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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
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&#13;
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&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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                <text>Pen and ink drawings</text>
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              <elementText elementTextId="35810">
                <text>Poetry</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Harding, Dorothy Sturgis (1891-1978)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="31577">
                <text>The Dorothy Sturgis Harding Christmas Card Collection</text>
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              <elementText elementTextId="31578">
                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="31579">
                <text>1947</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31580">
                <text>Jpg derived from Tif</text>
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            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="31582">
                <text>PPL-AA2018.1</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31671">
                <text>An original, local Christmas card designed and inked by Dorothy Sturgis Harding. Features a folk poem about "plenty" surrounded by densely ornate landscape foliage with animals inset. A turkey is prominently displayed at center with text banner cascading to bottom. Christmas greeting and date below. Flat card. </text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35811">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>Harding</name>
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        <name>holiday</name>
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        <name>New Hampshire</name>
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        <name>Portsmouth</name>
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        <name>Sturgis</name>
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                  <text>The Dorothy Sturgis Harding Christmas Card Collection </text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Christmas cards</text>
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                  <text>Pen and ink drawings</text>
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                  <text>Portsmouth (N.H.)</text>
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              <name>Creator</name>
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                  <text>Harding, Dorothy Sturgis (1891-1978)</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31408">
                  <text>The Dorothy Sturgis Harding Christmas Card Collection</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="31409">
                  <text>Portsmouth Public Library, Special Collections </text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1947-1975</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="31411">
                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>StillImage</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Donated by Joan Christy, 2018</text>
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                <elementText elementTextId="31430">
                  <text>Digitized by Alexa Moore and Jessica Ross, Spring 2018</text>
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                <elementText elementTextId="35807">
                  <text>Metadata and Omeka additions by Jessica Ross and Alexa Moore, 2018</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31431">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;.</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection of 19 original Christmas cards was created by artist and long-time Portsmouth resident Dorothy Sturgis Harding (1891-1978). These cards are part of a larger amalgamation of Harding memorabilia and were gifted to the Library by Portsmouth resident Joan Christy in January 2018. &#13;
&#13;
The Dorothy Sturgis Harding Christmas Cards are drawn in pen and ink on card stock and were used for holiday greetings in years spanning 1947 through 1976. According to local residents, Harding's Christmas cards were highly prized and eagerly anticipated each year. They are immensely detailed and unique to this artist. Many depict Portsmouth area views; including the historic Martine Cottage, which was one of the Sturgis family homes. &#13;
&#13;
Dorothy Margaret Sturgis was the daughter of Richard Clipston Sturgis and Esther Mary Ogden of Boston. R. Clipston Sturgis was the former President of the American Academy of Arts and Sciences, as well as a fellow of the American Institute of Architects. He built many well-known buildings in Boston including the Franklin Union Building, the Federal Reserve Bank Building, and the Massachusetts School for the Blind. He bought the Martine Cottage off Little Harbor Road in Portsmouth and used it as a hobby farm and summer home until he retired there in 1929. &#13;
&#13;
Dorothy was born in Boston on July 28, 1891. Both she and her brother Richard Jr. followed the family tradition in the pursuit of art and architecture. Richard Jr. eventually became a prominent architect while Dorothy attended both the Winsor School and the Museum of Fine Arts School in Boston. She also studied art under Frederick Hall of Harvard and with renowned illustrator Elizabeth Shippen Green Elliott. &#13;
&#13;
In 1912, Dorothy married Lester Harding and spent most of the remainder of her life pursuing her career and family in Portsmouth. She was a popular bookplate designer, creating personal bookplates for many notable names, including Eleanor Roosevelt and Norman Rockwell. Dorothy and her husband contributed to the maintenance and administration of the Martine Cottage as a working farm and raised three children there. During World War II, Dorothy paid homage to her architectural legacy by enrolling in a certification course at the University of New Hampshire in engineering and drafting. She did so in order to work as a draftsman, drawing submarines for the Portsmouth Navy Yard.&#13;
&#13;
Examples of Harding's bookplates can be seen in our Helen Pearson Bookplate Collection, including copies of the bookplates she designed for Roosevelt and her own famous father. Additional items relating to this family and to the Martine Cottage are available by visiting the Portsmouth Public Library Special Collections Room. </text>
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
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                  <text>eng</text>
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          <name>Miscellaneous</name>
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            <element elementId="115">
              <name>Miscellaneous</name>
              <description>Put whatever you want in here.</description>
              <elementTextContainer>
                <elementText elementTextId="31434">
                  <text>--title::Dorothy Sturgis Harding Christmas Card Collection&#13;
--text::This original collection of 19 historic, depicting buildings and scenes of Portsmouth and the Seacoast area, was donated to the Portsmouth Public Library by Joan Christy, Winter 2018. &#13;
--images:: 2085,2094</text>
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      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="31694">
              <text>Paper</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="31695">
              <text>11.5" x 8.5"</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="31685">
                <text>"When All Things Were in Quiet Silence"</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="31686">
                <text>Christmas cards</text>
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              <elementText elementTextId="35887">
                <text>Pen and ink drawings</text>
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              <elementText elementTextId="35888">
                <text>Sheet music</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="31687">
                <text>Harding, Dorothy Sturgis (1891-1978)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="31688">
                <text>The Dorothy Sturgis Harding Christmas Card Collection</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="31689">
                <text>Portsmouth Public Library, Special Collections</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31690">
                <text>1966</text>
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            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31691">
                <text>Jpg derived from Tif</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31692">
                <text>StillImage</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="31693">
                <text>PPL-AA2018.15</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31696">
                <text>An original, local Christmas card designed and inked by Dorothy Sturgis Harding. Features four lines of music with lyrics written in Latin. Translation of song written below in English. Song is "When All Things Were in Quiet Silence," composed by John Ebenezer West, 1915. Small illustrations decorate the margins of the card. Christmas greeting and date below. Flat card.</text>
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          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35889">
                <text>West, John Ebenezer (1863-1929)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35890">
                <text>View our &lt;a href="http://portsmouthexhibits.org/copyright-information"&gt;Terms of Use and Copyright Information&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="35891">
                <text>eng</text>
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        <name>20th century</name>
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        <name>holiday</name>
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        <name>New Hampshire</name>
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      <tag tagId="5">
        <name>Portsmouth</name>
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      <tag tagId="894">
        <name>Sturgis</name>
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  <item itemId="2105" public="1" featured="0">
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        <src>https://portsmouthexhibits.org/files/original/1df4bb236b0801f0e12a15b39ea9242f.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="31705">
                  <text>Henry Clay Barnabee Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Henry Clay Barnabee</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="31707">
                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="31709">
                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
                </elementText>
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                  <text>Collection arranged, 1995.</text>
                </elementText>
                <elementText elementTextId="31712">
                  <text>Finding aid created, 2010.</text>
                </elementText>
                <elementText elementTextId="31713">
                  <text>Collection partially indexed and scanned, 2014. </text>
                </elementText>
                <elementText elementTextId="31714">
                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
                </elementText>
                <elementText elementTextId="31715">
                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
                </elementText>
                <elementText elementTextId="31716">
                  <text>Digital collection created in OMEKA, 2019.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31717">
                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
                </elementText>
                <elementText elementTextId="31718">
                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
                </elementText>
                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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                <text>Hand-colored photograph in which Henry Clay Barnabee sits on a carved bench with his wife, Clara, standing next to him. A forest is represented on the studio backdrop.</text>
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            <description>A language of the resource</description>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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              </elementTextContainer>
            </element>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              </elementTextContainer>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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            <description>A name given to the resource</description>
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&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <elementTextContainer>
                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <description>The nature or genre of the resource</description>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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            <name>Description</name>
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                <text>Black and white portrait in profile of Henry Clay Barnabee. The logo in the corner reads, "Bushnell / San Francisco / and Oakland" and "17" is handwritten on the image.</text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Henry Clay Barnabee Collection</text>
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        <name>Frederick Bushnell</name>
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        <name>Henry Clay Barnabee</name>
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        <name>Portrait</name>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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                <elementText elementTextId="31708">
                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
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                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              </elementTextContainer>
            </element>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>The nature or genre of the resource</description>
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              <description>Put whatever you want in here.</description>
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                  <text>--title::Henry Clay Barnabee Collection&#13;
--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
--images::2125,2120</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Photograph of Henry Clay Barnabee with Clara George Barnabee and an unidentified man in Brookline, Massachusetts, 1898</text>
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            <description>The topic of the resource</description>
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                <text>Barnabee, Clara George (1833-1917)</text>
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                <text>Black and white photograph of Henry Clay Barnabee sitting on a bench with his wife, Clara. An unidentified man is seated in a rocking chair next to them. Handrritten on the back: "Oct. 2, 1898 at Harvard Ave. Brookline."</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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            <description>An account of the resource</description>
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                <text>Black and white portrait of Henry Clay Barnabee. The corner of the backing board appears to say, "Albany."</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Henry Clay Barnabee Collection</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Jpg derived from Tif</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>StillImage</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PPL2017IIPhotoA_1_15</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Date</name>
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                <text>1890-1900</text>
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        <name>Henry Clay Barnabee</name>
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                  <text>Henry Clay Barnabee Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Henry Clay Barnabee</text>
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                  <text>Henry Clay Barnabee was born in Portsmouth, New Hampshire, in 1833, the son of a stage-driver turned innkeeper in Portsmouth. At the age of twenty, Barnabee moved to Boston, where he worked in the dry goods business while also pursuing acting and amateur singing. In 1859, he married Clara George of Portsmouth in Warner, New Hampshire, where her family originated. They made their home in Jamaica Plain, Massachusetts. In 1865, Barnabee made his formal performance debut and began touring New England with a concert troupe. In 1878, he joined the Boston Ideals, a group formed to present Gilbert and Sullivan’s operetta, H.M.S Pinafore, though the Ideals would go on to perform other operettas. Barnabee and two other actors from the Boston Ideals formed the Bostonians in 1887. The latter group toured widely, making a number of transcontinental trips, until it finally disbanded in 1904. Its mainstay production was Smith and DeKoven’s comic opera, Robin Hood, in which Barnabee played the role of the Sheriff of Nottingham. Clara George Barnabee died in 1906, the year in which Barnabee’s career essentially ended. Henry Clay Barnabee published his autobiography, My Wanderings, in 1913 and died in 1917.&#13;
&#13;
According to the Library Trustee Meeting Minutes Volume, Dec. 1883 – Oct. 1939, page 62, meeting of September 24, 1907, the Henry Clay Barnabee Collection was offered to Portsmouth Public Library in September of 1907 by Barnabee himself. The Library Trustees accepted the gift and were to confer with Barnabee about his wishes for the collection. An article in the States and Union newspaper, September 9, 1909, leads one to wonder when the collection actually physically arrived at the Library. Plans were being made at that time to house the collection in a special room described in great detail in the article. Barnabee was working on an exhibition to be mounted in the Library in 1909. It is unclear from available materials if that exhibition ever materialized or if the collection was even on site at that time.  &#13;
&#13;
The original collection was assembled between 1866 and 1906 by Henry Clay Barnabee and his wife, Clara George Barnabee. Some of the collection was reportedly transferred to the Lamb Club in New York City according to Hannah Fernald in 1943, as quoted in the Portsmouth Herald April 23, 1943. The current collection consists of approximately 10 linear feet of materials, including scrapbooks, photograph albums, loose photographs, musical scores, and books, as well as a small number of other loose items such as a large daguerreotype of a child (probably Barnabee) and two framed watercolors of Barnabee in costume. Most of the material dates from 1866-1906. There are a few items before and after that range, most notably the program from a testimonial held in Barnabee’s honor in Boston during March of 1907. It is arranged in eight series, outlined in a series-level finding aid. &#13;
&#13;
The collection was arranged by Woodard D. Openo, an Archives student in the Simmons College Graduate School of Library and Information Science at the time, in the fall of 1995. Library staff and Simmons College interns have been working on a detailed finding aid since spring of 2010. During the spring of 2014, the New England Archivists Community Outreach Project spent time indexing and scanning parts of the Barnabee collection. In 2018, funds from the Rosamond Thaxter Foundation were procured for the specific use of cleaning and rehousing items from Box Series II B. 1-9 and Box VII Libretto Series. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
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                  <text>The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. </text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Portsmouth Public Library, Special Collections, Portsmouth, New Hampshire.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>Donated to the Portsmouth Public Library between 1907 and 1909.</text>
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                  <text>Collection arranged, 1995.</text>
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                  <text>Finding aid created, 2010.</text>
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                  <text>Collection partially indexed and scanned, 2014. </text>
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                  <text>Grant funds procured for a collection-level assessment by the Northeast Document Conservation Center (NEDCC), 2015.</text>
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                  <text>Grant funds procured for the cleaning and re-housing of the collection, 2018.</text>
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                  <text>Digital collection created in OMEKA, 2019.</text>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Collected  by Henry Clay Barnabee and Clara George Barnabee.</text>
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                  <text>Arranged by Woodard D. Openo, 1995.</text>
                </elementText>
                <elementText elementTextId="31719">
                  <text>Digitized by Nicole Luongo Cloutier, Jessica Ross, Alexa Moore with assistance from Portsmouth Public Library volunteers and the New England Archivists Community Outreach Program, 2010-2017.</text>
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                <elementText elementTextId="31720">
                  <text>Omeka addition and metadata by Katie Czajkowski. Poleena Vassiliev, and Robyn Nielsen.</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31721">
                  <text>These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>This is a small part of a larger collection. Other items from the collection may be viewed by contacting Special Collections at the Portsmouth Public Library. Note that viewing of the physical collection is at the discretion of the Library staff. Some pieces of the collection may be deemed too fragile for in-person viewing.</text>
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                  <text>Additional parts of the collection will be scanned and added to the digital archive at a later time.</text>
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                  <text>Vertical Files in the Special Collections Room contain historical information about Henry Clay Barnabee. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The images appearing in this database are JPG format, they are derived from archival TIF files.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>The Henry Clay Barnabee Collection is comprised of scrapbooks, albums, photographs, musical scores, books, a daguerreotype, and watercolors. </text>
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              <description>Put whatever you want in here.</description>
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--text::The collection was assembled by Henry Clay Barnabee and his wife, Clara George Barnabee between 1866 and 1906. It was donated to the Portsmouth Public Library between 1907 and 1909 by Henry Clay Barnabee, himself. &#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of Henry Clay Barnabee</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Barnabee, Henry Clay (1833-1917)</text>
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                <text>Black and white portrait of Henry Clay Barnabee. The corner of the backing board appears to say, "Albany."</text>
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                <text>Henry Clay Barnabee Collection</text>
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            <name>Publisher</name>
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                <text>Portsmouth Public Library, Special Collections</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1890-1900</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Language</name>
            <description>A language of the resource</description>
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