1
21
6
-
https://portsmouthexhibits.org/files/original/06f2b0ecb4249e08a1d3f2c48efa8057.jpg
8df4358e9a668d5acff0e8833ac56f7f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Drawings
Subject
The topic of the resource
Portsmouth (N.H.)
Historic buildings
Description
An account of the resource
A series of drawings created between 1908-1913 by local artist and Portsmouth native, Helen Pearson (1870-1949).
In 1993, local historian and long-time editor of the Portsmouth Herald, Ray Brighton called Helen Pearson “…one of the best artists Portsmouth ever produced whose talent has been largely forgotten.” Born in Portsmouth on Nov. 13, 1870, Pearson was trained as a concert pianist and attended Boston’s Cowles Art School. She played piano with the Schenectady Symphony Orchestra in New York but was most recognized throughout the Seacoast for her pen and ink drawings in local publications. Her “Open Door” drawing especially, was used for many years in Portsmouth publicity pamphlets. This collection includes 14 original Helen Pearson drawings, 12 of which were created for her 1913 volume Vignettes of Portsmouth, New Hampshire, produced in collaboration with Harold Hotchkiss Bennett.
This collection was gifted to the Portsmouth Public Library by Helen Pearson as a bequest from her estate. Each item underwent evaluation and conservation in 1992 and are permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.
Creator
An entity primarily responsible for making the resource
Pearson, Helen (1870-1949)
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1908-1913
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
Original graphite drawings with pen and ink overlaid; some finished with black and white watercolors.
Contributor
An entity responsible for making contributions to the resource
Digitization and database creation by Jessica Ross and Lael Dalal, Fall 2017
Omeka additions and metadata by Jessica Ross, Fall 2017
Rights
Information about rights held in and over the resource
<span>These images are intended for research and reference use only. The Library holds copyright to the digital images of this collection. </span>Please see our <a href="http://www.portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Drawings
--text::This collection of 14 original drawings, which shows buildings and scenes of Portsmouth and the Seacoast area, was a bequest of the Helen Pearson estate in 1949.
--images::1897,1886
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Drawing/Painting
Physical Dimensions
The actual physical size of the original image.
24 x 41 cm
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fort Point
Subject
The topic of the resource
New Castle (N.H.)
Fort Constitution (N.H.)
Historic buildings
Description
An account of the resource
Original graphite drawing overlaid in pen and ink with possible watercolor, featuring the Portsmouth Harbor Lighthouse, also known as the Fort Point Lighthouse or the Fort Constitution Lighthouse. Created for Pearson's publication of Vignettes of Portsmouth, New Hampshire.
Creator
An entity primarily responsible for making the resource
Pearson, Helen (1870-1949)
Source
A related resource from which the described resource is derived
The Helen Pearson Drawings
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.64
Language
A language of the resource
eng
Rights
Information about rights held in and over the resource
View our <a href="http://www.portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
20th century
drawing
fort
historic building
lighthouse
New Castle
New Hampshire
Pearson
watercolor
-
https://portsmouthexhibits.org/files/original/9319a634f65163c950803c857a577282.jpg
87b370f26915e65e8362ba38fa9ea0bf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Helen Pearson Drawings
Subject
The topic of the resource
Portsmouth (N.H.)
Historic buildings
Description
An account of the resource
A series of drawings created between 1908-1913 by local artist and Portsmouth native, Helen Pearson (1870-1949).
In 1993, local historian and long-time editor of the Portsmouth Herald, Ray Brighton called Helen Pearson “…one of the best artists Portsmouth ever produced whose talent has been largely forgotten.” Born in Portsmouth on Nov. 13, 1870, Pearson was trained as a concert pianist and attended Boston’s Cowles Art School. She played piano with the Schenectady Symphony Orchestra in New York but was most recognized throughout the Seacoast for her pen and ink drawings in local publications. Her “Open Door” drawing especially, was used for many years in Portsmouth publicity pamphlets. This collection includes 14 original Helen Pearson drawings, 12 of which were created for her 1913 volume Vignettes of Portsmouth, New Hampshire, produced in collaboration with Harold Hotchkiss Bennett.
This collection was gifted to the Portsmouth Public Library by Helen Pearson as a bequest from her estate. Each item underwent evaluation and conservation in 1992 and are permanently housed in the Portsmouth Public Library Special Collections. The digital images are available here for research and public viewing.
Creator
An entity primarily responsible for making the resource
Pearson, Helen (1870-1949)
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1908-1913
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
Original graphite drawings with pen and ink overlaid; some finished with black and white watercolors.
Contributor
An entity responsible for making contributions to the resource
Digitization and database creation by Jessica Ross and Lael Dalal, Fall 2017
Omeka additions and metadata by Jessica Ross, Fall 2017
Rights
Information about rights held in and over the resource
<span>These images are intended for research and reference use only. The Library holds copyright to the digital images of this collection. </span>Please see our <a href="http://www.portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>.
Language
A language of the resource
eng
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::The Helen Pearson Drawings
--text::This collection of 14 original drawings, which shows buildings and scenes of Portsmouth and the Seacoast area, was a bequest of the Helen Pearson estate in 1949.
--images::1897,1886
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Drawing/Painting
Physical Dimensions
The actual physical size of the original image.
24.5 x 24.5 cm
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Fort Constitution Gate with Porticullis
Subject
The topic of the resource
New Castle (N.H.)
Fort Constitution (N.H.)
Historic buildings
Description
An account of the resource
Original graphite drawing overlaid in pen and ink and possible watercolor. Created for Pearson's publication of Vignettes of Portsmouth, New Hampshire. Located at 25 Wentworth Road, New Castle, NH.
Creator
An entity primarily responsible for making the resource
Pearson, Helen (1870-1949)
Source
A related resource from which the described resource is derived
The Helen Pearson Drawings
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
1913
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.63
Language
A language of the resource
eng
Rights
Information about rights held in and over the resource
View our <a href="http://www.portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
20th century
drawing
fort
New Castle
New Hampshire
Pearson
watercolor
-
https://portsmouthexhibits.org/files/original/276039829215019f03911687e19da1a8.jpg
aa06ce2738f5302c11caacfa8d633275
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2201
Width
3600
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Walbach Tower, New Castle, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.76
Description
An account of the resource
Located in New Castle at Fort William and Mary. It is a Martello defensive tower built in 1814. Inscription reads, "Walbach Tower, N.C. 1814."
Subject
The topic of the resource
New Castle (N.H.)
Historic buildings
Watercolors (paintings)
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
fort
Foster
historic building
New Castle
New Hampshire
watercolor
-
https://portsmouthexhibits.org/files/original/056f0436b08d97f9fc79758f4585fec4.jpg
927ffb3d6ba783d1416bf06eae5c04a6
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2235
Width
3597
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Gate at Fort Constitution, New Castle, new Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.77
Subject
The topic of the resource
New Castle (N.H.)
Fort Constitution (N.H.)
Watercolors (paintings)
Description
An account of the resource
A watercolor depiction of the gate at Fort Constitution in New Castle. Inscription reads, "Gate of Fort. N. Castle."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
fort
Foster
historic building
New Castle
New Hampshire
watercolor
-
https://portsmouthexhibits.org/files/original/f28d4bf14e73a69c9c10890eca9c8128.jpg
84493e37092e502e4a997d7d69762f94
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1703
Width
3601
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lighthouse, New Castle, New Hampshire
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.78
Description
An account of the resource
"Built by Gov. John Wentworth in 1771. As early as 1765, while Benning Wentworth was Governor, a petition was presented by sundry inhabitants of Portsmouth setting forth the necessity of a light-house at some suitable place near the mouth of Piscataqua Harbor. A committee was appointed to examine the matter, and a sum was appropriated for the erection of such a building, but being entirely insufficient, nothing more was done. In April 1771, Gov. John Wentworth made an earnest appeal to the Provincial Assembly to have enough appropriated to keep at least a lantern lighted at the head of the mast that supports the flagstaff in the Castle, or Fort, saying in the appeal: 'Every future expiring Cry of a drowning Mariner upon our coast, will bitterly accuse the unfeeling Recusant that wastes that Life to save a paltry unblessed Shilling.' A sum was accordingly granted; but in December of the same year, the governor announced that having found this mode of lighting impracticable, he had himself exceeded the grant, and caused the needed edifice to be erected. The debt thus incurred was paid the next year. In 1789 the light-house was ceded by the State to the United States. In 1854 it was remodeled and cut down, in order to distinguish it from the light-house on Whalesback."
Excerpted from The Portsmouth Guide Book, 1896, by Sarah Haven Foster.
Inscription reads, "Light House. N. Castle."
Subject
The topic of the resource
New Castle (N.H.)
Lighthouses
Watercolors (paintings)
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
fort
Foster
historic building
lighthouse
New Castle
New Hampshire
watercolor
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1845
Width
3601
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Sarah Haven Foster Views of Portsmouth
Description
An account of the resource
The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. These were painted locally and during travels abroad. They depict a wide array of buildings, landscapes, and wild flowers. Most of the images are painted in miniature, some as small as postage stamps.
Sarah Haven Foster (1827-1900), was the daughter of John Welsh Foster (1789-1852) and Mary (Appleton) Foster. She had one sister, Mary Appleton Foster, and one brother, Joseph H. Foster.
John Welsh Foster was a prominent member of the Portsmouth community. He was a bookseller and printer, Deacon of the South Meeting House, a Portsmouth Athenaeum founder, school committee member, on the board of selectmen, and incorporator of the Portsmouth Savings Bank. His businesses dealt with printing, book selling and bookbinding. His success allowed his daughters the opportunity to make summer trips to Europe. Sarah and her sister Mary lived in Europe from 1886-1890. On those trips Sarah produced approximately 600 watercolors depicting buildings and landscapes in Germany, France, Italy, Spain, England, Scotland, and Wales.
Aside from a bit of correspondence found in the collection of the Portsmouth Athenaeum, little is known of Sarah Haven Foster’s life. Record of her public life is nearly non-existent. She was a member of the Unitarian Church. By all accounts she was shy and did not like public attention. No known likenesses of Sarah have been found. A 2013 publication entitled Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire’s Port City, edited by Laura Pope, includes a chapter on Sarah Haven Foster written by Maryellen Burke and illustrated with images from the Library’s collection. As explained in this chapter, the Foster family was involved in many benevolent and community building activities. It is likely that Mary, Sarah’s sister, deposited her paintings at the Public Library because of her involvement with the founding of the library, and their shared support of the institution throughout their lives.
Sarah Haven Foster published two books, Watchwords for Young Soldiers, a volume of children’s Bible stories published in 1864, and The Portsmouth Guide Book, published in 1876 by her brother, Joseph H. Foster.
In August 19, 1900, at the age of 74, Sarah was the victim of the first fatal accident on the Portsmouth Electric Railroad. The day was warm and extra cars were running to and from the beach. Reports claimed that the cars were running late and were going "at a good rate, though not a reckless one". She stepped out after waiting for a car to pass, but an extra car following hit her. She had been heading home from the Lyman residence. She died later that day of her sustained injuries. She was 74 years old. Foster is buried in Proprietors' cemetery.
Views of Portsmouth
In this album, Foster captures her fondness for the Portsmouth of old. Her realistic and gentle paintings capture a slightly ideal view of Portsmouth. These 174 miniature paintings are mounted and bound in a single volume entitled “Sketches of Portsmouth”. Collectively, they represent a view of mid-19th century Portsmouth and its environs unlike anything else we are aware of. It includes 34 paintings of buildings in Portsmouth (at last count, 14 of the Portsmouth buildings depicted are still standing). Also included are landscapes and buildings from York, New Castle, Newington, Kittery, Gerrish Island and the Isles of Shoals.
Although in miniature, as you browse through this collection, you will notice Foster’s attention to detail, particularly in the architectural features. After more than a century, the colors remain brilliant and the condition of most of this collection is quite good.
The provenance of this volume is somewhat uncertain; however, Library reports indicate that Sarah’s sister, Mary Appleton Foster, gave her sister’s painting albums to the Public Library between 1900 and 1903.
Mary Appleton Foster was a Civil War Nurse in the 1862-1865. In 1871, with Reverend James De Normandie (Unitarian minister) and others she helped to establish the Young People’s Union, which collected books and loaned them to Portsmouth’s youth. In 1874, the Union ceased, and in 1880 Mary Foster conceived of the idea to loan these books to the public. She and others created the library in the Custom house which opened January 1, 1881. After several moves, eventually, in 1896, a library was established in the "Portsmouth Academy" building.
The Library has addressed some of this album’s conservation needs in recent years through generous funding provided by a New Hampshire Moose Plate Grant. Deborah Mayer, local paper conservator, stabilized the album and re-housed individual fascicles in non-acidic enclosures, also enabling safe handling for digitization.
These images were digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Contributor
An entity responsible for making contributions to the resource
Portsmouth Public Library
Collection was digitized almost solely by library volunteer Carolyn Giberti. Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Quality control and metadata created by Simmons GSLIS student intern, Jillian Carkin
Omeka Team, Nicole Cloutier, Robyn Nielsen
Subject
The topic of the resource
Buildings, homes, scenery of Portsmouth and Surrounding communities.
Creator
An entity primarily responsible for making the resource
Portsmouth Public Library
Source
A related resource from which the described resource is derived
Watercolor coll
Publisher
An entity responsible for making the resource available
Portsmouth Public Library
Date
A point or period of time associated with an event in the lifecycle of the resource
Foster watercolor collection was gifted to the Portsmouth Library by Mary A. Foster, the artist's sister, 1901.
Collection was scanned, 2012/2013.
Quality control, research, and metadata created, 2013.
Digital Archive Created, 2014.
Rights
Information about rights held in and over the resource
These images are intended for research and reference use only. The library holds copyright to the digital images of this collection. Please see the copyright information page (link at bottom of page) for information about obtaining permission for image use and reproduction.
Relation
A related resource
The Library holds several other collections of Sarah Haven Foster watercolors -- European views, etc. These will also be scanned and added to the digital archive at a future time.
Vertical Files in the Special Collections Room contain historical information about SH Foster and her other work.
Format
The file format, physical medium, or dimensions of the resource
mages used in the database are jpg files derived from archival .tif files.
Type
The nature or genre of the resource
Watercolor sketches of Portsmouth Architecture. Several used in book illustrations.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
This coverage of architectural rendering for the mid to late 1900's is a valuable resource in the history of Portsmouth
Miscellaneous
Miscellaneous
Put whatever you want in here.
--title::Sarah Haven Views of Portsmouth
--text::The Portsmouth Public Library’s Special Collections Room holds several albums containing nearly 1000 individual Sarah Haven Foster watercolors. This album depicts a wide array of buildings and views in the Portsmouth and Seacoast area. Most of the images are painted in miniature, some as small as postage stamps.
--images::874,865
Watercolor
Provenance
Gift of Mary A. Foster, 1901
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ruins of Fort Ticonderoga, New York
Creator
An entity primarily responsible for making the resource
Foster, Sarah Haven (1827-1900)
Source
A related resource from which the described resource is derived
Sarah Haven Foster Views of Portsmouth
Date
A point or period of time associated with an event in the lifecycle of the resource
Mid to late 19th century
Format
The file format, physical medium, or dimensions of the resource
Jpg derived from Tif
Type
The nature or genre of the resource
StillImage
Identifier
An unambiguous reference to the resource within a given context
PPL-AA1989.60.126
Subject
The topic of the resource
Ticonderoga (N.Y.)
Landmarks
Watercolors (paintings)
Description
An account of the resource
A watercolor painting of the ruins at Fort Ticonderoga in New York. Inscription reads, "Ruins Fort Ticonderoga, Lake Champlain."
Publisher
An entity responsible for making the resource available
Portsmouth Public Library, Special Collections
Rights
Information about rights held in and over the resource
View our <a href="http://portsmouthexhibits.org/copyright-information">Terms of Use and Copyright Information</a>
Language
A language of the resource
eng
19th Century
fort
Foster
New York
watercolor