Century-mid 20th Century.</text>
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              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
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                  <text>--title::Haven School Neighborhood Project&#13;
--text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed.&#13;
--images::687,582</text>
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      <name>Still Image</name>
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            <name>Title</name>
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                <text>Morris Thurber, 1943</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad.  They depict a wide array of buildings, landscapes, and wild flowers.  Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster.   She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
John Welsh Foster was a prominent member of the Portsmouth community.  He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank.  His businesses dealt with printing, book selling and bookbinding.  His success allowed his daughters the opportunity to make summer trips to Europe.  Sarah and her sister Mary lived in Europe from 1886-1890.  On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life.  Record of her public life is nearly non-existent.  She was a member of the Unitarian Church.  By all accounts she was shy and did not like public attention.  No known likenesses of Sarah have been found.  A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection.  As explained in this chapter, the Foster family was involved in many benevolent and community building activities.  It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad.  The day was warm and extra cars were running to and from the beach.  Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one".  She stepped out after waiting for a car to pass, but an extra car following hit her.  She had been heading home from the Lyman residence.  She died later that day of her sustained injuries.  She was 74 years old.  Foster is buried in Proprietors' cemetery.&#13;
&#13;
Views of Portsmouth&#13;
&#13;
In this album, Foster captures her fondness for the Portsmouth of old.  Her realistic and gentle paintings capture a slightly ideal view of Portsmouth.  These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”.  Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of.  It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing).  Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. &#13;
&#13;
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features.  After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. &#13;
	&#13;
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.&#13;
&#13;
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth.  In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public.  She and others created the library in the Custom house which opened January 1, 1881.  After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. &#13;
&#13;
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant.  Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.&#13;
&#13;
These images were digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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&#13;
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                  <text>This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth</text>
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--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.&#13;
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19500">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
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                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
                </elementText>
                <elementText elementTextId="19502">
                  <text>Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.</text>
                </elementText>
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                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
                </elementText>
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                  <text>Collection was scanned, 2012/2013. </text>
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                <elementText elementTextId="19505">
                  <text>Quality control, research, and metadata created, 2013.</text>
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                  <text>Digital Archive Created, 2014.</text>
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              <name>Format</name>
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                <elementText elementTextId="19507">
                  <text>Images used in the database are jpg files derived from archival .tif files. </text>
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              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
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                  <text>This collection contains botanical style watercolors.  Plant types are included. </text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="19509">
                  <text>Primarily North American Wildflowers.</text>
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              <name>Publisher</name>
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              <elementTextContainer>
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              <text>Gift of Mary A. Foster, 1901</text>
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            <name>Title</name>
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                <text>Moth mullein</text>
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            <name>Creator</name>
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              <elementText elementTextId="18878">
                <text>Foster, Sarah Haven (1827-1900)</text>
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          </element>
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            <name>Source</name>
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                <text>Sarah Haven Foster Wildflowers</text>
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                <text>Mid to late 19th century</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="18884">
                <text>PPL-AA1989.75.45</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Watercolors (paintings)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A watercolor painting of moth mullein, a flowering biennial herb. Inscription reads, "Verbascum / Blattaria. / Moth Mullein."</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="37475">
                <text>Portsmouth Public Library, Special Collections</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37476">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="37477">
                <text>eng</text>
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        <name>wildflower</name>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
                <name>Bit Depth</name>
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                  <elementText elementTextId="9532">
                    <text>8</text>
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                <name>Channels</name>
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                    <text>3</text>
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                <name>Height</name>
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                    <text>700</text>
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                <name>Width</name>
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Haven School Neighborhood Project</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums.&#13;
&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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                  <text>Portsmouth Public Library, Special Collections</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="19460">
                  <text>Puddle Dock Reunion Photo Albums held by the PPL, Special Collections.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="19461">
                  <text>Portsmouth Public Library, Special Collections</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
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                  <text>Portsmouth Public Library</text>
                </elementText>
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                  <text>Sherman and Cathy Pridham, scanned and provided factual information for each image.</text>
                </elementText>
                <elementText elementTextId="19469">
                  <text>Portsmouth Public Library Omeka Team created the Digital Collection.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19463">
                  <text>Rights are held to the Digital Images by the Portsmouth Public Library. Images are intended for research and reference use only.  Please see the Copyright information link at the bottom of each page for further information regarding image use and reproduction.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="19464">
                  <text>Vertical files of the Portsmouth Public Library contain historical information regarding the neighborhood, locations mentioned, family genealogy, and published works.  Puddle Dock reunion video</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19465">
                  <text>Images used in the database are jpg files derived from archival .tif files.  </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
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                  <text>Primarily the content of this collection is photographic in nature.  The photo collections used in the core of this collection are considered historic information about the people and neighborhood of the South End of Portsmouth. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
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                  <text>South End of Portsmouth, Puddle Dock Neighborhood, Haven School Alumni, late 19th Century-mid 20th Century.</text>
                </elementText>
              </elementTextContainer>
            </element>
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          <name>Miscellaneous</name>
          <description/>
          <elementContainer>
            <element elementId="115">
              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="25677">
                  <text>--title::Haven School Neighborhood Project&#13;
--text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed.&#13;
--images::687,582</text>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mothers and children</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Portsmouth (N.H.)</text>
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                <text>Group portraits</text>
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                <text>Black-and-white photographs</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10911">
                <text>A black and white image of mothers with their children. Pictured (L to R, back row): unidentified woman with unidentified child, Theresa Burkhardt, Connie Moore as an infant, Barbara Rose Moore, Edith "Bubbles" Finnigan; (front row): unidentified child, unidentified child, Joan Finnigan.</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Haven School Neighborhood Project Collection</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="10913">
                <text>JPG derived from TIF</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>PPL-P:2010.1.204&#13;
</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Metadata verified by family member</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="69459">
                <text>Portsmouth Public Library, Special Collections</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="69460">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information" target="_blank" rel="noreferrer noopener"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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        <name>20th century</name>
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        <name>South End</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Henry Clay Barnabee Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Henry Clay Barnabee</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mount Tamalpais and Richardson Bay, Belvedere, California</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>A colorized photographic postcard of a landscape featuring trees and fields, with water and mountains in the background. Text on the front reads "Mount Tamalpais and Richardson Bay, from Belvedere, looking North." A handwritten note on the front reads "Nov. 9th 1905. [Illegible] remembrances from us all. Wishing you very many happy returns of the day &amp;amp; with lots of love from your loony letter friend, Ruth [Illegible]." The postcard is addressed to Mr. Henry Clay Barnaby, Hotel Touraine, Boston, Mass, with 225 Riverside Drive, New York City, N.Y. crossed out, and is postmarked November 9, 1905 from San Francisco, California.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Henry Clay Barnabee Collection</text>
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            <elementTextContainer>
              <elementText elementTextId="62336">
                <text>Portsmouth Public Library, Special Collections</text>
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                <text>1905</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="62338">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL-MS: 1995.1.IX.139</text>
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                  <text>Henry Clay Barnabee Collection</text>
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              <description>The topic of the resource</description>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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              <name>Publisher</name>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                <elementText elementTextId="31711">
                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              </elementTextContainer>
            </element>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                <elementText elementTextId="31722">
                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="31725">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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              <description>Put whatever you want in here.</description>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mount Willey, New Hampshire</text>
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            <description>The topic of the resource</description>
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                <text>Whitefield (N.H.)</text>
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                <text>White Mountains (N.H. and Me.)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A photographic postcard of railroad tracks leading to a mountain. Text beneath reads "Mt. Willey, Souvenir of the White Mountains."</text>
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            <name>Creator</name>
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            <elementTextContainer>
              <elementText elementTextId="61236">
                <text>C.B. Webster and Company</text>
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            <elementTextContainer>
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                <text>Portsmouth Public Library, Special Collections</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="61239">
                <text>View our &lt;a href="https://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Language</name>
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                <text>eng</text>
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            <description>The nature or genre of the resource</description>
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                <text>PPL-MS: 1995.1.IX.038</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Sarah Haven Foster Wildflowers</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="18514">
                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
 Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
 John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
 Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
 Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
 In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.&#13;
&#13;
Wildflowers&#13;
&#13;
The Library has a collection of 75 Wildflower paintings.  Sarah Haven Foster’s original “Catalogue of Water Color Copies of Wild Flowers Presented by Miss Sarah H. Foster to the Portsmouth Public Library 1900” included 81 paintings, but when the collection was gifted by her sister, Mary A. Foster, in 1901, it appears that the collection contained only 75 individual paintings.  &#13;
&#13;
The images represent wild flowers that are native to North America, primarily in the Northeast Seacoast area. Foster likely painted them during the mid to late 1900’s. &#13;
&#13;
Preservation care included removing each painting from acidic mounts and rehousing in polypropylene sleeves. &#13;
&#13;
These images were scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin. Quality control, research, and metadata created by Simmons GSLIS student intern, Jillian Carkin.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="18515">
                  <text>Portsmouth Public Library</text>
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                  <text>Scanned by volunteers Carolyn Gilberti, Cathryn Czajkowski, and Simmons intern Jillian Carkin</text>
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                <elementText elementTextId="19511">
                  <text>Omeka team, Nicole Luongo Cloutier and Robyn Nielsen, created the collection, 2014.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19500">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="19501">
                  <text>The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc.  These will also be scanned and added to the digital archive at a future time.</text>
                </elementText>
                <elementText elementTextId="19502">
                  <text>Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19503">
                  <text>Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.</text>
                </elementText>
                <elementText elementTextId="19504">
                  <text>Collection was scanned, 2012/2013. </text>
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                  <text>Quality control, research, and metadata created, 2013.</text>
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                <elementText elementTextId="19506">
                  <text>Digital Archive Created, 2014.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19507">
                  <text>Images used in the database are jpg files derived from archival .tif files. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19508">
                  <text>This collection contains botanical style watercolors.  Plant types are included. </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19509">
                  <text>Primarily North American Wildflowers.</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="19512">
                  <text>Portsmouth Public Library</text>
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              </elementTextContainer>
            </element>
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      <name>Watercolor</name>
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      <elementContainer>
        <element elementId="105">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
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              <text>Gift of Mary A. Foster, 1901</text>
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          </elementTextContainer>
        </element>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18888">
                <text>Mountain laurel</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18889">
                <text>Foster, Sarah Haven (1827-1900)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="18890">
                <text>Sarah Haven Foster Wildflowers</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18891">
                <text>Mid to late 19th century</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18893">
                <text>Jpg derived from Tif</text>
              </elementText>
            </elementTextContainer>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="18895">
                <text>PPL-AA1989.75.44</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37466">
                <text>Wildflowers</text>
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              <elementText elementTextId="37467">
                <text>Watercolors (paintings)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37468">
                <text>A watercolor painting of mountain laurel, also known as calico-bush or spoonwood. Inscription reads, "Kalmia Latifolia. / Mountain Laurel."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="37469">
                <text>Portsmouth Public Library, Special Collections</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37470">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37471">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
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        <name>20th century</name>
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      <tag tagId="905">
        <name>Foster</name>
      </tag>
      <tag tagId="891">
        <name>watercolor</name>
      </tag>
      <tag tagId="920">
        <name>wildflower</name>
      </tag>
    </tagContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39302">
                  <text>The Higgins Family Photograph Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39303">
                  <text>Portsmouth (N.H.)</text>
                </elementText>
                <elementText elementTextId="39304">
                  <text>Neighborhoods</text>
                </elementText>
                <elementText elementTextId="39305">
                  <text>Streets</text>
                </elementText>
                <elementText elementTextId="39306">
                  <text>Photographs</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39307">
                  <text>The Higgins Family Photograph Collection consists of over 300 digital images primarily taken in the late 1800s through the first half of the 20th century. The images capture the everyday moments as well as the celebratory occasions of a family living in Portsmouth’s South End neighborhood.&lt;br /&gt;&lt;br /&gt;The original photographs come from the collection of Kathryn (Casey) Higgins (b. 1882). She is credited with the photography of much of the collection. The photos were provided to the library by the late J. Robert (Bob) Shouse, son of Elizabeth Higgins and V. Allen Shouse, and grandson of Kathryn.&lt;br /&gt;&lt;br /&gt;The Higgins family has lived in Portsmouth since the early 1900s when Dr. Martin Andrew Higgins (1883-1953) moved to Pleasant Street and began work as a physician and surgeon. Dr. Higgins was born in 1883 in Somersworth, New Hampshire to Andrew Higgins and Bridget Hanagan. He received his education at the University of Maryland Medical School. On July 12, 1913, Dr. Higgins married Kathryn Casey in Amesbury, Massachusetts, where Kathryn’s family lived. Her parents were Patrick Casey and Mary Burke, both immigrants from Northern Ireland. Kathryn and Dr. Higgins moved into 249 Pleasant Street in Portsmouth, a house that was built in 1900. It was here that they would raise their two daughters, Margaret “Peggy” (Higgins) Haid (1918-2012) and Elizabeth Martina “Betty” (Higgins) Shouse (1920-1997), and where Elizabeth and her husband Veazey Allen Shouse (1920-2002) would stay and raise their ten children. Both Peggy and Betty are the subjects of many of the photos. &lt;br /&gt;&lt;br /&gt;Also prominently featured in the photos is Delia “Dede” (Casey) Hassett (1868-1960), Kathryn’s sister. Delia was married to Joseph Martin Hassett (1869-1925), proprietor of Hassett’s Music and Art Shoppe located at 115 Congress Street. Joseph and Delia had three children – Ruth Hassett DeCourcy, Loretta Hassett Slawson, and John “Jack” Hassett, who can all be seen in several of the images. &lt;br /&gt;&lt;br /&gt;The digital images in this collection are for public viewing only. No use or reproduction is allowed. &lt;br /&gt;&lt;br /&gt;More images of the South End and the Puddledock neighborhoods can be seen in &lt;a href="https://portsmouthexhibits.org/collections/show/2" target="_blank" rel="noreferrer noopener"&gt;The Haven School Neighborhood Collection&lt;/a&gt;.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
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                  <text>Higgins, Kathryn (Casey) (b. 1882)</text>
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              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="39309">
                  <text>The Higgins Family Photograph Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="39310">
                  <text>Portsmouth Public Library, Special Collections</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39311">
                  <text>Late 19th century-mid 20th century</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39312">
                  <text>Metadata creation and Omeka entry by P. Vassiliev, 2020-2021, and R. Nielsen, 2023.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39313">
                  <text>No use or reproduction allowed</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39314">
                  <text>JPG</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39315">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39316">
                  <text>StillImage</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="39317">
                  <text>PPL-P: 2012.1</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
    </itemType>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Mountain View House, 1915</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73301">
                <text>Family vacations</text>
              </elementText>
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                <text>Whitefield (N.H.)</text>
              </elementText>
              <elementText elementTextId="73303">
                <text>Black-and-white photographs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73304">
                <text>A black-and-white photograph of Kathryn and Martin Higgins, Alice Mattison, and the Scotts, standing in front of Mountain View House in Whitefield, New Hampshire. They are all dressed in hats and long coats, and there is a car parked behind them.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>The Higgins Family Photograph Collection</text>
              </elementText>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1915-09</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73308">
                <text>No use or reproduction allowed</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73309">
                <text>JPG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73310">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="73311">
                <text>StillImage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="73312">
                <text>PPL-P: 2012.1.128</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="1049" public="1" featured="1">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19443">
                  <text>Louis J. Mackles Postcard</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19444">
                  <text>Postcards of Buildings and Scenes of Portsmouth and other Seacoast Locations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="19445">
                  <text>Louis J. Mackles was the collector of these postcards.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
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                  <text>Louis J. Mackles collected postcards depicting a variety of locations.  The large collection was divided up by vicinity by the donor and deposited in locally appropriate collections.</text>
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                  <text>Donated to the Portsmouth Public Library by Ross Moldoff and family, May 2015.</text>
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                  <text>Digitized, Spring 2016.</text>
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                  <text>Collection rehoused, Spring 2016</text>
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                  <text>Digital Collection created in OMEKA, June 2016.</text>
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                  <text>Collected by Louis J. Mackles.</text>
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                  <text>Digitized by Jessica Ross, Volunteer assistance from Wynn Welch, Spring 2016.</text>
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                  <text>These images are intended for research and reference use only.  The library holds copyright to the digital images of this collection.  Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction. </text>
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                  <text>This is a small part of a larger collection.  Other parts of the collection may be found in....</text>
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                  <text>This collection of 400+ postcards are a mixture of U.S. printed, and foreign printed standards postcards.  They were created for tourist/commercial reasons, but capture interesting historic views of the Portsmouth and Seacoast area. If written on and mailed, they serve an additional layer of historical importance to family historians and genealogists.</text>
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                  <text>Portsmouth and the Seacoast, NH.</text>
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                  <text>This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015.  It was given specifically by Ross A. Moldoff, Gloria F. Moldoff and Harold Moldoff, who felt the collection should be made available for study and enjoyment.  The rehousing of the physical collection into archival albums was made possible by the Moldoffs as well.&#13;
&#13;
Mr. Mackles collected postcards throughout his life. This collection, only a small portion of a much larger number, left behind for family and friends to enjoy, is an interesting historic journey through the Seacoast.  Some buildings depicted are long gone while multiple postcards of the same building show the progression of time.&#13;
&#13;
Postcards (aka "post cards") became popular at the turn of the 20th Century, after being introduced to the U.S. during the Chicago World’s Fair in 1893.  Used primarily for sending short messages to friends and relatives, people collected them immediately as mementos of a trip or journey, historical events, holidays, etc. They were sold to tourists and often advertised local businesses. Individuals created real photograph postcards to send home to relatives when travelling abroad as well.  Immigrants to the U.S. often had photos taken when they arrived at their destination to send home to their native countries.  &#13;
&#13;
DELTIOLOGY is the hobby of collecting postcards according to Merriam-Webster, but more broadly it is considered the collection, study, and preservation of picture postcards for fun, recreation, relaxation, and enjoyment – and for the historical preservation of life in years past [As described by the American Association of Philatelic Exhibitors http://www.aape.org/collectingpicturepostcardsver17jul.asp].&#13;
&#13;
The Mackles collection was primarily published in the U.S. and Germany and contains many different types of postcards.  The standard photo cards, printed and colored or tinted cards, several fold-out strips which became popular in the 1950’s, as well as miniature postcards.  &#13;
&#13;
Major Louis J. Mackles, USAR (Born in Brownsville, Texas, October 4, 1923. Died at Pease Air Force Base, September 6, 1987)&#13;
_______________________________________________________________________________________________&#13;
&#13;
Excerpted from obituary in the Portsmouth Herald, September 8, 1987:&#13;
&#13;
‘…Maj. Mackles attended A&amp;M and UNH, receiving a master’s degree with high honors in chemical engineering. He served in the Philippines during World War II, retiring as a major in the U.S. Army Reserves.  He was the recipient of the Purple Heart and the Bronze Star.  He retired after 30 years as head of the Radiation Control branch of the Portsmouth Naval Shipyard working with Adm. Rickover.&#13;
     Maj. Mackles was a consultant for L.P.I. Engineering in Dover until April 1987.&#13;
     He was a member of Temple Israel, NARFE, Wentworth and Pease Golf Club, the National Association of Technical Supervisors and the Registered Maine State Board of Professional Engineers…’&#13;
&#13;
_______________________________________________________________________________________________&#13;
&#13;
His family kindly provided a copy of the eulogy given in his honor, transcribed as follows:&#13;
Eulogy for Louis Mackles – Label ben Yudel U’Miriam – d. 9/6/87: 12 Elul&#13;
&#13;
We are gathered here today to mourn the passing of Louis Mackles, Label ben Yudel u Miriam, and to speak about his life. Lou, as everyone called him, was born October 4, 1923, the second of two sons, to Idel and Mary Mackles, in Brownsville, TX, and grew up in Galveston, TX. As a young man, he attended Texas A &amp; M for two years. In 1942, when the U.S. entered WWII, he enlisted in the Army. After achieving the rank of Corporal, he was sent to Officers Candidates School in New England.  In 1944, before being sent overseas, Lou and his fellow Jewish soldiers attended services at Temple Israel of Portsmouth. Then Rabbi Oscar Fleishaker had urged his congregant families to welcome the Jewish soldiers, and so it was that Lou met Charlotte, the girl he was to marry.  Lou was commissioned a second Lt. and sent to the Philippines. During an enemy attack, Lou Mackles, despite being wounded himself, saved the life of a wounded comrade, and refused to leave his men. In addition to his wounds, he developed pneumonia from exposure and might have died, had friendly natives not taken him to an Army field hospital – a three-day journey on foot. Army doctors saved his life. Lou was awarded a Bronze Star for bravery under fire. He also gained a lifelong respect and love for the Army, and it was his wish, in the last days of his life, to be treated in a military hospital, this time at Pease Air Force Base. Following the war, Lou served in the Army Reserves, finally retiring with the rank of Major. After his discharge at the war’s end, Lou married Charlotte in Boston on Jan.1, 1946. He then attended the University of NH, attaining his Bachelor’s and Master’s degrees in Chemical Engineering, becoming a professional engineer licensed in both NH and Maine. Son Glenn was born during this period. Then followed a 3-year stint in Wash., DC, where Lou worked for the Bureau of Standards. Thereafter, the family settled permanently in Portsmouth, where daughter Linda was born. Lou took a job at the Navy Yard, where he spent approximately 35 years, working his way up to head of the Radiation Division, building nuclear submarines. Lou was part of the team that produced the Albacore, among other submarines, he served under the legendary Adm. Hyman Rickover.&#13;
&#13;
During his years at the yard, he was honored by being asked to present a gold plate to the sponsor of a nuclear sub – which Navy Yard personnel regarded as the highest honor attainable. But more importantly, Lou was well-respected and liked greatly by his colleagues at work, many of whom stayed in touch over the years. It is symbolic of how well-liked he was that old service buddies and friends from work would stay in touch. When Lou became ill, friends would often call the family to find out how he was doing. About 10 years ago, Lou retired from the Yard and worked as a consultant for a private engineering firm in Dover.&#13;
&#13;
What sort of man was Lou Mackles? Though I myself arrived in Portsmouth only during the last months of his life, I have the testimony of those who knew and loved him. His family and friends can testify that he was a quiet, soft-spoken man who never said an unkind word about anyone else. I can tell you that he loved children, and was happy to serve as Scoutmaster in a boy scout troop when his children were young. But is more of an eloquent tribute to his memory that, when the little boy who lived across the way from the Mackles was told of Lou’s death, he burst into tears. Lou worked hard, often putting in 18-hours days at the Yard, but he was devoted to his family as well. He was proud of his children’s accomplishments, and loved them unquestioningly. He was also especially close to his nieces and nephews, and was godfather to many of them. As for hobbies, Lou was especially good with his hands. He enjoyed gardening, photography, furniture finishing, and working around the house. He himself did much of the work on the home which he and Charlotte built on Moebus Drive. Golf was a great love, as well.&#13;
&#13;
But Lou’s sense of involvement went beyond job, family and hobbies. Having been raised in a traditional family, he retained a strong respect for Judaism, leading him to become an active member of Temple Israel. He served on the Religious Committee, volunteered as an usher on the High Holidays, and helped run the bingo program. Even when he became ill, he refused to take his medicine on Yom Kippur, preferring to fast completely.&#13;
&#13;
When, 6 years ago, Lou discovered he had cancer, he determined to fight it. Recalling his WWII bout with combat wounds and pneumonia, he said, “I was supposed to be a goner in the Philippines, but God gave me 40 more good years.” He fought with courage and determination that serve as an example to us all.  Lou was a quiet man who never complained, who did not wish to be a burden on anyone. But he was a fighter to the end, a self-made man who loved life, who loved people, who made every minute count of the years he was given. His memory will be cherished by all who knew him.&#13;
&#13;
Our religion speaks of the resurrection of the righteous dead. It is one of the most fundamental beliefs of our faith, but one of the most difficult to comprehend. I myself believe that our resurrection depends, not only upon the grade of God, but on the memories we leave our friends and loved ones. Anyone who touched as many lives as did Lou Mackles will surely merit resurrection and eternal life. He will be deeply missed.&#13;
&#13;
__________________________________________________________________________________________&#13;
&#13;
This collection was digitized by Jessica Ross with volunteer help by Wynn Welch, Spring/Summer 2016.  &#13;
Please see below for copyright information.  &#13;
Please contact the Portsmouth Public Library, Special Collections Room, if you have any questions.  603-766-1720.&#13;
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              <elementTextContainer>
                <elementText elementTextId="25675">
                  <text>--title::Mackles Postcard Collection&#13;
--text::This collection of 400+ postcards, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by the family of Louis J. Mackles in May of 2015&#13;
--images::975,1367</text>
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                <text>Mouth of the Piscataqua River</text>
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                <text>Hugh C. Leighton Co., Manufacturing, Portland, ME</text>
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                <text>Louis J. Mackles Collection</text>
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                <text>Additional portions of the Louis J. Mackles Collection may be found at the Rye Historical Society, the New Castle Historical Society, the Portsmouth Navy Yard and a single private collector. </text>
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                <text>Volume 3, Portsmouth Bridge and Water Views #39-40</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <name>Description</name>
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                  <text>Puddle Dock and the South End are the oldest neighborhoods in Portsmouth, New Hampshire, which was settled in 1623. The first school building in Portsmouth was built and opened in 1713 and was located close to the site that would become the Haven School in 1846. When it opened, Haven School contained four graded schools: infant, primary, intermediate, and grammar. In 1969, Little Harbour School was built to replace Haven School. In 1978, the Haven School’s brick building was turned into condominiums.&#13;
&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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                  <text>Portsmouth Public Library, Special Collections</text>
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                  <text>Sherman and Cathy Pridham, scanned and provided factual information for each image.</text>
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                  <text>Rights are held to the Digital Images by the Portsmouth Public Library. Images are intended for research and reference use only.  Please see the Copyright information link at the bottom of each page for further information regarding image use and reproduction.</text>
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                  <text>Vertical files of the Portsmouth Public Library contain historical information regarding the neighborhood, locations mentioned, family genealogy, and published works.  Puddle Dock reunion video</text>
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                  <text>Primarily the content of this collection is photographic in nature.  The photo collections used in the core of this collection are considered historic information about the people and neighborhood of the South End of Portsmouth. </text>
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                  <text>--title::Haven School Neighborhood Project&#13;
--text::The Haven School Neighborhood Digital Collection has been created for several reasons. The library chose to increase access to this important collection because, in part, that is what a public library does, but also because of the importance of this neighborhood to the history of Portsmouth. The members of this community within a community have a story to tell and the nature of that community has dramatically changed.&#13;
--images::687,582</text>
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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&#13;
The Haven School Neighborhood consists of the South End and Puddle Dock areas. Strawbery Banke Museum now occupies the space once known as Puddle Dock. The Haven School Neighborhood is central to all that has happened in Portsmouth since its settlement. It is no exaggeration to say that the history of this neighborhood is at the core of the history of the entire city. Whether the focus is settlement, revolution, maritime activity, economic decline, revitalization, or even acculturation, the Haven School Neighborhood provides the core for study.&#13;
&#13;
Library staff have endeavored to make the Haven School Neighborhood Project public to increase access to this important collection and to the history of the neighborhood. The members of this community within a community, past and present, have a story to tell and the nature of that community has dramatically changed.&#13;
&#13;
The core of this collection was scanned from photo albums of historic images of people and places from Portsmouth’s South End; created from the history and stories contributed by the people who lived there. The subjects include the South End neighborhood, Puddle Dock neighborhood, and Haven School alumni and span the late-19th to mid-20th centuries. These photographs were gathered in 1982 as part of a reunion of the Puddle Dock area (also known as the Haven School neighborhood for the purposes of this project). Copies of the resulting photo albums were given to Portsmouth Public Library following the Reunion. Former residents have also generously contributed additional photographs and documents to our digital archive project. Comments have been, and continue to be, added via the commenting feature available with each image.&#13;
&#13;
This project was made possible by a group of volunteers from the Haven School Neighborhood. Special thanks to Sherm and Cathy Pridham who scanned the majority of these images and provided background information including names, dates, and locations. Images and memories will be added to the project as appropriate over time. &#13;
&#13;
If you have stories and photos you would like to share, please contact Special Collections Librarian Katie Czajkowski at cfczajkowski@cityofportsmouth.com.</text>
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                  <text>The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad.  They depict a wide array of buildings, landscapes, and wild flowers.  Most of the images are painted in miniature, some as small as postage stamps.&#13;
&#13;
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster.   She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.&#13;
&#13;
John Welsh Foster was a prominent member of the Portsmouth community.  He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank.  His businesses dealt with printing, book selling and bookbinding.  His success allowed his daughters the opportunity to make summer trips to Europe.  Sarah and her sister Mary lived in Europe from 1886-1890.  On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.&#13;
&#13;
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life.  Record of her public life is nearly non-existent.  She was a member of the Unitarian Church.  By all accounts she was shy and did not like public attention.  No known likenesses of Sarah have been found.  A 2013 publication entitled Portsmouth Women: Madams &amp; Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection.  As explained in this chapter, the Foster family was involved in many benevolent and community building activities.  It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives. &#13;
&#13;
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.&#13;
&#13;
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad.  The day was warm and extra cars were running to and from the beach.  Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one".  She stepped out after waiting for a car to pass, but an extra car following hit her.  She had been heading home from the Lyman residence.  She died later that day of her sustained injuries.  She was 74 years old.  Foster is buried in Proprietors' cemetery.&#13;
&#13;
Views of Portsmouth&#13;
&#13;
In this album, Foster captures her fondness for the Portsmouth of old.  Her realistic and gentle paintings capture a slightly ideal view of Portsmouth.  These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”.  Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of.  It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing).  Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals. &#13;
&#13;
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features.  After more than a century, the colors remain brilliant and the condition of most of this collection is quite good. &#13;
	&#13;
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.&#13;
&#13;
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth.  In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public.  She and others created the library in the Custom house which opened January 1, 1881.  After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building. &#13;
&#13;
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant.  Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.&#13;
&#13;
These images were digitized almost solely by library volunteer Carolyn Giberti.  Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin</text>
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&#13;
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                  <text>This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth</text>
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--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.&#13;
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